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"Heartpounding suspense," hailed Entertainment Weekly of Peter Clement's first medical thriller, Lethal Practice. Now the former ER physician has done it again--combining his technical expertise with a page-burning plot to create a chillingly plausible novel of suspense.With authentic detail and a surgeon's precision, Clement captures the tense, electrifying atmosphere of a big city hospital turned into a flash point. For in Fatal Medicine, one threat is more dangerous than contagion: the threat of human beings deciding who should live and who should die. . . .Death is a daily, sometimes hourly, occurrence at St. Vincent's Hospital in Buffalo, New York. Now, in his pressure cooker career, Dr. Earl Garnet has broken the cardinal rule of modern medicine: he publicly blames a powerful HMO for practicing "no-fault murder" in the death of an eighteen-month-old baby. The HMO swiftly strikes back, igniting a debilitating boycott of the hospital. But after several accidents nearly cost patients their lives, the true bloodletting begins. A doctor is found sprawled out in the parking lot, his throat cut ear to ear.Blamed for instigating the chaos, Earl Garnet knows that he faces more than a deadly power play. The doctor may have uncovered a conspiracy reaching from the halls of one of the nation's most influential HMOs to a small, experimental clinic in Mexico, where yet another of his patients went for treatment and disappeared. To find answers, Garnet must wade deep into the murky, surreal workings of today's health care industry.Smart, tough, crackling with suspense, and vivid in its hospital setting, this visionary novel instantly places Peter Clement in the distinguished company of Michael Palmer and Robin Cook. Make no mistake: The Procedure is the work of a first-rate physician and an absolutely brilliant storyteller.From the Paperback edition.
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An utterly original literary and intellectual collaboration by two of our keenest moral and political observers has produced a nonfiction Heart of Darkness for our time: the first full reckoning of what actually happened at Abu Ghraib prison, based on hundreds of hours of exclusive interviews with the Americans involved. The Ballad of Abu Ghraib reveals the stories of the American soldiers who took and appeared in the iconic photographs of the Iraq war-the haunting digital snapshots from Abu Ghraib prison that shocked the world-and simultaneously illuminates and alters forever our understanding of those images and the events they depict. Drawing on more than two hundred hours of Errol Morris's startlingly frank and intimate interviews with Americans who served at Abu Ghraib and with some of their Iraqi prisoners, as well as on his own research, Philip Gourevitch has written a relentlessly surprising account of Iraq's occupation from the inside out-rendering vivid portraits of guards and prisoners ensnared in an appalling breakdown of command authority and moral order. What did we think we saw in the infamous photographs, and what were we, in fact, looking at? What did the people in the photographs think they were doing, and why did they take them? What was "standard operating procedure" and what was "being creative" when it came to making prisoners uncomfortable? Who was giving orders, and who was following them? Where does the line lie between humiliation and torture, and why and how does that matter? Was the true Abu Ghraib "scandal" a result of an exposŽ or a cover-up? In exploring these questions, Gourevitch and Morris have crafted a nonfiction morality play that stands to endure as essential reading long after the current war in Iraq passes from the headlines. By taking us deep into the voices and characters of the men and women who lived the horror of Abu Ghraib, the authors force us, whatever our politics, to reexamine the pat explanations in which we have been offered-or sought-refuge, and to see afresh this watershed episode. Instead of a "few bad apples," we are confronted with disturbingly ordinary young American men and women who have been dropped into something out of Dante's Inferno. The Ballad of Abu Ghraib is a book that makes you think and makes you see-an essential contribution from two of our finest nonfiction artists working at the peak of their powers.
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Standard Operating Procedure is a war story that takes its place among the classics. It is the story of American soldiers who were sent to Iraq as liberators only to find themselves working as jailers in Saddam Hussein’s old dungeons, responsible for implementing the sort of policy they were supposed to be fighting against. It is the story of a defining moment in the war, and a defining moment in our understanding of ourselves—the story of the infamous Abu Ghraib photographs of prisoner abuse, as seen through the eyes, and told through the voices, of the soldiers who took them and appeared in them. It is the story of how those soldiers were at once the instruments of a great injustice and the victims of a great injustice. In a tradition of moral and political reckoning, and all-powerful story- telling, that runs from Joseph Conrad’s The Heart of Darkness and Fyodor Dostoevsky’s The Grand Inquisitor to Norman Mailer’s The Executioner’s Song, Philip Gourevitch has written a relentlessly surprising and perceptive account of the front lines of the war on terror. Drawing on more than two hundred hours of Errol Morris’s startlingly frank and intimate interviews with the soldier-photographers who gave us what have become the iconic images of the Iraq war, Standard Operating Procedure is a book that makes you see, and makes you feel, and above all makes you think about what it means to be human. It is an utterly original book that stands to endure as essential reading long after the current war in Iraq passes from the headlines—a work of searing power from two of our finest masters of nonfiction, working at the peak of their powers.
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