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Panic Room [Original Motion Picture Soundtrack] * by Paulmac/Original Soundtrack/Howard Shore/Paul Mac (UK)

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Trapped/Panic Room

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Panic Room

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Panic

It must be tough to be a skate-punk band with anti-authoritarian lyrics and a definite Christian bent for more than a dozen years and not switch up the formula at least a little bit. In the case of the mildly popular MXPX, their music continues to morph from the left of the dial towards the right on their tenth album. This is not a bad thing, per se. "Darkest Places" is the kind of anthem they've always excelled at, and even covered in the thick candy coating of radio-sheen production, it packs a mighty wallop. The real weak link in the band at this point is vocalist Mike Herrera. He sounds fine when reverbed and multitracked and whatever else on the choruses, but his flat delivery on many of the songs is just not enough to carry them now that they're no longer angry diatribes. He's just no Milo, you know? That said, his words are pretty ironic and great, and they do help make "Young and Depressed" and "Wrecking Hotel Rooms" into classic teen angst pop-punk songs, absolutely begging to be heard in the latest teen blockbuster. There's a reason all those old school rockers had backing singers; perhaps MXPX could borrow a few from Rod Stewart? He doesn't seem very busy these days. --Mike McGonigal

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Panic Room

Panic Room collects works by 91 of the most exciting new and emerging artists on the international scene, all of whom work with drawing as their primary medium. Gathered into book form by the well-known Washington State designer, Rachel Carns, this big, bold compendium showcases an eclectic and unconventional group of artists who mix contemporary art with the culture of comics, graffiti, music, psychedelia and fantasy. Artists include assume vivid astro focus (whose work Carns modifies to create an especially hot cover), Tauba Auerbach, Devendra Banhart, Hernan Bas, Marc Bell, Hisham Bharoocha, John Bock, Brian Chippendale, Bjorn Copeland, Verne Dawson, Sam Durant, Robert Gutierrez, Daniel Guzman, Jo Jackson, Chris Johanson, Cameron Jamie, Margaret Kilgallen, M/M (Paris), Barry McGee, Ted Mineo, Dave Muller, Ben Peterson, Paper Rad, Matthew Ritchie, Clare Rojas, Jim Shaw, David Shrigley, Kelley Walker and others.

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PANIC [Vinyl]

It must be tough to be a skate-punk band with anti-authoritarian lyrics and a definite Christian bent for more than a dozen years and not switch up the formula at least a little bit. In the case of the mildly popular MXPX, their music continues to morph from the left of the dial towards the right on their tenth album. This is not a bad thing, per se. "Darkest Places" is the kind of anthem they've always excelled at, and even covered in the thick candy coating of radio-sheen production, it packs a mighty wallop. The real weak link in the band at this point is vocalist Mike Herrera. He sounds fine when reverbed and multitracked and whatever else on the choruses, but his flat delivery on many of the songs is just not enough to carry them now that they're no longer angry diatribes. He's just no Milo, you know? That said, his words are pretty ironic and great, and they do help make "Young and Depressed" and "Wrecking Hotel Rooms" into classic teen angst pop-punk songs, absolutely begging to be heard in the latest teen blockbuster. There's a reason all those old school rockers had backing singers; perhaps MXPX could borrow a few from Rod Stewart? He doesn't seem very busy these days. --Mike McGonigal

$13 Go to
Amazon

Panic Room

An effective exercise in "confined cinema," Panic Room is a finely crafted thriller that ultimately transcends the thinness of its premise. David Koepp's screenplay is basically Wait Until Dark on steroids, so director David Fincher (Seven, The Game) compensates with elaborate CGI-assisted camera moves, jazzing up his visuals while a relocated New York divorcée (Jodie Foster) and her daughter (Kristen Stewart) fight for their lives against a trio of tenacious burglars (Jared Leto, Forest Whitaker, Dwight Yoakam) in their new Manhattan townhouse. They're safe in a customized, impenetrable "panic room," but the burglars want what's in the room's safe, so mother and daughter (and Koepp and Fincher) must find clever ways to turn the tables and persevere. Suspense and intelligence are admirably maintained, with Foster (who replaced the then-injured Nicole Kidman) riffing on her Silence of the Lambs resourcefulness. It's not as viscerally satisfying as Fincher's previous thrillers, but Panic Room definitely holds your attention. --Jeff Shannon

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Panic Room

An effective exercise in "confined cinema," Panic Room is a finely crafted thriller that ultimately transcends the thinness of its premise. David Koepp's screenplay is basically Wait Until Dark on steroids, so director David Fincher (Seven, The Game) compensates with elaborate CGI-assisted camera moves, jazzing up his visuals while a relocated New York divorcée (Jodie Foster) and her daughter (Kristen Stewart) fight for their lives against a trio of tenacious burglars (Jared Leto, Forest Whitaker, Dwight Yoakam) in their new Manhattan townhouse. They're safe in a customized, impenetrable "panic room," but the burglars want what's in the room's safe, so mother and daughter (and Koepp and Fincher) must find clever ways to turn the tables and persevere. Suspense and intelligence are admirably maintained, with Foster (who replaced the then-injured Nicole Kidman) riffing on her Silence of the Lambs resourcefulness. It's not as viscerally satisfying as Fincher's previous thrillers, but Panic Room definitely holds your attention. --Jeff Shannon

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Panic Room (2002)

Meg and her daughter Sarah have moved into a house with a "panic room" designed for refuge during a break in. Their first night there, thieves break into the house, seeking something in the room, and Meg and Sarah have locked themselves inside.

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Panic Room

Meg Altman e sua figlia Sarah sono costrette a nascondersi in una stanza segreta (completa di acqua, cibo e un sistema di telecamere a circuito chiuso) all'interno della loro casa di New York, per difendersi dall'intrusione di tre uomini alla ricerca di una somma di denaro occultata all'interno della casa. Il guaio Ã¨ che ciÃ² che i ladri vogliono Ã¨ nascosto proprio all'interno della 'camera nascosta'

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Satellite

2010 album from the British rockers. Taking the same creative freedom that they explored in their debut, Visionary Position, Panic Room have fused their signature sound with an even higher level of energy and raw power. All captured in a two-week 'live' studio recording session, Satellite is a jaw-dropping collection of songs that all shine with the talent, passion, and freedom of a band at the very top of their game. The album is jam-packed full of great hooks, powerful grooves, gorgeous melodies and, of course, the amazing voice of stellar frontwoman, Anne-Marie Helder. While Led Zeppelin, Zero 7, Burt Bacharach, Kate Bush, Alanis Morissette and Metallica are among the touchstones for the creative spark of Panic Room, they are no slavish copyists and Satellite emerges, an evolving, original and beautiful creation ready to take flight to the stars.

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PANIC [Vinyl]

It must be tough to be a skate-punk band with anti-authoritarian lyrics and a definite Christian bent for more than a dozen years and not switch up the formula at least a little bit. In the case of the mildly popular MXPX, their music continues to morph from the left of the dial towards the right on their tenth album. This is not a bad thing, per se. "Darkest Places" is the kind of anthem they've always excelled at, and even covered in the thick candy coating of radio-sheen production, it packs a mighty wallop. The real weak link in the band at this point is vocalist Mike Herrera. He sounds fine when reverbed and multitracked and whatever else on the choruses, but his flat delivery on many of the songs is just not enough to carry them now that they're no longer angry diatribes. He's just no Milo, you know? That said, his words are pretty ironic and great, and they do help make "Young and Depressed" and "Wrecking Hotel Rooms" into classic teen angst pop-punk songs, absolutely begging to be heard in the latest teen blockbuster. There's a reason all those old school rockers had backing singers; perhaps MXPX could borrow a few from Rod Stewart? He doesn't seem very busy these days. --Mike McGonigal

$10 Go to
Amazon Marketplace

Panic

It must be tough to be a skate-punk band with anti-authoritarian lyrics and a definite Christian bent for more than a dozen years and not switch up the formula at least a little bit. In the case of the mildly popular MXPX, their music continues to morph from the left of the dial towards the right on their tenth album. This is not a bad thing, per se. "Darkest Places" is the kind of anthem they've always excelled at, and even covered in the thick candy coating of radio-sheen production, it packs a mighty wallop. The real weak link in the band at this point is vocalist Mike Herrera. He sounds fine when reverbed and multitracked and whatever else on the choruses, but his flat delivery on many of the songs is just not enough to carry them now that they're no longer angry diatribes. He's just no Milo, you know? That said, his words are pretty ironic and great, and they do help make "Young and Depressed" and "Wrecking Hotel Rooms" into classic teen angst pop-punk songs, absolutely begging to be heard in the latest teen blockbuster. There's a reason all those old school rockers had backing singers; perhaps MXPX could borrow a few from Rod Stewart? He doesn't seem very busy these days. --Mike McGonigal

$3.48 Go to
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Trapped/Panic Room

Studio: Sony Pictures Home Ent Release Date: 03/30/2010

$13 Go to
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Trapped/Panic Room

Studio: Sony Pictures Home Ent Release Date: 03/30/2010

$4.97 Go to
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