Despite his longtime association with Jay-Z, the best and most popular rapper alive during the early 2000s, Memphis Bleek nonetheless continually struggled to overcome his protégé reputation and break through on his own, and his third album, M.A.D.E., again falls a bit short of that mark. Even so, it's a marked improvement for Bleek, a definite step forward and a sure showcase of his growing maturity. His first two albums, Coming of Age (1999) and Understanding (2000), had their moments, usually on the singles, but for the most part, they weren't lasting statements. If anything, they stated that Bleek was no Jay-Z and had a long way to go if he ever wanted to approach those heights. Then he dropped off for a while. In fact, it took him three years until he returned with M.A.D.E., which is longer than some less fortunate rappers' careers -- in other words, a short lifetime in rap years. But the time off seemingly served Bleek well. Throughout M.A.D.E., his flow is tighter than ever, he gets the best beats of his career, and he performs with ferocity on most songs: the opening run of Everything's a Go (with Jay-Z), Round Here (with Trick Daddy and T.I.), and Just Blaze, Bleek & Free (with Freeway) -- all of which are produced by Just Blaze -- get the album off to an astounding start. There's really nowhere to go but down from here, of course, but the remaining hour of music has its moments, albeit sporadic ones. In particular, Kanye West turns in a surprisingly straight interpolation of Michael Jackson's P.Y.T. (titled I Wanna Love U), Scott Storch turns in a moody Dr. Dre-sounding production (We Ballin'), and Just Blaze turns in yet another hot track, a laid-back collabo with Beanie Sigel and Jay-Z (Hypnotic). In contrast, there are some fumbles, in particular a run-of-the-mill Nate Dogg duet that aims for 21 Questions territory but misses. Taken as a whole, M.A.D.E. isn't the standup statement of purpose that Bleek needed to drop, especially after he spent three years on the down-low, but it's a noteworthy stride forward for the young rapper. Sure, a lot of the accolades should go out to Just Blaze, who carries the bulk of this album with his endlessly inventive productions, but Bleek deserves his share of props too. A lot of would-be critics wrote him off years prior, yet he soldiered on, held his composure, and returned with a sporadically great album. ~ Jason Birchmeier, Rovi

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Jim Moore is a tough-as-nails Drill Instructor with a chip on his shoulder: Pvt. Owens, who isn't quite up to snuff. Sgt. Moore is convinced that there's a man underneath that baby powder and sets out to force the private to rise to the occasion. Instead, he drives Owens to bail out altogether. Things only get worse when the Captain steps in and gives Moore three days to make the a Marine out of the petrified private.This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.This product is expected to play back in DVD Video play only devices, and may not play in other DVD devices, including recorders and PC drives.

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Arranged by Ralph Ford. Marching Band. For marching band (Flute/Piccolo, Clarinet 1-2, Alto Saxophone, Tenor Saxophone, Trumpet 1-3, Horn in F, Trombone 1-2, Baritone, Tuba, Mallet Percussion (Bells, Xylophone), Cymbals, Snare Drum, Quad-Toms, Tonal Bass Drums--4 Pitch). Marching Band. Diamond Series. R&B and Soul. Grade 3.5. Conductor Score. 16 pages. Published by Alfred Music Publishing

ADULT is Adam Lee Miller and Nicola Kuperus. D.U.M.E. was recorded in November 2004 in a studio built by ADULT in Detroit. This marks their second release recorded entirely to tape. (The first was a split 7' with Detroit's Dirtbomb's where they discovered the rich sound produced when working with tape.) Also different from previous releases, many of the songs on D.U.M.E. had been played live thus allowing each to evolve a great deal before they were recorded. Thrill Jockey. 2005.

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Features: Kids love drums! The sight, the sound, the power, and the feel are tremendous motivators for many students. D.R.U.M. is an acronym for Discipline, Respect and Unity Through Music. The original D.R.U.M. group was formed at author Jim Solomon's elementary school in 1995 to provide an ensemble experience for students not involved in any of the regular music groups. The group concept is designed to stress teamwork and self-discipline while learning these intensive percussion ensembles built on music from the United States, Brazil, Africa, and China. Useful for general music classes and special groups, this book is a terrific learning tool with unlimited potential! Table of Contents: Publisher: Alfred Composer: Solomon, Jim Catalog Number: BMR08009 Pages: 56