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Showing results 1 - 19 of 19 for "j.r.r. tolkien: author of the century"

J.R.R. Tolkien: Author of the Century
J.R.R. Tolkien: Author of the Century
Recent polls have consistently declared that J.R.R. Tolkien is "the most influential author of the century" and THE LORD OF THE RINGS is "the book of the century." In support of these claims, Tom Shippey, the prominent medievalist and scholar of fantasy, now presents us with a fascinating companion to the works of J.R.R. Tolkien, focusing in particular on THE HOBBIT, THE LORD OF THE RINGS, and THE SILMARILLION. The core of the book consists of three chapters that examine THE LORD OF THE RINGS as a linguistic and cultural map, as a twisted web of story, and as a response to the meaning of myth. Shippey presents a unique argument to explain the nature of evil and gives readers a compelling insight into the complicated interweaving of many strands as the narrative moves between characters and into the remarkable skill behind the construction of such a rich and complex story. Other chapters examine THE HOBBIT, explaining the hobbits' anachronistic relationship to the heroic world of Middle-earth; the fundamental importance of THE SILMARILLION to Tolkien's canon; and an illuminating look at FARMER GILES OF HAM, LEAF BY NIGGLE, and other lesser-known works in connection to Tolkien's life. With a clear and accessible style, Shippey offers a new approach to Tolkien, to fantasy, and to the importance of language in literature. He demonstrates how THE HOBBIT, THE LORD OF THE RINGS, and THE SILMARILLION form part of a live and continuing tradition of storytelling that can trace its roots back through Grimms' FAIRIY TALES to BEOWULF. J.R.R. TOLKIEN: AUTHOR OF THE CENTURY not only gives readers a deeper understanding of Tolkien and his work, but also serves as a learned and entertaining introduction to some of the finest and most influential works of fantasy ever written.
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The Letters of J.R.R. Tolkien
The Letters of J.R.R. Tolkien
'...If you wanted to go on from the end of The Hobbit I think the ring would be your inevitable choice as the link. If then you wanted a large tale, the Ring would at once acquire a capital letter; and the Dark Lord would immediately appear. As he did, unasked, on the hearth at Bag End as soon as I came to that point. So the essential Quest started at once. But I met a lot of things along the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner of the inn was a shock, and I had no more idea who he was than Frodo did. The Mines of Moria had been a mere name; and of Lothlorien no word had reached my mortal ears till I came there.' -- J.R.R. Tolkien to W.H. Auden, June 7, 1955J.R.R. Tolkien, cherished author of The Hobbit, The Lord of the Rings, and The Silmarillion, was one of the twentieth century's most prolific letter writers. Over the years he wrote a mass of letters -- to his publishers, his family, to friends, and to fans of his books -- which record the history and composition of his works and his reaction to subsequent events.By turns thoughtful, impish, scholarly, impassioned, playful, vigorous, and gentle, Tolkien poured his heart and mind into a great stream of correspondence to intimate friends and unknown admirers all over the world. From this collection one sees a mind of immense complexity and many layers -- artistic, religious, charmingly eccentric, sentimental, and ultimately brilliant.Now newly expanded with a detailed index, this collection provides an invaluable record that sheds much light on Tolkien's creative genius, his thoughts and feelings about his own work, and the evolution of his grand design for the creation of a whole new world -- Middle-earth.
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The Letters of J.R.R. Tolkien
The Letters of J.R.R. Tolkien
'...If you wanted to go on from the end of The Hobbit I think the ring would be your inevitable choice as the link. If then you wanted a large tale, the Ring would at once acquire a capital letter; and the Dark Lord would immediately appear. As he did, unasked, on the hearth at Bag End as soon as I came to that point. So the essential Quest started at once. But I met a lot of things along the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner of the inn was a shock, and I had no more idea who he was than Frodo did. The Mines of Moria had been a mere name; and of Lothlorien no word had reached my mortal ears till I came there.' -- J.R.R. Tolkien to W.H. Auden, June 7, 1955J.R.R. Tolkien, cherished author of The Hobbit, The Lord of the Rings, and The Silmarillion, was one of the twentieth century's most prolific letter writers. Over the years he wrote a mass of letters -- to his publishers, his family, to friends, and to fans of his books -- which record the history and composition of his works and his reaction to subsequent events.By turns thoughtful, impish, scholarly, impassioned, playful, vigorous, and gentle, Tolkien poured his heart and mind into a great stream of correspondence to intimate friends and unknown admirers all over the world. From this collection one sees a mind of immense complexity and many layers -- artistic, religious, charmingly eccentric, sentimental, and ultimately brilliant.Now newly expanded with a detailed index, this collection provides an invaluable record that sheds much light on Tolkien's creative genius, his thoughts and feelings about his own work, and the evolution of his grand design for the creation of a whole new world -- Middle-earth.
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J.R.R. TOLKIEN: THE BOOKS, THE FILMS, THE WHOLE CULTURAL PHENOMENON
J.R.R. TOLKIEN: THE BOOKS, THE FILMS, THE WHOLE CULTURAL PHENOMENON
J.R.R. TOLKIEN: THE BOOKS, THE FILMS, THE WHOLE CULTURAL PHENOMENON A book exploring the world of J.R.R. Tolkien, Britain's premier fantasy author, in over 800 pages. Part one of this book focusses on J.R.R. Tolkien's texts, principally those dealing with his 'secondary world' of Middle-earth. Part two explores the 2001-03 Hollywood movies of The Lord of the Rings, with a scene-by-scene analysis of the three films. Part of this book explores the influence of the Tolkien industry, in areas like computer gaming, pop music, merchandizing and cinema. EXTRACT FROM THE INTRODUCTION Philip Toynbee declared, in 1961, that Tolkien's 'childish books had passed into a merciful oblivion', a wonderful statement, just a tad inaccurate. In 1997, The Lord of the Rings was voted the top book of the 20th century by readers in a British bookstore's poll (Waterstone's). 104 out of 105 stores and 25,000 readers put The Lord of the Rings at the top (1984 was second). Around 100 million copies of The Lord of the Rings had been sold by the end of the twentieth century, and 60 million copies of The Hobbit, with sales of around 3 million per year of the two books combined. Readers just love reading Tolkien's books. It's that simple. You can't force people to buy books or go see movies; there's isn't a magic formula (or ruling ring) to hypnotize readers and consumers (if there was, it'd be worth billions). And the Tolkien phenomenon began with readers. Back in 1937, 1954 and 1955, the publishers Allen & Unwin did their bit, of course, with reviews, blurbs, advertizing and so on, promoting The Hobbit and The Lord of the Rings, and the critics too, but it was readers who first started the phenomenon that has become truly global. Tolkien's influence on literature has been considerable, too, and not just in the realm of fantasy, sci-fi, fairy tales and related genres. As fantasy author Terry Brooks said, Tolkien 'was the premier fantasy writer of the last century, and all of us writing today owe him a huge debt.' No other writer W.H. Auden reckoned had 'created an imaginary world and a history in such detail'. Colin Wilson agreed that only a few writers have concocted a total universe, and that Tolkien's was very impressive. Tolkien's mythological writings may be the 'largest body of invented mythology in the history of literature', according to David Day. Invented, that is, by one person. It's also 'certainly the most complex and detailed invented world in all literature'.
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Ents, Elves, and Eriador: The Environmental Vision of J.R.R. Tolkien (Culture of the Land)
Ents, Elves, and Eriador: The Environmental Vision of J.R.R. Tolkien (Culture of the Land)
Many readers drawn into the heroic tales of J. R. R. Tolkien's imaginary world of Middle-earth have given little conscious thought to the importance of the land itself in his stories or to the vital roles played by the flora and fauna of that land. As a result, The Hobbit, The Lord of the Rings, and The Silmarillion are rarely considered to be works of environmental literature or mentioned together with such authors as John Muir, Rachel Carson, or Aldo Leopold. Tolkien's works do not express an activist agenda; instead, his environmentalism is expressed in the form of literary fiction. Nonetheless, Tolkien's vision of nature is as passionate and has had as profound an influence on his readers as that of many contemporary environmental writers. The burgeoning field of agrarianism provides new insights into Tolkien's view of the natural world and environmental responsibility. In Ents, Elves, and Eriador, Matthew Dickerson and Jonathan Evans show how Tolkien anticipated some of the tenets of modern environmentalism in the imagined world of Middle-earth and the races with which it is peopled. The philosophical foundations that define Tolkien's environmentalism, as well as the practical outworking of these philosophies, are found throughout his work. Agrarianism is evident in the pastoral lifestyle and sustainable agriculture of the Hobbits, as they harmoniously cultivate the land for food and goods. The Elves practice aesthetic, sustainable horticulture as they shape their forest environs into an elaborate garden. To complete Tolkien's vision, the Ents of Fangorn Forest represent what Dickerson and Evans label feraculture, which seeks to preserve wilderness in its natural form. Unlike the Entwives, who are described as cultivating food in tame gardens, the Ents risk eventual extinction for their beliefs. These ecological philosophies reflect an aspect of Christian stewardship rooted in Tolkien's Catholic faith. Dickerson and Evans define it as "stewardship of the kind modeled by Gandalf," a stewardship that nurtures the land rather than exploiting its life-sustaining capacities to the point of exhaustion. Gandalfian stewardship is at odds with the forces of greed exemplified by Sauron and Saruman, who, with their lust for power, ruin the land they inhabit, serving as a dire warning of what comes to pass when stewardly care is corrupted or ignored. Dickerson and Evans examine Tolkien's major works as well as his lesser-known stories and essays, comparing his writing to that of the most important naturalists of the past century. A vital contribution to environmental literature and an essential addition to Tolkien scholarship, Ents, Elves, and Eriador offers both Tolkien fans and environmentalists an understanding of Middle-earth that has profound implications for environmental stewardship in the present and the future of our own world.
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Ents, Elves, and Eriador: The Environmental Vision of J.R.R. Tolkien (Culture of the Land)
Ents, Elves, and Eriador: The Environmental Vision of J.R.R. Tolkien (Culture of the Land)
Many readers drawn into the heroic tales of J. R. R. Tolkien's imaginary world of Middle-earth have given little conscious thought to the importance of the land itself in his stories or to the vital roles played by the flora and fauna of that land. As a result, The Hobbit, The Lord of the Rings, and The Silmarillion are rarely considered to be works of environmental literature or mentioned together with such authors as John Muir, Rachel Carson, or Aldo Leopold. Tolkien's works do not express an activist agenda; instead, his environmentalism is expressed in the form of literary fiction. Nonetheless, Tolkien's vision of nature is as passionate and has had as profound an influence on his readers as that of many contemporary environmental writers. The burgeoning field of agrarianism provides new insights into Tolkien's view of the natural world and environmental responsibility. In Ents, Elves, and Eriador, Matthew Dickerson and Jonathan Evans show how Tolkien anticipated some of the tenets of modern environmentalism in the imagined world of Middle-earth and the races with which it is peopled. The philosophical foundations that define Tolkien's environmentalism, as well as the practical outworking of these philosophies, are found throughout his work. Agrarianism is evident in the pastoral lifestyle and sustainable agriculture of the Hobbits, as they harmoniously cultivate the land for food and goods. The Elves practice aesthetic, sustainable horticulture as they shape their forest environs into an elaborate garden. To complete Tolkien's vision, the Ents of Fangorn Forest represent what Dickerson and Evans label feraculture, which seeks to preserve wilderness in its natural form. Unlike the Entwives, who are described as cultivating food in tame gardens, the Ents risk eventual extinction for their beliefs. These ecological philosophies reflect an aspect of Christian stewardship rooted in Tolkien's Catholic faith. Dickerson and Evans define it as "stewardship of the kind modeled by Gandalf," a stewardship that nurtures the land rather than exploiting its life-sustaining capacities to the point of exhaustion. Gandalfian stewardship is at odds with the forces of greed exemplified by Sauron and Saruman, who, with their lust for power, ruin the land they inhabit, serving as a dire warning of what comes to pass when stewardly care is corrupted or ignored. Dickerson and Evans examine Tolkien's major works as well as his lesser-known stories and essays, comparing his writing to that of the most important naturalists of the past century. A vital contribution to environmental literature and an essential addition to Tolkien scholarship, Ents, Elves, and Eriador offers both Tolkien fans and environmentalists an understanding of Middle-earth that has profound implications for environmental stewardship in the present and the future of our own world.
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Ents, Elves, and Eriador: The Environmental Vision of J.R.R. Tolkien (Culture of the Land)
Ents, Elves, and Eriador: The Environmental Vision of J.R.R. Tolkien (Culture of the Land)
Many readers drawn into the heroic tales of J. R. R. Tolkien's imaginary world of Middle-earth have given little conscious thought to the importance of the land itself in his stories or to the vital roles played by the flora and fauna of that land. As a result, The Hobbit, The Lord of the Rings, and The Silmarillion are rarely considered to be works of environmental literature or mentioned together with such authors as John Muir, Rachel Carson, or Aldo Leopold. Tolkien's works do not express an activist agenda; instead, his environmentalism is expressed in the form of literary fiction. Nonetheless, Tolkien's vision of nature is as passionate and has had as profound an influence on his readers as that of many contemporary environmental writers. The burgeoning field of agrarianism provides new insights into Tolkien's view of the natural world and environmental responsibility. In Ents, Elves, and Eriador, Matthew Dickerson and Jonathan Evans show how Tolkien anticipated some of the tenets of modern environmentalism in the imagined world of Middle-earth and the races with which it is peopled. The philosophical foundations that define Tolkien's environmentalism, as well as the practical outworking of these philosophies, are found throughout his work. Agrarianism is evident in the pastoral lifestyle and sustainable agriculture of the Hobbits, as they harmoniously cultivate the land for food and goods. The Elves practice aesthetic, sustainable horticulture as they shape their forest environs into an elaborate garden. To complete Tolkien's vision, the Ents of Fangorn Forest represent what Dickerson and Evans label feraculture, which seeks to preserve wilderness in its natural form. Unlike the Entwives, who are described as cultivating food in tame gardens, the Ents risk eventual extinction for their beliefs. These ecological philosophies reflect an aspect of Christian stewardship rooted in Tolkien's Catholic faith. Dickerson and Evans define it as "stewardship of the kind modeled by Gandalf," a stewardship that nurtures the land rather than exploiting its life-sustaining capacities to the point of exhaustion. Gandalfian stewardship is at odds with the forces of greed exemplified by Sauron and Saruman, who, with their lust for power, ruin the land they inhabit, serving as a dire warning of what comes to pass when stewardly care is corrupted or ignored. Dickerson and Evans examine Tolkien's major works as well as his lesser-known stories and essays, comparing his writing to that of the most important naturalists of the past century. A vital contribution to environmental literature and an essential addition to Tolkien scholarship, Ents, Elves, and Eriador offers both Tolkien fans and environmentalists an understanding of Middle-earth that has profound implications for environmental stewardship in the present and the future of our own world.
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