Each edition includes: - Freshly edited text based on the best early printed version of the play - Full explanatory notes conveniently placed on pages facing the text of the play - Scene-by-scene plot summaries - A key to famous lines and phrases - An introduction to reading Shakespeare's language - An essay by an outstanding scholar providing a modern perspective on the play - Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Phyllis Rackin The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

This Columbia Critical Guide steers a clear path through the huge body of critical material on Richard II that has accrued over the past three centuries, elucidating the play's reception by audiences, critics, and scholars since its first production. Beginning with a discussion of early commentaries, the book presents and addresses the most significant critical arguments to give the reader a clear understanding of the ways in which each generation has sought to invest Richard II with new meaning. The final section considers the radical new reading of Shakespeare's work provided by contemporary critics.

Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of Richard II, chronologically the first of the eight plays in Shakespeare’s History Cycle, which marks the beginning of a great schism within the nobility of England that will leave the nation riven by bloody conflict for the next hundred years. This volume also includes more than a hundred pages of exclusive features, including: • an original Introduction to Richard II• incisive scene-by-scene synopsis and analysis with vital facts about the work• commentary on past and current productions based on interviews with leading directors, actors, and designers• photographs of key RSC productions• an overview of Shakespeare’s theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of Richard II, chronologically the first of the eight plays in Shakespeare’s History Cycle, which marks the beginning of a great schism within the nobility of England that will leave the nation riven by bloody conflict for the next hundred years. This volume also includes more than a hundred pages of exclusive features, including: • an original Introduction to Richard II• incisive scene-by-scene synopsis and analysis with vital facts about the work• commentary on past and current productions based on interviews with leading directors, actors, and designers• photographs of key RSC productions• an overview of Shakespeare’s theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

This richly annotated edition takes a fresh look at the first part of Shakespeare's second tetralogy of history plays, showing how it relates to the other plays in the sequence. Forker places the play in its political context, discussing its relation to competing theories of monarchy, looking at how it faced censorship because of possible comparisons between Richard II and Elizabeth I, and how Bolingbroke's rebellion could be compared to the Essex rising of the time. This edition also reconsiders Shakespeare's use of sources, asking why he chose to emphasise one approach over another. Forker also looks at the play's rich afterlife, and the many interpretations that actors and directors have taken. Finally, the edition looks closely at the aesthetic relationship between language, character, structure and political import.

Three King Richards ruled England in the Middle Ages. All had memorable reigns. Richard I was a crusading hero; Richard II was an authoritarian aesthete who was deposed and murdered; Richard III was the most famous villain in English history, locking his nephews in a tower to secure his reign. This highly readable joint biography shows how much the three kings had in common.. All were younger sons, not expected to come to the throne; all failed to produce an heir, leaving instability on their deaths; all were cultured and pious; and all died violently. For centuries, these three kings have attracted accusations but also fascination, being immortalized in theater, movies, myths, and books. In Three Richards, Nigel Saul shows why.

This moving and eloquent historical drama depicts the conflict between a willful and arrogant poet of a king, Richard II, and his politically pragmatic cousin, Bolingbroke. Rich with memorable scenes and speeches, this lyrical history moves from a splendid medieval tournament to the poignant surrender of a crown; from the queen’s heart-shattering farewell to her king to Richard’s murder—a deed “chronicled in hell” that lives forever as one of the great moments in theater.

Free Worldwide Delivery : "King Richard II" : Paperback : A & C Black Publishers Ltd : 9781903436332 : 1903436338 : 21 Mar 2002 : This annotated edition of "King Richard II" takes a fresh look at the first part of Shakespeare's second tetralogy of history plays, showing how it relates to the other plays in the sequence.

Andrew Gurr has added a new section to the Introduction of this updated edition in which he describes the growing interest in new historical and political analysis of the play. He also surveys a number of important professional theatre productions and guides the reader through scholarly criticism of recent years. The Reading List has been revised and augmented. First Edition Hb (1984): 0-521-23010-1 First Edition Pb (1984): 0-521-29765-6

Written in 1595, Richard II occupies a significant place in the Shakespeare canon, marking the transition from the earlier history plays dominated by civil war and stark power to a more nuanced representation of the political conflicts of England's past where character and politics are inextricably intertwined. It is the first of four connected plays--including 1 Henry IV, 2 Henry IV, and Henry V--generally considered Shakespeare's finest history plays. The drama of Richard II centers on the power struggle between the grandiloquent King Richard and the plain-spoken, blunt Henry Bolingbroke, who is banished from Britain at the beginning of the play. But when Henry's father John of Gaunt dies, Richard confiscates his property with no regard to his son's rights, and Bolingbroke returns to confront the king, who surrenders his crown and is imprisoned in Pomfret Castle, where he is soon murdered. This new edition in the acclaimed Oxford Shakespeare series features a freshly edited version of the text. The wide-ranging introduction describes the play's historical circumstances, both the period that it dramatizes (the start of the "wars of the roses") and the period in which it was written (late Elizabethan England), and the play's political significance in its own time and our own. It also focuses on the play's richly poetic language and its success over the centuries as a play for the stage. Extensive explanatory notes help readers at all levels understand and appreciate the language, characters, and dramatic action and the book's lively illustrations provide a sense of the historical background and performance of the play.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Part I provides some contexts for what is inevitably our reading of the history plays, so that perhaps we may guess at the impact they may have had on their contemporaries. The author suggests, by implication, a way of approaching Elizabethan drama that may be generally useful. Part II is a consideration of what the author thinks are some major issues in the Ricardian plays.

This richly annotated edition takes a fresh look at the first part of Shakespeare's second tetralogy of history plays, showing how it relates to the other plays in the sequence. Forker places the play in its political context, discussing its relation to competing theories of monarchy, how it faced censorship because of possible comparisons between Richard II and Elizabeth I, and how Bolingbroke's rebellion could be compared to the Essex rising of the time. This edition also reconsiders Shakespeare's use of sources, asking why he chose to emphasize one approach over another. Forker also looks at the play's rich afterlife, and the many interpretations that actors and directors have taken. Finally, the edition looks closely at the aesthetic relationship between language, character, structure, and political import. A textual analysis of the play's eight early editions, a doubling chart for casting, and geneological tables are included as appendices.The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play’s foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.    Table of ContentsList of IllustrationsGeneral Editors' PrefacePrefaceIntroduction   Politics     Historical Context and the Issue of Topicality     The Connection with Essex     Ideology: Competing Conceptions of Monarchy     Characterization: Attitudes towards Richard and Bolingbroke     Politics in Seventeenth- and Eighteenth- Century Stagings   Language     Style     Imagery, Major Themes, Symbolism, Patterns of Allusion     Rhetoric   Afterlife   The Date     The Relation to Edward II and Woodstock     Richard II and the Second Tetralogy   Probable Venues of Early Performance   Sources     Holinshed     Hall     The Mirror for Magistrates     Daniel     Woodstock     Froissart; Creton; Traison     Edward II     Minor Sources   TextTHE TRAGEDY OF KING RICHARD THE SECOND Longer Notes Appendices  1 Textual Analysis 2 Doubling Chart 3 Genealogical TablesAbbreviations and references Abbreviations used in notes Works by and partly by Shakespeare Editions of Shakespeare collated or referred to Other works Modern stage and television productions citedIndex

This richly annotated edition takes a fresh look at the first part of Shakespeare's second tetralogy of history plays, showing how it relates to the other plays in the sequence. Forker places the play in its political context, discussing its relation to competing theories of monarchy, how it faced censorship because of possible comparisons between Richard II and Elizabeth I, and how Bolingbroke's rebellion could be compared to the Essex rising of the time. This edition also reconsiders Shakespeare's use of sources, asking why he chose to emphasize one approach over another. Forker also looks at the play's rich afterlife, and the many interpretations that actors and directors have taken. Finally, the edition looks closely at the aesthetic relationship between language, character, structure, and political import. A textual analysis of the play's eight early editions, a doubling chart for casting, and geneological tables are included as appendices.The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play’s foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.    Table of ContentsList of IllustrationsGeneral Editors' PrefacePrefaceIntroduction   Politics     Historical Context and the Issue of Topicality     The Connection with Essex     Ideology: Competing Conceptions of Monarchy     Characterization: Attitudes towards Richard and Bolingbroke     Politics in Seventeenth- and Eighteenth- Century Stagings   Language     Style     Imagery, Major Themes, Symbolism, Patterns of Allusion     Rhetoric   Afterlife   The Date     The Relation to Edward II and Woodstock     Richard II and the Second Tetralogy   Probable Venues of Early Performance   Sources     Holinshed     Hall     The Mirror for Magistrates     Daniel     Woodstock     Froissart; Creton; Traison     Edward II     Minor Sources   TextTHE TRAGEDY OF KING RICHARD THE SECOND Longer Notes Appendices  1 Textual Analysis 2 Doubling Chart 3 Genealogical TablesAbbreviations and references Abbreviations used in notes Works by and partly by Shakespeare Editions of Shakespeare collated or referred to Other works Modern stage and television productions citedIndex

Richard II (1377-99) has long suffered from an unusually unmanly reputation. Over the centuries, he has been habitually associated with lavish courtly expenditure, absolutist ideas, Francophile tendencies, and a love of peace, all of which have been linked to the king's physical effeminacy. Even sympathetic accounts have essentially retained this picture, merely dismissing particular facets of it, or representing Richard's reputation as evidence of praiseworthy dissent from accepted norms of masculinity.Christopher Fletcher takes a radically different approach, setting the politics of Richard II's reign firmly in the context of late medieval assumptions about the nature of manhood and youth. This makes it possible not only to understand the agenda of the king's critics, but also to suggest a new account of his actions. Far from being the effeminate tyrant of historical imagination, Richard was a typical young nobleman, trying to establish his manhood, and hence his authority to rule, by thoroughly conventional means; first through a military campaign, and then, fatally, through violent revenge against those who attempted to restrain him.The failure of Richard's subjects to support this aspiration produced a sequence of conflicts with the king, in which his opponents found it convenient to ascribe to him the conventional faults of youth. These critiques derived their force not from the king's real personality, but from the fit between certain contemporary assumptions about youth, effeminacy, and masculinity on the one hand, and the actions of Richard's government, constrained by difficult and complex circumstances, on the other.

Pages: 211, Edition: First Edition, Hardcover, Univ of Delaware Pr

Life Injections II shows how the scriptures can provide help, comfort, and insight into life's problems. Father Richard Zajac's heartfelt and thought-provoking messages draw inspiration from many sources, including his extensive hospital experience. Whether you're interested in striking sermon illustrations, wisdom for coping with difficult circumstances, or just bedside reading with a message of hope and peace, Life Injections II is just what the doctor ordered! I can't help thinking that this is the book to give someone whose life is off the track for any reason. More than homilies, these messages are reflections on the scriptures, meditations for everyone to start or close the day, tools for not just getting by but getting better. You'll shed some tears, you'll smile gently or even laugh somewhere in each chapter and at the end of every one you'll say: "Wow!" Life Injections II is simply wonderful. Rev. Msgr. J. Patrick KeleherDirector, Catholic Campus MinistryState University of New York at BuffaloOnce again, Father Zajac taps into the fundamental need of the human heart for a good story. Whether we seek new light on a dilemma we face, consolation or comfort in distress, a bit of challenge in a time of routine, or the simple reassurance that we're not walking the human pathway alone, there is sustenance to be found here for our inner life. Zajac listens well to the stories of God's way of being with us, told in the Scriptures and in the events and experiences of life.Sister Maureen McGuire, D.C.Vice President/Service Culture Development, Catholic Health Care System Buffalo, New YorkFather Zajac's stories make it easy for the "saints" who sit around the kitchen table every day working, planning, and providing for their families to apply the Christian ideal to their lives. The rich variety of tales drawn from Aesop's fables, wise rabbi stories, modern sports anecdotes, the movies, footnotes of history, song lyrics, and novels keep readers interested and challenged by giving a fresh and creative perspective on the Gospel stories they have heard all their lives.Lee PicoDeacon, St. Mary's CathedralCheyenne, WyomingThis new collection of sermons weds instructive and engaging stories to the Word of God, underscoring the narrative core of Christian belief.Rev. Donald CozzensAuthor, The Changing Face of the PriesthoodRichard E. Zajac has been a staff chaplain at Buffalo's Sisters of Charity Hospital since 1982. He is a member of the National Association of Catholic Chaplains, and currently serves on its certification committee. Zajac also chairs the Hospital Ethics committee at Sisters Hospital and was involved in the formation of the Center for Clinical Ethics and Humanities in Health Care at the University of Buffalo.

Includes an updated bibliography, suggested references, and state and film history, a New Overview by Sylvan Barnet, former chairman of the English Department at Tufts University.

A biography of Richard II. It offers a radical reinterpretation of a complex king whose reign was characterized by a mixture of high principle and despotic legislation.

King Richard exiles his cousin Henry Bolingbroke, the son of the powerful but ailing nobleman, John of Gaunt. When Gaunt dies and the king seizes his lands, the son returns to his homeland. But Bolingbroke's ambitions extend beyond his family's property. He seeks nothing less than Richard's crown and all of England. In this production Richard is played by Rupert Graves, and Bolingbroke, by Julian Glover. The role of Queen Isabel falls to Saira Todd.

Each edition includes: • Freshly edited text based on the best early printed version of the play • Full explanatory notes conveniently placed on pages facing the text of the play • Scene-by-scene plot summaries • A key to famous lines and phrases • An introduction to reading Shakespeare's language • An essay by an outstanding scholar providing a modern perspective on the play • Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Phyllis Rackin The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

Each edition includes: • Freshly edited text based on the best early printed version of the play • Full explanatory notes conveniently placed on pages facing the text of the play • Scene-by-scene plot summaries • A key to famous lines and phrases • An introduction to reading Shakespeare's language • An essay by an outstanding scholar providing a modern perspective on the play • Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Phyllis Rackin The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.