Wear your conscience on your sleeve with these sterling silver cuff links. Angel and devil monkeys battle it out for control of your soul, in a uniquely creative design that could only have come from Jan Leslie. From the Signature Wild Side collection. Moving sterling silver monkeys; one angel and one devil. Hand-painted enamel details on each. Made in USA.

Leslie's revolutionary G37 100W 1x12 Guitar Combo Amp was designed especially for the professional guitarist. After countless interviews and hundreds of hours of product testing with famous guitarists around the world, Leslie developed this revolutionary amplification system for guitarists. The Leslie G37 amplifier is a 100W RMS solid state power amp and a vacuum tube preamp. Expansive controlsincluding clean volume, channel select, overdrive (gain, volume, and contour), and treble, mid, and bass EQsgive the guitar amp considerable range and power. The cabinet features single-channel, low- and high-input jacks. The two-speed horn and bass rotor has slow and fast speeds that can be adjusted individually. The rotor will automatically stop in the forward position when the stop mode is selected, which maximizes the sound pumping out toward the audience. The FS-10TL foot switch enables the control of the speed of the rotors between stop, slow, and fast. The rugged-built painted speaker cabinet is constructed of 3/4 Medium-Density Fibreboard (MDF), with protective corners and two folding handles.The Leslie Model 18 or Vibratone, is a holy grail for vintage guitar amp collectors. Few pedals can mimic the shimmering sound that a genuine Leslie can bring. The Vibratone amps are hard to find and can't be beat. The Leslie G27 for guitar is a real Leslie, voiced for electric, and acoustic-electric guitar, and beats the vintage box hands-down.FS-10TL Dual foot switch for variable speed controlHorn and rotor positioned at front of the cabinet when stoppedGenuine Leslie rotating horn12 guitar speaker firing into a Leslie drumDual foot switches

The release date and presentation made Ryan Leslie's self-titled album seem somewhat anticlimactic. When it came out, Cassie's mainstream blitz, engineered in many ways by the always visible Leslie, was two and a half years in the past, and a pair of lead-up singles had already fallen off the charts, released up to just over a year prior to the final product. Ryan Leslie came out in February 2009 with strikingly low-profile presentation: a simple black-and-white cover shot and a no-frills booklet with track credits and nothing else, not necessarily what was expected from a flashy and shrewd self-promoter who hired a staff of videographers to document his moves for a well-stocked archive of YouTube clips. And the album did, indeed, nearly shoot its wad before it became a physical object. Those first two singles, Diamond Girl and Addiction (neither of which cracked the Top 30 of the R&B/Hip-Hop chart), are the best of the set, easily the standouts. Instrumentally all synth trills, fillips, and bullfrog croaks, with charmingly clownish boasts on top, Diamond Girl also leads off the album, and it is followed by Addiction, a crafty post-Neptunes production rooted in a barely present kick-drum pattern and synthetic hand percussion patter, ribboned in wavering (and practically queasy) synth flossing. What follows is not a series of radio killers but plenty of depth warranting repeat plays, led by Quicksand, featuring Neptunes/N.E.R.D accessory Brent Paschke on guitar and bass. It's a slick update of In Search Of…'s springy pop-R&B (a la the album's original mix), one with a clever breakdown where the song slips abruptly into a swirl of synthesizers and Leslie's falsetto refrain. As a singer, Leslie is passable, slightly nasally, just skilled enough to pull off a falsetto without sounding silly; it's certainly the melodies and production flourishes, not the voice, that stick in the memory. And that is a blessing in disguise since the lyrics are sometimes flat-out clumsy. It could be that he was too busy with everything else and determined, after running some figures through a formula (he graduated from Harvard at the age of 19), that his creative energies could be optimized by spending more time on hooks and high-hat sounds. On five of the album's 12 songs, he plays and sings everything, while the others tend to involve no more than one additional musician (a not-exactly-heterogeneous crew including Hall & Oates and Saturday Night Live band alum T-Bone Wolk and fashion model slash rumored Leslie love interest Chanel Iman). Enjoyment of the album will be heightened if you are down with Leslie's brainiac schemer persona, but it is not a requirement. Bottom line: the album is one of the stronger pop-R&B releases of the last few years. ~ Andy Kellman, Rovi

Before becoming a designer, Jan Leslie graduated from business school and worked for a Big Eight accounting firm. So she understands the daily grind, and the men who live it every day. Show off your wild side with these intricately sculpted sterling silver lion cuff links. From the Signature Wild Side collection. Sterling silver lions with anti-tarnish rhodium finish. Hand-painted caramel enamel. Made in USA.

Set in 17th-century New England, this frontier romance novel offers unconventional views of early American life. Hope Leslie and other spirited female characters defy Puritanical society to engage in cross-cultural friendships, challenging the then-prevailing bias against Native Americans, and providing a captivating portrait of women's roles in building the new republic.

Free Worldwide Delivery : Waking Up to You : Paperback : Harlequin : 9780373797516 : 0373797516 : 23 Apr 2013 : Waking up to you: Hollywood costume designer Candace Reid would do anything for her gay best friend--even marry him! But before giving up on sex for a while, she needs that last fling. Only, when her injured grandfather asks for her help with his struggling Napa vineyard, her plan for Nooky Time is completely kiboshed... Then she meets the mouthwateringly hot new groundskeeper, Oliver McKean, and