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Showing results 1 - 25 of 133 for "picture penguin"

Daughters of the Dust
Daughters of the Dust
In the winter of 1992, nearly one hundred years after motion pictures were invented, the first nationally distributed feature by an African American woman was released in the United States. Daughters of the Dust, written and directed by Julie Dash, was not only praised by critics but became a word-of-mouth sensation, selling out shows week after week. The New York Times called it a 'film of spell-binding visual beauty', and said that Dash 'emerges as a strikingly original film maker', and the Village Voice noted that viewers 'came in massive groups. They came multiple times'. The film tells the story of an African American sea-island, or Gullah, family preparing to come to the mainland at the turn of the century. In her richly textured, highly visual and lyrical portrayal of the day of their departure, Dash evokes the details of a persisting African culture and the tensions between tradition and assimilation. Daughters of the Dust: The Making of an African American Woman's Film, which includes Dash's complete screenplay, describes the story of her extraordinary sixteen-year struggle to complete the project. More than simply a tale of a rising artist, it is the record of an African American woman's determination to tell a story that is both historical and emotionally charged. With an introduction by Toni Cade Bambara, an extended interview with Dash by feminist critic bell hooks, an essay by Greg Tate, Dash's story in her own words, and sixteen pages of brilliant full-color images from the film by cinematographer Arthur Jafa, this is an important book for every admirer of the film and every student of cinema.
$16 Go to
eCampus.com
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
The epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever It's the mid-1960s, and westerns, war movies and blockbuster musicals-Mary Poppins, The Sound of Music-dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all. By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate, which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night, movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go. What City of Nets did for Hollywood in the 1940s and Easy Riders, Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all. The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself.
$5.99 Go to
Amazon Marketplace
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
The epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever It's the mid-1960s, and westerns, war movies and blockbuster musicals-Mary Poppins, The Sound of Music-dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all. By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate, which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night, movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go. What City of Nets did for Hollywood in the 1940s and Easy Riders, Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all. The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself.
$20 Go to
Amazon
Arctic Tale: A Companion to the Major Motion Picture
Arctic Tale: A Companion to the Major Motion Picture
Arctic Tale accompanies a new Paramount Vantage motion picture from the producers of March of the Penguins, the 2005 Academy Award winner and highest-grossing natural history film of all time. The film, narrated by Queen Latifah, follows the dual drama of Seela and Nanu, a walrus calf and polar bear cub, as they embark on their astonishing journey from infancy to maturity amidst the stark beauty of the Arctic landscape. Protected by mothers who will stop at nothing to ensure their safe passage to adulthood, both cubs romp in their cold playground as ever-present threats of starvation, predators, and a harsh homeland are overcome in an unrelenting life-and-death struggle to survive.Each year in the unforgiving, frozen wilderness the two giants of the North Pole—the walrus and the polar bear–begin the cycle anew, of birth and death; of love and life; and of self-sacrifice and great danger.Adapted and deeply expanded from a sweeping screenplay, Arctic Tale features 150 stunning, full-color National Geographic photographs and stirring text that tell the heartwarming tale of motherhood, community, the circle of life, and the rapidly changing environment that is home to these splendid animals. Both the book and film call awareness to the global warming crisis through emotional connection to the characters.A foreword by directors Adam Ravetch and Sarah Robertson and a special "Making the Film" chapter at the end of the book reveal amazing behind-the-scenes battles against cold, ice, and walrus mothers, and add insight and understanding to the riveting story.From the Trade Paperback edition.
$23 Go to
Amazon