A collection of Steve’s finest work from his Magna Carta sessions Bonus: 11 minute video interview with Steve. Steve Morse performing with Terry Bozzio, Dave LaRue, James Murphy, Mike Portnoy, John Petrucci, Van Romaine, Jordan Rudess, Billy Sheehan and Mark Wood. Take almost anything Morse does on these compositions, whether it’s the ever-darting, constantly modulating ostinato on "Heightened Awareness", or the thematic line from "Busybodies", or perhaps the dense layers of "Wooden Music". You will notice that melody always takes precedence. Mind you, you’ ll also get a good dose of speed and heightened articulation: Perhaps this is what happens when a left-handed player turns the guitar around and plays it the "right" way. It places his stronger hand on the neck, promoting dexterity—and adding a certain "meat" to the tone. Morse’s lines don’t whither or trail off. Of course, this is very much a conscious effort and has much to do with his right hand picking virtually every note—not a lot of slurring going on! Also key to his unique sound is the design of his instrument, one that has evolved from the early years when he employed multiple pickups to catch every string nuance. Steve wears his southern influences on his sleeve. While his tone speaks of the blues greats, it also twangs of the country. Listen to the way he handles the Yes standard, "The Clap". No question, Morse can hang with the likes of Albert Lee any day. Aside from deep country and that Dixie funk, Morse exhibits a huge variety of guitar influences, from Steve Howe to John McLaughlin, the latter who seemed to define for a generation the proper ratio of jazz to rock. Then there’s this pervasive baroque thing, almost Mozart like in its staccato phrases and Bach like in its serenity—evidence, perhaps, of Steve’s classical studies in Florida (check out "Air on a 6-String" or the figure that begins around 00.50 on "Prognosis"). No wonder he used to typify his work as "modern chamber music"!

This novel stands out from the crowd in that the view-point takes the reader into the mind of not only the 'good guys' but into the mind of the terrorists explaining who and why they are. The reader is exposed to a range of causes from trauma to greed. The story revolves around an ex-military counter-terrorist agent and sniper and details a series of terrorist's attacks on America. Each of the attacks are carried out a month apart on several targets at the same time. As the attacks continue, the FBI enlists the help of an ex-military team. One of the members is the FBI's prime suspect for a good reason, he planned the attacks. But, is he the one who is doing them? The team must prove he is innocent while the FBI tries to prove he's guilty before the country is completely destroyed. Learn more and follow us on Facebook; www.facebook.com/Prime.Joe.Seward

William Bellow is an experienced bug hunter who comes as close as any human to the anticipated Transformation that links man to machine. As he digs into the problems surrounding New London's most advanced programming, the nature of his own memories and the events of his past are called into question. Desperate manipulations and complex deceptions take him from the corporate towers to the underground resistance as Bellow's work quickly escalates into a fight for his life in both the physical and virtual worlds.

A collection of Steve’s finest work from his Magna Carta sessions Bonus: 11 minute video interview with Steve. Steve Morse performing with Terry Bozzio, Dave LaRue, James Murphy, Mike Portnoy, John Petrucci, Van Romaine, Jordan Rudess, Billy Sheehan and Mark Wood. Take almost anything Morse does on these compositions, whether it’s the ever-darting, constantly modulating ostinato on "Heightened Awareness", or the thematic line from "Busybodies", or perhaps the dense layers of "Wooden Music". You will notice that melody always takes precedence. Mind you, you’ ll also get a good dose of speed and heightened articulation: Perhaps this is what happens when a left-handed player turns the guitar around and plays it the "right" way. It places his stronger hand on the neck, promoting dexterity—and adding a certain "meat" to the tone. Morse’s lines don’t whither or trail off. Of course, this is very much a conscious effort and has much to do with his right hand picking virtually every note—not a lot of slurring going on! Also key to his unique sound is the design of his instrument, one that has evolved from the early years when he employed multiple pickups to catch every string nuance. Steve wears his southern influences on his sleeve. While his tone speaks of the blues greats, it also twangs of the country. Listen to the way he handles the Yes standard, "The Clap". No question, Morse can hang with the likes of Albert Lee any day. Aside from deep country and that Dixie funk, Morse exhibits a huge variety of guitar influences, from Steve Howe to John McLaughlin, the latter who seemed to define for a generation the proper ratio of jazz to rock. Then there’s this pervasive baroque thing, almost Mozart like in its staccato phrases and Bach like in its serenity—evidence, perhaps, of Steve’s classical studies in Florida (check out "Air on a 6-String" or the figure that begins around 00.50 on "Prognosis"). No wonder he used to typify his work as "modern chamber music"!

"Mad March", Mike Portnoy accompanies Dixie Dreg’s bassist Andy West. The drummer comes up from underneath, firing off barrages of double bass drums in challenging patterns that seem to complexify and invert themselves, injecting urgency into the apocalyptic vision. We don’t get far into Liquid Tension Experiment’s "Freedom of Speech" before we’re lighting up the wooden matches, especially as Petrucci’s first guitar solo nears its peak! This is romance-epitomized and, for Mike Portnoy, his finest hour. His drumming is built for the arena. Rapid-fire sixteenth notes on closed hi-hats are the showers in "Acid Rain", the pitter-pattering echoed by Levin and Petrucci at various junctures. "Endless Enigma" alternates from gentle to chaotic. The church-like cadence around the 2:00 point is a clever device, providing sanctuary and calm. A drum roll sets us up for "Chris and Kevin’s Excellent Adventure". Mike’s rollicking half-time shuffle is the perfect jaunty groove to complement a light-hearted, whistling theme. "Working Man", from the Rush tribute album of the same name, is as heavy as heavy gets, a musical migraine spiked by Lee’s seamless scintillating guitar. Portnoy chooses his spaces, filling them with double bass drum/tom clusters. All the while, he forges ahead with the heavy touch of his mentor. "By-Tor and the Snow Dog", another hats off to Rush, evolves into a screamer (at least once the vocal takes over) that is equal parts Geddy and Ozzy. Note the drum solos, ever increasing in intensity, interspersed between ensemble themes. "Another Dimension" is an effective Gage remix in which chattering snippets of instrument voices and atypical snare drum timbres provide a haunting backdrop. The Vapourspace remix introduces a steady stream of unusual undulating tones, then slowly pulls them back, dissolving them into a mist of white noise. "Three Minute Warning Edit" begins as a funky, organ laced jam, and graduates through various movements in the same key until it winds down—perhaps due to a warning that the two-inch tape is at the end of the reel! Portnoy’s opening contribution is joyfully bouncy, while his handling of the various transitions is brilliant. Such freedom, such compositional latitude! It reminds us why Mike Portnoy is the envy of the working drummer who enjoys no such free reign.

rafi e' una bella trentasettenne newyorkese che e' appena stata lasciata dal marito. una donna in carriera, ha uno spirito grintoso e ha deciso che e' arrivato il momento di conoscere gente stimolante. su consiglio della sua analista lisa si getta allo sbaraglio e finisce per innamorarsi, ricambiata, di dave, un pittore giovane e attraente. tutto perfetto a parte il fatto che dave e' in realta' il figlio della sua terapista, e ha quattordici anni in meno di rafi. quando lisa scoprira' la relazione ne accadranno delle belle.

"Mad March", Mike Portnoy accompanies Dixie Dreg’s bassist Andy West. The drummer comes up from underneath, firing off barrages of double bass drums in challenging patterns that seem to complexify and invert themselves, injecting urgency into the apocalyptic vision. We don’t get far into Liquid Tension Experiment’s "Freedom of Speech" before we’re lighting up the wooden matches, especially as Petrucci’s first guitar solo nears its peak! This is romance-epitomized and, for Mike Portnoy, his finest hour. His drumming is built for the arena. Rapid-fire sixteenth notes on closed hi-hats are the showers in "Acid Rain", the pitter-pattering echoed by Levin and Petrucci at various junctures. "Endless Enigma" alternates from gentle to chaotic. The church-like cadence around the 2:00 point is a clever device, providing sanctuary and calm. A drum roll sets us up for "Chris and Kevin’s Excellent Adventure". Mike’s rollicking half-time shuffle is the perfect jaunty groove to complement a light-hearted, whistling theme. "Working Man", from the Rush tribute album of the same name, is as heavy as heavy gets, a musical migraine spiked by Lee’s seamless scintillating guitar. Portnoy chooses his spaces, filling them with double bass drum/tom clusters. All the while, he forges ahead with the heavy touch of his mentor. "By-Tor and the Snow Dog", another hats off to Rush, evolves into a screamer (at least once the vocal takes over) that is equal parts Geddy and Ozzy. Note the drum solos, ever increasing in intensity, interspersed between ensemble themes. "Another Dimension" is an effective Gage remix in which chattering snippets of instrument voices and atypical snare drum timbres provide a haunting backdrop. The Vapourspace remix introduces a steady stream of unusual undulating tones, then slowly pulls them back, dissolving them into a mist of white noise. "Three Minute Warning Edit" begins as a funky, organ laced jam, and graduates through various movements in the same key until it winds down—perhaps due to a warning that the two-inch tape is at the end of the reel! Portnoy’s opening contribution is joyfully bouncy, while his handling of the various transitions is brilliant. Such freedom, such compositional latitude! It reminds us why Mike Portnoy is the envy of the working drummer who enjoys no such free reign.

The world is in economic meltdown, but a mining town on the edge of nowhere is booming. With the town’s population exploding, it’s easy enough to hide a crime—or even a dirty past. Banished to the stock squad after the fallout from a police frame-up, Detective Senior Sergeant Cato Kwong is brought in from the cold to solve the case of a torso washed up on the wild shores of the Great Southern Ocean. When Kwong’s investigation lifts the lid on the exploitation of migrant workers and disturbs an even darker criminal mind, the fallen cop faces powerful opposition. Drawing in globally relevant issues, such as immigration, racism, and the economic crisis, this is a humorous and tightly plotted crime narrative.

Prime numbers beckon to the beginner, the basic notion of primality being accessible to a child. Yet, some of the simplest questions about primes have stumped humankind for millennia. In this book, the authors concentrate on the computational aspects of prime numbers, such as recognizing primes and discovering the fundamental prime factors of a given number. Over 100 explicit algorithms cast in detailed pseudocode are included in the book. Applications and theoretical digressions serve to illuminate, justify, and underscore the practical power of these algorithms. This book can be read on several levels. For those wanting a taste of the lore of prime numbers and the principal methods to deal with them, the book provides a friendly introduction. For those wanting to delve deeper into the essential details of the most up-to-date methods for prime number computations, the book has such details and many references to the huge literature on the subject. Students can test their understanding with interesting exercises, including some entertaining, nonstandard ones. And for those wishing to start or enrich a research program in computational prime number theory, the many unsolved problems in the text, and research problems in the exercises, provide rich ground for further work.

Prime Cut is a strangely likeable if decidedly oddball thriller from 1972. A happy collision of gangster genre grit (validated by Lee Marvin's granite-faced lead performance) with a strain of shameless (though shrewd) exploitation not unfamiliar to screenwriter Robert Dillon (X: The Man with the X-Ray Eyes), plus the kinetic, semi-documentary wit of director Michael Ritchie (The Candidate) makes Prime Cut both a straightforward noir and a satire of itself. Marvin plays Nick, an aging enforcer for the Chicago mob, sent to Kansas City to deal with a ruthless cattle baron (Gene Hackman) who owes a half-million to Windy City racketeers. Hackman's character (inexplicably named Mary Ann), dismissive of old-guard crime chieftains, has set up his own heartland empire guarded by a weird contingent of blond, lookalike young men with rifles. Not only does he render the bodies of his enemies into sausage meat, Mary Ann is making a fortune trafficking in naked, enslaved young women. One of the latter, played by Sissy Spacek (in her film debut), falls under the protection of Nick, who sets about taking Mary Ann down. Ritchie's highly energized, absurdist scenes (e.g., a gunfight in an endless field of sunflowers) are nicely counterpointed by Marvin's smooth anti-heroics and the self-conscious cheesiness of the sex slave angle. --Tom Keogh

This stool will easily work in just about any salon/spa/barber/office setting. It features a pneumatic pump which allows the stool to be raised and lowered to different heights as well as contoured back-and-seat cushions for comfort and support. Specifications: Dimensions: 21" (ground to top of seat at lowest height) Dimensions: 28" H (ground to top of seat at maximum height) Seat width: 19" Seat depth: 14"

The explosion of a hidden land mine 6,000 miles away should have had no effect on Jenna. She neither knew anyone fighting in the Iraq War nor felt any strong political connection to the quagmire that was daily splashed across the newspapers' front pages. But the running loop segment on CNN, and the photojournalist peering out from every frame, brought Jenna back to another life and the boy who challenged her to be more. Danny was gone and the what ifs that she had years ago suppressed, came flooding back. Married with a young daughter, Jenna lives in tiny Meridian and works part time at the local newspaper penning to a readership which worries more about landscapes than landmines. Until Danny's death, Jenna had considered her life full. But now, she wonders if within the cocoon of suburbia, she hasn't allowed herself to become the very person against whom Danny once railed. And when another man challenges her to try more, to be more, Jenna is reminded of the potential she once saw in herself and for her life-all the paths she did not take. As Jenna sets off in a in a directionless quest for answers to questions she's only just beginning to formulate, she wonders if it isn't too late to take that other road.

Jude's Choice Delia and Angelina may be the best fighter pilots in the Wardelian League but after a little incident on Antelika they're taking an enforced holiday on the cowboy planet. Lina is happy to find a man to warm her bunk for the night but Delia wants more. More, as in Jude Roland, the bounty hunter she'd met on Tristar 234. He does find her and kidnaps her, taking Delia back to his ship, the Renegade. She wakes in his cabin and the two are drawn into a night of rich pleasures but Jude is torn between his feelings for her and the part she must unknowingly play in his plan to rescue Toryn, his navigator. Toryn and Jude have been lovers off and on but Jude wants Delia to be part of their relationship too. Can he rescue Toryn from the Redelian leader and still have Delia? No one could have anticipated Jude's plan. Absolute Trust Micah never expected Layla to be anything more than a fellow bounty hunter, but one night of steamy sex proved him wrong, creating a mental link shared only by soul mates. Worried that he's too old for her, Micah tries to stay away, to ignore the mental link between them. When Micah's sent on assignment to protect Prince Denyan, Layla follows, intent on seduction. The sparks fly between them, but after a passionate reunion, Micah leaves her handcuffed to the bed while he goes off to find the wayward prince. To his shock, the prince is performing in a men's club and greets Micah telepathically-sharing the same link that Micah shares with Layla, proving that the prince is their third soul mate. But Micah soon finds that he's not the only person looking for Denyan and that saving one of his soul mates may mean losing the other. Reader Advisory: Contains explicit scenes of ménage and m/m sex.