March 11, 2011 - Three prefectures in northeastern Japan are devastated by a magnitude 9.0 earthquake, and a massive tsunami that takes the lives of 20,000 people. April 2011 - 75 authors from 11 countries came together to collaborate on a mixed-genre anthology of short stories to benefit the orphans of the disaster-stricken Tohoku area. Horror, humor, human drama, science fiction, fantasy, absurdist, bizarro, weird, new wave, bugpunk, Cthulhu, Sherlock Holmes, historical fiction, I stories, crime, and much more. Of the 75 stories in the anthology, a great portion of them were written for this anthology, including the Jerry Cornelius short Walking the Hog by Michael Moorcock. A fabulous collection! Royalties of this anthology go to the NPO Smile Kids Japan in an effort to support the orphans in the tsunami-struck areas of Iwate, Fukushima and Miyagi (Tohoku). Complete author list (in index order): Katherine Govier, Ken Asamatsu, Lee Pletzers, Joseph S. Pulver, Sr., S.A. Gambino, Michael Allen Rose, Nickolas Furr, Garrett Cook, Touya Tachihara, Jess Gulbranson, Alvin Pang, Robert M. Price, Kevin Lovelace, Junichi Ashikawa, Dan Ryan, Adam Joffrain, Moxie Mezcal, Andersen Prunty, L. Christopher Bird, Minoru Inaba, Richard Wright, Kirk Marshall, Davide Mana, Show Tomono, Jon Courtenay Grimwood, Christene Britton-Jones, Philip Overby, Yuusuke Tokita, David Agranoff, Bradley Sands, Naohiko Kitahara, Michael John Grist, Edmund Colell, Trent Zelazny, Riri Shimada, Made in DNA, Glynn Barrass, Fulvio Gatti, Nirnara, Melissa J White, Fumihiko Iino, Curt Seubert, Elizabeth Black, John F. Rice, Hiroshi Yamamoto, Volker Baetz, Andrew Freudenberg, Terrie Czechowski, Lucía González Lavado, Mie Takase, Stephen A. North, Ran Cartwright, Ukyou Kodachi, Danilo Arona, David Naughton-Shires, John Shirley, Jonathan Moon, Tadashi Ohta, Richard Salter, Midori Tateyama, Grant Wamack, Massimo Soumaré, Yufuko Senoh, Berry Sizemore, Ash Lomen, Adam Breckenridge, Yasumi Kobayashi, Jason Wuchenich, Ryuto Hijiri, Vittorio Catani, Joji Hayashi, Kevin David Anderson, Tamao Kanroji, Michael Moorcock, and Shinya Gaku.

Groove Adventure Rave - Yukyu no Kizuna (PSOne Books) Japanese Format (NTSC-J). Box,package,

Maturity always seemed an alien concept to Oasis. The brothers Gallagher may have worshiped music made before their birth but there was no respect to their love: they stormed the rock & roll kingdom with no regard for anyone outside themselves, a narcissism that made perfect sense when they were young punks, as youth wears rebellion well, but the group's trump card was how their snottiness was leveled by their foundation in classic pop. This delicate balance was thrown out of whack after the phenomenal success of 1995's (What's the Story) Morning Glory?, when the group sunk into a pit of excess that they couldn't completely escape for almost a full decade. When Oasis did begin to re-emerge on 2005's Don't Believe the Truth they sounded like journeymen, purveyors of no-frills rock & roll. All this makes the wallop of 2008's Dig Out Your Soul all the more bracing. Colorful and dense where Don't Believe the Truth was straightforward, Dig Out Your Soul finds Oasis reconnecting to the churning psychedelic undercurrents in their music, sounds that derive equally from mid-period Beatles and early Verve. This is heavy, murky music, as dense, brutal, and loud as Oasis has ever been, building upon the swagger of Don't Believe and containing not a hint of the hazy drift of their late-'90s records: it's what Be Here Now would have sounded like without the blizzard of cocaine and electronica paranoia. Dig Out Your Soul doesn't have much arrogance, either, as Oasis' strut has mellowed into an off-hand confidence, just like how Noel Gallagher's hero worship has turned into a distinct signature of his own, as his Beatlesque songs sound like nobody else's, not even the Beatles. His only real rival at this thick, surging pop is his brother Liam, who has proven a sturdy, if not especially flashy songwriter with a knack for candied Lennonesque ballads like I'm Outta Time. To appreciate what Liam does, turn to Gem Archer's To Be Where There's Life and Andy Bell's The Nature of Reality, which are enjoyable enough Oasis-by-numbers, but Liam's numbers resonate, getting stronger with repeated plays, as the best Oasis songs always do. But, as it always does, Oasis belongs to Noel Gallagher, who pens six of the 11 songs on Dig Out Your Soul, almost every one of them possessing the same sense of inevitability that marked his best early work. Best among these are the titanic stomp of Waiting for the Rapture and the quicksilver kaleidoscope of The Shock of the Lightning, a pair of songs that rank among his best, but the grinding blues-psych of Bag It Up and gently cascading The Turning aren't far behind, either. These have the large, enveloping melodies so characteristic of this work and what impresses is that he can still make music that sounds not written, but unearthed. These six tunes are Noel's strongest since Morning Glory -- so strong it's hard not to wish he wrote the whole LP himself -- but what's striking about Dig Out Your Soul is how its relentless onslaught of sound proves as enduring as the tunes. This is the sound of a mature yet restless rock band: all the brawn comes from the guitars, all the snarl comes from Liam Gallagher's vocals, who no longer sounds like a young punk but an aged, battered brawler who wears his scars proudly, which is a sentiment that can apply to the band itself. They're now survivors, filling out the vintage threads they've always worn with muscle and unapologetic style. [A Japanese version was also released.] ~ Stephen Thomas Erlewine, Rovi

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Release Date: 2009-01-06, Audio CD, King Japan/Zoom

Release Date: 2009-01-06, Audio CD, King Japan/Zoom

This double-CD set, not the legendary triple-CD (four-LP) Carnegie Hall concert, is the one to get to hear what Chicago sounded like in their classic early period. In contrast to the Carnegie Hall show, where the band emphasized its precision to the point of deadening any excitement that might have been generated, here Chicago sounds upbeat and lively, bent on giving a good, exciting show and not on capturing a perfect performance. There are moments, as on the crescendo of Dialogue, where the spirit outstrips the cleanness of the performance, but the group is so tight and forceful that one lets them slide by; at other times, as on Beginnings, they're so smooth and lithe in their extension of the piece that one just wants to bask in it; and then they switch gears to the rougher, harder Mississippi Delta City Blues, and make that work too. The whole performance is good, with a steady stream of worthwhile high points. The repertory runs up through Saturday in the Park and Dialogue, and includes the core of their albums up through Chicago V (including the notorious Song for Richard Nixon and His Friends). The recording is so close that one hears every bass note and guitar lick, and feels practically in the bells of the trumpets, trombones, and so on, and the mix is vivid and spacious. It shows what an embarrassment of riches Columbia was faced with in the group's output that they never issued this performance in America, favoring the more hyped but far less entertaining and exciting Carnegie Hall show -- it was only Chicago's buying back of their catalog in the mid-'90s that got Live in Japan released in the U.S., more than 20 years after its first appearance in Japan. ~ Bruce Eder, Rovi