The Classic Art Series Abrams is proud to announce a major event in art history. The Classic Art Series offers a comprehensive approach to publishing the Old Masters. Commissioned from important scholars, these books reproduce every known work by their subjects in large-format color illustrations, along with a general biographical and critical essay, commentaries, and extensive documentation, including a list of collections and extensive bibliography. Printed on the very finest paper using the most sophisticated technology available today, they are intended to be both beautiful art books and lasting contributions to knowledge. The Flemish artist Pieter Bruegel the Elder (1525–1569) is considered to be the first Western landscape and genre painter. He has been especially beloved through the centuries for his paintings of peasant scenes. Along with an essay by Manfred Sellink, this book reprints the first biography of Bruegel, in facsimile and translation, written by Karel van Mander around 1604. The annotated catalogue includes all forty paintings and seventy drawings attributed to Bruegel in color, with numerous details, as well as his seventy-five prints.

The Classic Art Series Abrams is proud to announce a major event in art history. The Classic Art Series offers a comprehensive approach to publishing the Old Masters. Commissioned from important scholars, these books reproduce every known work by their subjects in large-format color illustrations, along with a general biographical and critical essay, commentaries, and extensive documentation, including a list of collections and extensive bibliography. Printed on the very finest paper using the most sophisticated technology available today, they are intended to be both beautiful art books and lasting contributions to knowledge. Titian (1489–1576) was one of the most influential painters in the entire history of Western art and Venice’s greatest artist. A sublime colorist and an artist of broad range, he was equally adept at portraits and landscapes, Christian stories and pagan myths. Titian was recognized as a genius early in his youth, while the work of his old age was unprecedented for its originality and power. Peter Humphrey’s essay and Vasari’s famous life of Titian are followed by an annotated color catalogue of Titian’s complete paintings.

The magical story of how the princess Parvati opens the heart of her eternal husband Shiva • The courtship story of one of the central couples in Indian lore, Parvati and Shiva, made accessible for Western children • Illustrated throughout with paintings from the classic Indian tradition In the Hindu pantheon the great mother goddess Adishakti is the heavenly wife of Shiva, Lord of All Gods. Whenever Shiva or Adishakti come to Earth in human form, they are fated to marry each other again--but that’s no guarantee that all will go smoothly with their courtship. In this story Adishakti comes to Earth as the mountain princess Parvati, who has her work cut out for her when she tries to win the affections of Shiva. Shiva spends all his time meditating on a remote mountainside in the Himalayas and has no interest in marriage. Parvati washes his feet, wipes his brow, and lays sixteen offerings before him, but he won’t even look at her. Sage Narada advises her to invoke Shiva’s name--Om Namah Shivaya--over and over again as a mantra. So in the heat of the sun, in the driving rain, in snow up to her neck Parvati sits and repeats her beloved’s name until the focused power of her intent opens his heart and persuades him to ask for her hand in marriage. Parvati’s timeless story teaches children that with enough love and perseverance even the seemingly impossible can be achieved. Accompanied by rich, color illustrations prepared according to the traditional Hindu canon, How Parvati Won the Heart of Shiva will transport children to a magical world filled with ancient wisdom.

This volume on paintings conservation includes more than seventy texts ranging from the fifteenth century to the present day. Some are classic and highly influential writings; others, although little known when first published, in retrospect reflect important themes and issues in the history of the field. Many appear here in English for the first time, including translations of D. Vicente Polero y Toledo's 1855 essay "Arte de la Restauraci�n" (The Art of Restoration), and Victor Bauer-Bolton's treatise from 1914, "Sollen fehlende Stellen bei Gem�lden erg�nzt werden?" (Should Missing Areas of Paintings Be Made Good?). The book is divided into six sections: An Historical Miscellany, History of the Profession, Study of Artists' Materials and Techniques, Structural Interventions, Philosophical and Practical Approaches to Cleaning and Restoration, and Cleaning Controversies. This is the second volume to appear in the Getty Conservation Institute's Readings in Conservation series, which publishes texts considered fundamental to an understanding of the history, philosophies, and methodologies of conservation.

Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Walter Pater in Studies in the History of the Renaissance redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. Pater's infamous "Conclusion," which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition of 1873. Matthew Beaumont's Introduction describes the cultural context that gave rise to the book, the reasons for its notoriety, Pater's philosophical outlook, and the arguments in his book. It explores Pater's work as an attempt to preserve the unique aesthetic of a work of art in the face of encroaching mass culture. The book also includes the later chapter on Giorgione as an Appendix, comprehensive notes that identify the many literary and artistic references, and a useful glossary of names.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Vibrant Colored Pencil Paintings Layer by LayerMasterful Color will redefine the way you think about colored pencils. By employing such classic techniques as tonal underpainting, chiaroscuro and color layering, you will achieve a depth and intensity of color that rivals the celebrated paintings of the Old Masters.15 step-by-step demonstrations teach a classic approach to color, value and compositionfeatures a gorgeous range of subject matter, from luscious fruits and flowers to shimmering porcelain, crystal, silver, glass and moreall the lessons come together in a grand, start-to-finish painting demonstration, from initial concept to final touches.Ideal for artists at any stage of their colored pencil journey and applicable to any subject matter, Masterful Color is the key to creating glowing paintings that stand the test of time.

Hailed by Victor Hugo as 'the real epic of our age,' Ivanhoe was an immensely popular bestseller when first published in 1819. The book inspired literary imitations as well as paintings, dramatizations, and even operas. Now Sir Walter Scott's sweeping romance of medieval England has prompted a lavish new television production. In the twelfth century, Sir Wilfred of Ivanhoe returns home to England from the Third Crusade to claim his inheritance and the love of the lady Rowena. The heroic adventures of this noble Saxon knight involve him in the struggle between Richard the Lion-Hearted and his malignant brother John: a conflict that brings Ivanhoe into alliance with the mysterious outlaw Robin Hood and his legendary fight for the forces of good. 'Scott's characters, like Shakespeare's and Jane Austen's, have the seed of life in them,' observed Virginia Woolf. 'The emotions in which Scott excels are not those of human beings pitted against other human beings, but of man pitted against Nature, of man in relation to fate. His romance is the romance of hunted men hiding in woods at night; of brigs standing out to sea; of waves breaking in the moonlight; of solitary sands and distant horsemen; of violence and suspense.' For Henry James, 'Scott was a born storyteller. . . . Since Shakespeare, no writer has created so immense a gallery of portraits.'

Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Walter Pater in Studies in the History of the Renaissance redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. Pater's infamous "Conclusion," which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition of 1873. Matthew Beaumont's Introduction describes the cultural context that gave rise to the book, the reasons for its notoriety, Pater's philosophical outlook, and the arguments in his book. It explores Pater's work as an attempt to preserve the unique aesthetic of a work of art in the face of encroaching mass culture. The book also includes the later chapter on Giorgione as an Appendix, comprehensive notes that identify the many literary and artistic references, and a useful glossary of names.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Hailed by Victor Hugo as 'the real epic of our age,' Ivanhoe was an immensely popular bestseller when first published in 1819. The book inspired literary imitations as well as paintings, dramatizations, and even operas. Now Sir Walter Scott's sweeping romance of medieval England has prompted a lavish new television production. In the twelfth century, Sir Wilfred of Ivanhoe returns home to England from the Third Crusade to claim his inheritance and the love of the lady Rowena. The heroic adventures of this noble Saxon knight involve him in the struggle between Richard the Lion-Hearted and his malignant brother John: a conflict that brings Ivanhoe into alliance with the mysterious outlaw Robin Hood and his legendary fight for the forces of good. 'Scott's characters, like Shakespeare's and Jane Austen's, have the seed of life in them,' observed Virginia Woolf. 'The emotions in which Scott excels are not those of human beings pitted against other human beings, but of man pitted against Nature, of man in relation to fate. His romance is the romance of hunted men hiding in woods at night; of brigs standing out to sea; of waves breaking in the moonlight; of solitary sands and distant horsemen; of violence and suspense.' For Henry James, 'Scott was a born storyteller. . . . Since Shakespeare, no writer has created so immense a gallery of portraits.'

Armand Gervase has it all. He is a famous artist, his paintings are hung in national galleries, and he is celebrated worldwide. His best-known painting, depicting an alluring Egyptian woman about to murder her lover, is known for its minute, historic detail, yet Armand has no experience with Egypt's ancient past . . . or does he? Rejecting the idea of heaven and hell, soul and spirit, Armand embraces a life of decadence which allows him the freedom to act as he pleases - until he meets the seductive and hypnotic Princess Ziska. Haunted by strange and distant memories of her, Armand attempts to unravel her mystery, only to discover his memories of her are centuries old - and she looks terrifying similar to the female in his celebrated painting. How can this be? Has he fallen in love with a ghost, or is there something more sinister lurking behind Ziska's hypnotic eyes? A supernatural tale of reincarnation, seduction, and revenge, Ziska was a bestseller upon its publication in 1897. In the new introduction to this edition, Curt Herr examines the novel in relation to the other two great Gothic bestsellers of 1897, Bram Stoker's Dracula and Richard Marsh's The Beetle, and calls for a reconsideration of Corelli as a major figure in Victorian popular culture.

Classic Still Life Painting shows artists how to create paintings of sparkling brilliance and jewel-like color that look like they have been lit from within-just like the exquisite paintings of the Renaissance masters of the 16th and 17th centuries. Artists learn techniques similar to those used by Rembrandt, Raphael, Rubens, and other master painters of the past, including using glazing with colors over a subtle underpainting of tones to achieve the effect of sunlight passing through stained glass. Through the advent of fast drying mediums artists learn that they will be able to achieve the same richness and luminosity found in the works of the old masters. • The only source available that covers how to create mixed-media artworks with an extensive range of mediums• Finished examples provide creative inspiration• A valuable reference that includes technical information and demonstrations

Frank Frazetta is considered THE greatest heroic-fantasy artist of all time. His work has influenced generations of artists, fans, designers, and movie directors. The Hall of Fame illustrator's fans, awards and accolades are legion; springing from his breathtaking paintings for book covers featuring Tarzan, King Kong, and John Carter of Mars; monster magazines Creepy, Eerie, and Vampirella; to his major movie posters, including After the Fox, The Night They Raided Minsky's and Whats New Pussycat?; album covers like Molly Hatchet's Flirtin' With Disaster and, of course, his revolutionary Conan paintings. Pop-culture historian and Vanguard publisher J. David Spurlock said, "Frazetta mixed sensuality, a heightened sense of adventure and classicism in a way that no other has ever accomplished."... makes his living the way he lives his life: in the fast lane...breathtaking... time capsule of classic illustrated fiction." -- LIBRARY JOURNAL Aug 5, 2011

Watercolor Success! is the one resource artists need to learn the nuts and bolts of classic watercolour painting. Instead of using tricks or shortcuts, expert Chuck Long provides a solid foundation for artists to build on as they improve their work. Step-by-step instructions teach colour, brush strokes, shadowing of and composition; Mini-demonstrations make techniques accessible to artists at any level; 7 advanced projects allow readers to develop and hone skills; In addition, over 200 colour illustrations show basic principles in Long's unique style, with a variety of his popular Heartland subjects, including mountains, wooded settings, foliage of and scenic buildings.

Pleasant Journeys and Good Eats along the Way surveys John Baeder's thirty-five-year obsession with roadside architecture, especially America's diners, and complements Baeder's Morris Museum of Art exhibit of the same name. Originally attracted to classic postcard images of mom-and-pop businesses and old black-and-white photos of downtowns, Baeder (b. 1938) has spent most of his art career depicting these beloved but unpretentious restaurants. Often classified as a photorealist, Baeder has always resisted being labeled. He sees his paintings as a plea for preservation and a way to reveal the psychology behind diners. Before the era of corporate fast food, Americans on the road looked to diners to provide \"meals like mother makes,\" a descriptive phrase found in Baeder\'s very first diner painting. Home cooking was especially appealing to weary tourists who took to the American highway in increasing numbers between the 1920s and the 1960s. By the late 1970s Baeder\'s paintings had become wildly popular. Baeder's paintings resonate in melodies of color and line and exhibit their personalities through hand-lettered placards and neon signs. They invite the viewer to absorb the everyday simplicity of roadside architecture in new ways and to discover the values of hearth and home in unexpected places. John Baeder of Nashville is a well-known realist painter. His work is in the permanent collections of the Whitney Museum of American Art, High Museum of Art, and many others. Jay Williams is curator at the Morris Museum of Art in Augusta, Georgia. His previous publications include Illuminated Literature: The Art of Jerry and Brian Pinkney and What Dogs Dream: Paintings and Works on Paper by William Dunlap. Kevin Grogan is the director of the Morris Museum of Art. Donald Kuspit is professor of art history and philosophy at the State University of New York at Stony Brook.

Frank Frazetta is considered THE greatest heroic-fantasy artist of all time. His work has influenced generations of artists, fans, designers, and movie directors. The Hall of Fame illustrator's fans, awards and accolades are legion; springing from his breathtaking paintings for book covers featuring Tarzan, King Kong, and John Carter of Mars; monster magazines Creepy, Eerie, and Vampirella; to his major movie posters, including After the Fox, The Night They Raided Minsky's and Whats New Pussycat?; album covers like Molly Hatchet's Flirtin' With Disaster and, of course, his revolutionary Conan paintings. Pop-culture historian and Vanguard publisher J. David Spurlock said, "Frazetta mixed sensuality, a heightened sense of adventure and classicism in a way that no other has ever accomplished."... makes his living the way he lives his life: in the fast lane...breathtaking... time capsule of classic illustrated fiction." -- LIBRARY JOURNAL Aug 5, 2011

Armand Gervase has it all. He is a famous artist, his paintings are hung in national galleries, and he is celebrated worldwide. His best-known painting, depicting an alluring Egyptian woman about to murder her lover, is known for its minute, historic detail, yet Armand has no experience with Egypt's ancient past . . . or does he? Rejecting the idea of heaven and hell, soul and spirit, Armand embraces a life of decadence which allows him the freedom to act as he pleases - until he meets the seductive and hypnotic Princess Ziska. Haunted by strange and distant memories of her, Armand attempts to unravel her mystery, only to discover his memories of her are centuries old - and she looks terrifying similar to the female in his celebrated painting. How can this be? Has he fallen in love with a ghost, or is there something more sinister lurking behind Ziska's hypnotic eyes? A supernatural tale of reincarnation, seduction, and revenge, Ziska was a bestseller upon its publication in 1897. In the new introduction to this edition, Curt Herr examines the novel in relation to the other two great Gothic bestsellers of 1897, Bram Stoker's Dracula and Richard Marsh's The Beetle, and calls for a reconsideration of Corelli as a major figure in Victorian popular culture.

This edition of J.R.R. Tolkien's classic is illustrated with 48 paintings by noted artist Michael Hague. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. But his contentment is disturbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum. Written for J.R.R. Tolkien's own children, The Hobbit has sold many millions of copies worldwide and established itself as a modern classic.

A collection of 40 paintings by Williams that are morally insolvent and grossly artistic. It covers his "Middle Years" and features the classic Two Bull Dykes Fighting For The Privilege Of Buying A Prostitute A Banana Daquiri. Introduction by Robert Crumb.

A classic early 20th century translation by the Jewish Publication Society is graced by reproductions of ancient frescoes, medieval illuminated manuscripts, and paintings by contemporary artists.   • Bound in blue cloth with illuminated front cover,  bears all the hallmarks of a classic work.    • This edition brings together one of the most beautiful  renderings of the Hebrew Bible in the English language with a wealth of Jewish art and imagery.    • Seventy-four ancient colour illustrations using archive material from many major collections & museums enhance the epic journey through time of  a unique people.    • The text selected is the classic 1917 Jewish Publicaton Society translation which brings alive the history of the Jewish people in a classical way.    • In addition to the contents a synoptic contents has been added to the beginning of each book of the Torah to help the reader locate the better known events and their themes.    • The Hebrew texts as they actually appear in the Torah scroll have also been included for several significant passages.    • This edition would grace any home or make an ideal present for any rite of passage.    • An introduction by Rabbi Mariner sets the tone of this magnificent yet perfect sized edition of the best selling book in the world.

• Twelve classic design motifs make composition simple• Six variations on a design theme for each motif, plus ten artist examples in styles from realistic to abstract• Great for beginners, illuminating for prosComposition is one of the great puzzles of watercolor painting. Watercolor by Design solves that puzzle! Author Marianne Brown shows artists how to create innovative paintings using twelve classic design motifs, grouped by type: cruciform, horizontal bar, and vertical bar; checkerboard, asymmetric, and staggered grids; radial, cantilever, and pyramid; and frame in frame, allover pattern, and floating shapes. The properties and impact of each motif are explained, then reinforced with six variations on a design theme for each motif, followed by at least ten creative examples by different artists working in different styles from realism to abstract to illustrate the possibilities. Packed with ideas and information, Watercolor by Design lets both new and experienced artists make composition work for them.

Ongoing public demand has resulted in this new edition of the classic book on acclaimed New Zealand artist Frances Hodgkins. A newly discovered work has been added to this collection, which focuses on the different periods of her work. Three long essays extensively illustrated in black and white are followed by 40 full-color reproductions of this famous artist's work.

Pleasant Journeys and Good Eats along the Way surveys John Baeder's thirty-five-year obsession with roadside architecture, especially America's diners, and complements Baeder's Morris Museum of Art exhibit of the same name. Originally attracted to classic postcard images of mom-and-pop businesses and old black-and-white photos of downtowns, Baeder (b. 1938) has spent most of his art career depicting these beloved but unpretentious restaurants. Often classified as a photorealist, Baeder has always resisted being labeled. He sees his paintings as a plea for preservation and a way to reveal the psychology behind diners. Before the era of corporate fast food, Americans on the road looked to diners to provide \"meals like mother makes,\" a descriptive phrase found in Baeder\'s very first diner painting. Home cooking was especially appealing to weary tourists who took to the American highway in increasing numbers between the 1920s and the 1960s. By the late 1970s Baeder\'s paintings had become wildly popular. Baeder's paintings resonate in melodies of color and line and exhibit their personalities through hand-lettered placards and neon signs. They invite the viewer to absorb the everyday simplicity of roadside architecture in new ways and to discover the values of hearth and home in unexpected places. John Baeder of Nashville is a well-known realist painter. His work is in the permanent collections of the Whitney Museum of American Art, High Museum of Art, and many others. Jay Williams is curator at the Morris Museum of Art in Augusta, Georgia. His previous publications include Illuminated Literature: The Art of Jerry and Brian Pinkney and What Dogs Dream: Paintings and Works on Paper by William Dunlap. Kevin Grogan is the director of the Morris Museum of Art. Donald Kuspit is professor of art history and philosophy at the State University of New York at Stony Brook.

Emma, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Emma Woodhouse is a wealthy, exquisite, and thoroughly self-deluded young woman who has "lived in the world with very little to distress or vex her."Jane Austen exercises her taste for cutting social observation and her talent for investing seemingly trivial events with profound moral significance as Emma traverses a gentle satire of provincial balls and drawing rooms, along the way encountering the sweet Harriet Smith, the chatty and tedious Miss Bates, and her absurd father Mr. Woodhouse–a memorable gallery of Austen's finest personages. Thinking herself impervious to romance of any kind, Emma tries to arrange a wealthy marriage for poor Harriet, but refuses to recognize her own feelings for the gallant Mr. Knightley. What ensues is a delightful series of scheming escapades in which every social machination and bit of "tittle-tattle" is steeped in Austen's delicious irony. Ultimately, Emma discovers that "Perfect happiness, even in memory, is not common."Virginia Woolf called Jane Austen "the most perfect artist among women," and Emma Woodhouse is arguably her most perfect creation. Though Austen found her heroine to be a person whom "no one but myself will much like," Emma is her most cleverly woven, riotously comedic, and pleasing novel of manners.Steven Marcus is Professor of English and Comparative Literature and George Delacorte Professor in the Humanities at Columbia University, and a specialist in nineteenth-century literature and culture. A fellow of both the American Academy of Arts and Sciences and the Academy of Literary Studies, he has received Fulbright, American Council of Learned Societies, Guggenheim, Center for Advanced Study in the Behavioral Sciences, Rockefeller, and Mellon grants. He is the author of more than 200 publications.

Emma, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Emma Woodhouse is a wealthy, exquisite, and thoroughly self-deluded young woman who has "lived in the world with very little to distress or vex her."Jane Austen exercises her taste for cutting social observation and her talent for investing seemingly trivial events with profound moral significance as Emma traverses a gentle satire of provincial balls and drawing rooms, along the way encountering the sweet Harriet Smith, the chatty and tedious Miss Bates, and her absurd father Mr. Woodhouse–a memorable gallery of Austen's finest personages. Thinking herself impervious to romance of any kind, Emma tries to arrange a wealthy marriage for poor Harriet, but refuses to recognize her own feelings for the gallant Mr. Knightley. What ensues is a delightful series of scheming escapades in which every social machination and bit of "tittle-tattle" is steeped in Austen's delicious irony. Ultimately, Emma discovers that "Perfect happiness, even in memory, is not common."Virginia Woolf called Jane Austen "the most perfect artist among women," and Emma Woodhouse is arguably her most perfect creation. Though Austen found her heroine to be a person whom "no one but myself will much like," Emma is her most cleverly woven, riotously comedic, and pleasing novel of manners.Steven Marcus is Professor of English and Comparative Literature and George Delacorte Professor in the Humanities at Columbia University, and a specialist in nineteenth-century literature and culture. A fellow of both the American Academy of Arts and Sciences and the Academy of Literary Studies, he has received Fulbright, American Council of Learned Societies, Guggenheim, Center for Advanced Study in the Behavioral Sciences, Rockefeller, and Mellon grants. He is the author of more than 200 publications.