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In this debut historical thriller, an aristocratic young nun must find a legendary crown in order to save her father's life and preserve all she holds dear. When novitiate nun Joanna Stafford learns her rebel cousin is condemned by King Henry VIII to be burned at the stake, she makes the decision to break the sacred rule of enclosure and flee her Dominican order in Dartford to stand at her cousin's side. Arrested for interfering with king's justice, Joanna, along with her father, Sir Richard Stafford, is sent to the Tower of London. Joanna's father is brutally tortured by Stephen Gardiner, the Bishop of Winchester, who leads the Catholic faction bent on saving England's monasteries from destruction. In order to save her father, Joanna must submit to Gardiner's will and become a pawn in the struggle between religious extremes. Gardiner forces Joanna to return to Dartford Priory with a mission: find the long-hidden crown worn by Saxon King Athelstan in AD 937 during the historic battle that first united Britain. Gardiner believes the crown itself to possess a mystical power that will halt the Reformation. Uncovering only dark betrayals and murder at Dartford, Joanna flees with Brother Edmund, a troubled young friar, and with time running out, their hunt for the crown leads them through royal castles, to Stonehenge, and finally to the tomb of the mysterious King Athelstan under Malmesbury Abbey. There Joanna learns the true secret of the crown--a secret tracing all the way back to Golgotha and the relics of the Passion--and must finally determine who to trust and how far she is willing to go to protect a way of life that she passionately loves.
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Joanna (1968) Genevieve Waite, Donald SutherlandDirector: Michael SarneCo-stars: Christian Doermer, Calvin Lockhart108 minutes, ColorDVD-R: Region ALLWaite is a naive young woman who has come to London to study art. She has an affair with her teacher Doermer and takes up with Forster-Jones, a black woman living off of rich men and welfare. She introduces Waite to an entirely different world. Waite has another affair, this time with Scheuer, while Forster-Jones takes up with wealthy lord Sutherland. The four go off to Sutherlands home in Morocco, where he confides to Waite that he is dying of leukemia. He explains that his slow death has taught him to live life to the fullest by committing himself to others. He sponsors a show of Doermers paintings and then dies. After the funeral Waite takes up with Forster-Joness brother Lockhart, a nightclub owner, who gets mixed up with gangsters and ends up in the slammer. Waite, now pregnant, returns to her fathers home to have the child. Slightly surreal, with sunshine-and-roses songs by poet McKuen, the film is most notable for its attempt at dealing openly and honestly with miscegenation. However, the rest of the film falters, particularly from the confusion between what is real and what is imagined. Sutherland steals the film as the dying man. Sexual liaisons are only hinted at: lots of necking but relatively little else. (Sarne may have been trying to make up for this when he made MYRA BRECKENRIDGE). The American release was cut down from the version screened at Cannes and the English release.
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