Free Worldwide Delivery : Working the Room : Hardback : Canongate Books Ltd : 9781847678621 : 1847678629 : 04 Nov 2010 : A brilliant, wide-ranging collection of essays and journalism, spanning the photography of Martin Parr to the paintings of Turner, the writing of Scott-Fitzgerald to the criticism of Susan Sontag, and includes extensive personal pieces.

Don't let the title fool you. Mary Minock's new book certainly evokes 1950's Detroit. Her father works for Cadillac, smells of "cigarettes and steel," and dies young of a brain tumor. The old neighborhood on Clark Street is working class, first and second generation immigrant families, transplanted Southern folk, all mostly white, mostly Catholic, but starting to lean more and more Protestant. Teenage Mary walks across the Ambassador Bridge to Windsor, as if that Canadian town were a suburb of Detroit. This book may derive its jibe from post-World War II Motown, but Minock's story is foremost an American memoir. After her father dies, her mother trains to be an Avon Lady. Like millions of kids, Mary idolizes Davy Crockett (her father's originally from Tennessee, too), and later, Mary must choose between heartthrobs: Pat Boone or Elvis. She longs for the Memphis King, and at the heart of this memoir is a 1950's girl's sexual and intellectual awakening, the struggle against the guilt of a Catholic upbringing, but it's also the generational guilt that defined an era. I'm not Catholic, I'm not a woman, and I grew up in small, rural town. But I connected deeply to this story, and isn't that the measure of a good memoir? Minock has written her story, and ours: the story of those men and women (especially women) who grew up back then, and a story for younger readers who always wanted the secret history that their own mothers and fathers would never share. ~Martin Lammon, editor of Arts and Letters

Some Things Are Just Better Heard Than Read. That’s why Susan Roane is one of the superstars of the audio industry, and why more than 50,000 people chose to buy the audiobook of her bestseller, How to Work a Room. Knowing what to say is important. Hearing how to say it can make all the difference.With Roane’s Rules Susan has taken it to the next level and created an original audiobook that explains how to handle yourself in those sticky situations that we all know too well: • You’re making introductions and forget the names• Your boss invites you to dinner or comes to your house• You want to join a conversation but don’t know anyone• You receive an unwanted compliment or a surprise gift• There’s an awkward pause in the conversation • Someone jokes about you or puts you on the spot • You have to give a speech or make a toastWhether it’s at the office, on a date, in an interview, or any other social or business situation, Roane’s Rules will provide everything you need to come up with the right thing to say, and the way to say it with style.

Free Worldwide Delivery : Working the Room : Paperback : Canongate Books Ltd : 9781847679376 : 1847679374 : 04 Aug 2011 : 'Dyer is becoming a character just as arch and seductive as that professional self-effacer from the previous generation, Alan Bennett.' Observer

Sharlamagne Dickens cherished her family, was intrigued by the past, adored antiques, and enjoyed working at the antique store owned by her parents. Her life, like most, had been touched by tragedy and loss, yet she was happy. Though her life was not void of romance, it was void of a certain emotional passion. Still, she was young and assumed that one day some man might manage to sweep her off her feet. Sharlamagne did not expect to be entirely bowled over, however. And the day she first set eyes on Maxim Tanner, she was! Elisaveta Tanner's grandson, Maxim, was the dreamiest, most attractive archetypal male Sharlamagne and her sister, Gwen, had ever seen! Tall, dark, and illegally handsome, Maxim Tanner possessed not only fabulous looks, money, and the sweetest grandmother in the world but also a fair amount of local fame. He was gorgeous, clever, and pathetically out of reach for any average girl. And so Sharlamagne went about her life happy and satisfied-for she had no idea what sort of emotional intensity the right man could inflame in her. She had no conception of how an age-old mystery and one man could converge to unleash a passion so powerful that it would be either the greatest gift she had ever known-or her final undoing.

The espionage game has a brand-new rule book. Agents joining the international clandestine group known as Room 59 are the new spymasters. Working beyond the reach of government bureaucracy, Room 59 recruits only the best of the best. The risks, the rewards--and the rush--are worth everything, including the ultimate sacrifice.After a routine surveillance mission on a quiet London street goes awry, operative David Southerland's reaction leaves him branded a cowboy. While his quick thinking gained valuable intelligence, breaching procedure is a violation that can end a career--or a life. His future in question, Southerland embarks on a desperate pursuit through the capitals of Europe. His mission is to hunt down the beautiful thief in possession of highly classifi ed security information. But the Room 59 agent is not the only hunter. Other very dangerous players are also seeking the prize, and he could become the prey....

Sharlamagne Dickens cherished her family, was intrigued by the past, adored antiques, and enjoyed working at the antique store owned by her parents. Her life, like most, had been touched by tragedy and loss, yet she was happy. Though her life was not void of romance, it was void of a certain emotional passion. Still, she was young and assumed that one day some man might manage to sweep her off her feet. Sharlamagne did not expect to be entirely bowled over, however. And the day she first set eyes on Maxim Tanner, she was! Elisaveta Tanner's grandson, Maxim, was the dreamiest, most attractive archetypal male Sharlamagne and her sister, Gwen, had ever seen! Tall, dark, and illegally handsome, Maxim Tanner possessed not only fabulous looks, money, and the sweetest grandmother in the world but also a fair amount of local fame. He was gorgeous, clever, and pathetically out of reach for any average girl. And so Sharlamagne went about her life happy and satisfied-for she had no idea what sort of emotional intensity the right man could inflame in her. She had no conception of how an age-old mystery and one man could converge to unleash a passion so powerful that it would be either the greatest gift she had ever known-or her final undoing.

Thirty years ago, as a young man working at a facility for children with autism, Dale DiLeo was shown a tiny, hot and smelly bedroom. Reserved for up to four young men with autism, those least trusted by staff, this room was locked--from the outside--all night long. It was named after Raymond, the room's perennial resident. Raymond's Room makes a compelling case that today, people with disabilities are still locked away from the rest of society. They may not be necessarily housed in rooms like Raymond's, but they are placed in facilities and programs run by a public monopoly unwilling to change. "People with disabilities are the last minority group in which legal segregation for housing and employment is still routinely provided," writes DiLeo. "And their lives are controlled by one of the last publicly-funded monopolies in America today." Using research, anecdotes, and heartwarming stories, DiLeo takes aim at the billion-dollar "disability industrial complex" that segregates people with significant disabilities from mainstream life. Calling people with disabilities society's "hidden citizens," he describes a system that prevents people from working and living in our communities, despite new techniques and approaches proven effective in helping even those with the most serious challenges to be employed and to have a home to call their own. DiLeo describes the downsides to current practices in the field and then offers up proven alternatives.

Braine's first and most successful novel of working-class "angst" and the struggle of "angry young man" Joe Lampton to climb the social ladder by whatever means possible....

Thirty years ago, as a young man working at a facility for children with autism, Dale DiLeo was shown a tiny, hot and smelly bedroom. Reserved for up to four young men with autism, those least trusted by staff, this room was locked--from the outside--all night long. It was named after Raymond, the room's perennial resident. Raymond's Room makes a compelling case that today, people with disabilities are still locked away from the rest of society. They may not be necessarily housed in rooms like Raymond's, but they are placed in facilities and programs run by a public monopoly unwilling to change. "People with disabilities are the last minority group in which legal segregation for housing and employment is still routinely provided," writes DiLeo. "And their lives are controlled by one of the last publicly-funded monopolies in America today." Using research, anecdotes, and heartwarming stories, DiLeo takes aim at the billion-dollar "disability industrial complex" that segregates people with significant disabilities from mainstream life. Calling people with disabilities society's "hidden citizens," he describes a system that prevents people from working and living in our communities, despite new techniques and approaches proven effective in helping even those with the most serious challenges to be employed and to have a home to call their own. DiLeo describes the downsides to current practices in the field and then offers up proven alternatives.

Ted Hammond loves a good mystery, and in the spring of his fifth-grade year, he's working on a big one. How can his school in the little town of Plattsford stay open next year if there are going to be only five students? Out here on the Great Plains in western Nebraska, everyone understands that if you lose the school, you lose the town. But the mystery that has Ted's full attention at the moment is about that face, the face he sees in the upper window of the Andersons' house as he rides past on his paper route. The Andersons moved away two years ago, and their old farmhouse is empty, boarded up tight. At least it's supposed to be. A shrinking school in a dying town. A face in the window of an empty house. At first these facts don't seem to be related. But Ted Hammond learns that in a very small town, there's no such thing as an isolated event. And the solution of one mystery is often the beginning of another.

Ted Hammond loves a good mystery, and in the spring of his fifth-grade year, he's working on a big one. How can his school in the little town of Plattsford stay open next year if there are going to be only five students? Out here on the Great Plains, in western Nebraska, everyone understands that if you lose the school, you lose the town. But the mystery that has Ted's full attention at the moment is about that face, the face he sees in the upper window of the Andersons' house as he rides past on his paper route. The Andersons moved away two years ago, and their old farmhouse is empty and boarded up tight. At least it's supposed to be. A shrinking school in a dying town. A face in the window of an empty house. At first these facts don't seem to be related. But Ted Hammond learns that in a very small town, there's no such thing as an isolated event. And the solution of one mystery is often the beginning of another.

If you feel lost in our cultural wilderness, in clutter, collecting, consuming, working, worrying and waiting for something better, I wrote this book for you. I have been lost, too. God has shown me a way out. This book is a bit of bright orange paint pointing to the path toward home. Let s walk it together. From the IntroductionSusan Rowland shares with us her time- and experienced-tested methods that will help us simplify and unclutter our lives, and most importantly, our spirits. She tackles everything from how to let go of the extra stuff we just can t seem to live without to the feelings of discontent, disconnect, anger, jealousy, abandonment and bitterness that seem to equally possess us. In five comprehensive sections Self-Care Without Clutter, An Environment Without Clutter, Productivity Without Clutter, A Spirit Without Clutter and A God Without Clutter Rowland takes us on her own journey of self-discovery and self-simplifying. She reveals how she de-toxed from the societal pressure to do constantly and to have insatiably, and most importantly, how, in the process of letting go of so much clutter, she became stronger, healthier and more spiritually cleansed with plenty of room for God.

"The room shared by Brother and Sister is a mess because the cubs argue over who should neaten up instead of working together. Sure to make toddlers smile while they absorb an implied lesson."--"Publishers Weekly.

Ted Hammond loves a good mystery, and in the spring of his fifth-grade year, he's working on a big one. How can his school in the little town of Plattsford stay open next year if there are going to be only five students? Out here on the Great Plains in western Nebraska, everyone understands that if you lose the school, you lose the town. But the mystery that has Ted's full attention at the moment is about that face, the face he sees in the upper window of the Andersons' house as he rides past on his paper route. The Andersons moved away two years ago, and their old farmhouse is empty, boarded up tight. At least it's supposed to be. A shrinking school in a dying town. A face in the window of an empty house. At first these facts don't seem to be related. But Ted Hammond learns that in a very small town, there's no such thing as an isolated event. And the solution of one mystery is often the beginning of another.

If you feel lost in our cultural wilderness, in clutter, collecting, consuming, working, worrying and waiting for something better, I wrote this book for you. I have been lost, too. God has shown me a way out. This book is a bit of bright orange paint pointing to the path toward home. Let s walk it together. From the IntroductionSusan Rowland shares with us her time- and experienced-tested methods that will help us simplify and unclutter our lives, and most importantly, our spirits. She tackles everything from how to let go of the extra stuff we just can t seem to live without to the feelings of discontent, disconnect, anger, jealousy, abandonment and bitterness that seem to equally possess us. In five comprehensive sections Self-Care Without Clutter, An Environment Without Clutter, Productivity Without Clutter, A Spirit Without Clutter and A God Without Clutter Rowland takes us on her own journey of self-discovery and self-simplifying. She reveals how she de-toxed from the societal pressure to do constantly and to have insatiably, and most importantly, how, in the process of letting go of so much clutter, she became stronger, healthier and more spiritually cleansed with plenty of room for God.

They are detection’s oddest couple: two cranky detectives whose professional partnership dates back half a century. Now Arthur Bryant and John May return in a case of multiple murder that twists through a subterranean course of the secrets, lies, and extreme passions that drive even ordinary men and women to the most shocking crimes….They are living legends with a reputation for solving even the trickiest cases using unorthodox, unconventional, and often completely unauthorized methods. But the Peculiar Crimes Unit headed by Detectives John May and Arthur Bryant is one mistake away from being shut down for good. And when the elderly sister of Bryant’s friend is found dead in the basement of her decrepit house in Kentish Town, they find themselves on the verge of making exactly that mistake.According to the coroner, Ruth Singh’s heart simply stopped beating. But why was a woman who rarely left the house fully dressed for an outing? And why was there river water in her throat? Convinced that the old lady didn’t die a natural death, the detectives delve into a murky case with no apparent motive, no forensics, and no clues. And they’ve barely launched their investigation when death claims another victim. Suddenly they discover some very unnatural behavior surrounding Ruth Singh’s death by “natural” causes—from shady real estate developers and racist threats to two troubled marriages, from a dodgy academician working London’s notorious “grey economy” to a network of antiquities collectors obsessed with Egyptian mythology. And running beneath it all are the sweeping tentacles of London’s vast and forgotten underground river system. As the rains pour down and the water rises, Bryant and May must rely on instinct, experience, and their own very peculiar methods to stem a tide of evil that threatens to drown them all.From the Hardcover edition.

Working Mandarin for Beginners is designed to enable English-speaking business students and professionals with no prior knowledge of Chinese to develop the basic communication skills necessary for a business trip to China or another work environment in which Mandarin is spoken. Major features: • Twenty-four lessons, including five review lessons • Clear objectives for acquiring language skills, grammar, and cultural understanding • Lessons cover important basics such as introductions and greetings, counting, reserving a hotel room, taking public transportation, and asking for directions • Lessons cover business tasks such as coordinating and conducting meetings, selling products, and negotiating agreements -- all in Chinese • Lessons provide dialogues and vocabulary lists for reading and listening, language points, cultural points, pronunciation drills, grammar, and interactive homework • Course concludes with a special independent project in which the student applies the language to his or her area of business study • Pinyin is used throughout so students can start speaking Mandarin immediately • Includes some basic lessons in the formation of Chinese characters • Course can be combined with affordable online access to self-grading exercises (available through Quia.com, $24.95 per student for 18 months of access)Student Book • Includes MP3 tracks of dialogues, vocabulary lists, and audio exercises on CD • Lessons are valuable to the classroom student as well as self-directed independent learnersTeacher's Edition • Includes a CD-ROM with all MP3 tracks of dialogues, vocabulary, and audio exercises found on the students' disk • CD-ROM also provides quizzes and exams (including necessary audio), approximately 300 supplementary PowerPoint slides for classroom use, and creative guidance for conversation practice, mini-immersion, and skitOnline teaching features at Quia.com • Instructor-managed class activities and exercises • Monitoring of student progress • Customized grading options online • Students can complete exercises online, submit their answers electronically to their instructor, and receive automatic feedback • Teachers can also use Quia templates to build their own exercises or use exercises developed by other instructors to provide added help for students • Motivated self-directed learners can also access the self-grading online exercises at Quia.com (no instructor feedback will be provided) SYSTEM REQUIREMENTS Student's Edition Textbook/MP3 CD (Mac and PC) • CD drive on a computer or conventional CD player with MP3 capability • MP3 player, such as iTunes, RealPlayer, or Windows Media Player • SpeakersTeacher's Edition Textbook/CD-ROM Mac and PC • CD drive on a computer • MP3 player, such as iTunes, RealPlayer, or Windows Media Player • speakers • Adobe Acrobat Reader (available as a free download from http:///www.adobe.com) PC • Windows XP • Microsoft Office 2000 or higher with Service Pack 3 installed (Word and PowerPoint are needed to view and edit some files) • Or, to view the PowerPoints only, download Microsoft PowerPoint Viewer 2003 or higher (free from http://www.microsoft.com) • Fonts for PowerPoints: Arial Unicode and Simsun, which are included in all editions of Office 2000/XP/2003 Mac • Microsoft Word, version Office 2004 or higher • Microsoft PowerPoint, version Office 2004 or higher (Word and PowerPoint are needed to view and edit some files); or view the PowerPoints as PDFs • Fonts for PowerPoints: Arial and Simsun, which are included in Office 2004 and higher Interactive Exercises on Quia (Mac and PC) • Computer with Internet access, preferably a high-speed connection • Java-enabled browser: Internet Explorer 5 or higher, or any version of Firefox or Safari • The program QuickTime (available as a free download from http://www.quicktime.com) • Microphone to record answers or responses

Here are working shop drawings for 30 pieces of household furniture by Gustav Stickley and his contemporaries the Craftsman movement. Every type of furniture is represented here: chairs, chests of drawers, wall shelves, book cases, sideboards, dining tables, occasional tables, beds, and rockers. These construction drawings present all the information a woodworker needs to reproduce each piece in his own workshop. Each project includes a perspective view along with elevations, sections and details, plus a complete bill of materials. The introductory chapters give basic technical information about choosing wood, layout and construction techniques, and assembly methods, with a special section on finishing.Craftsman, Mission, Arts and Crafts: these names all conjure the sturdy, straightforward and immensely popular furniture designed by Gustav Stickley and his associates early in the 20th Century. Despite its popularity, until now there has not been a comprehensive book of shop drawings to guide today's builder. These shop drawings have been taken directly from original Craftsman catalogs, with measurements and details carefully checked against authentic Craftsman antique furniture. This book gives the woodworker the heart of the Craftsman aesthetic in an attractive, practical, and durable format.

In Rehearsal is a clear and accessible how-to approach to the rehearsal process. Author Gary Sloan brings more than thirty years' worth of acting experience to bear on the question of how to rehearse both as an individual actor and as part of the team of professionals that underpins any successful production. Interviews with acclaimed actors, directors, playwrights, and designers share a wealth of knowledge on dynamic collaboration. The book is divided in to three main stages, helping the reader to refine their craft in as straightforward and accessible manner as possible: In the world: A flexible rehearsal program that can be employed daily, as well as over a typical four week production rehearsal. In the room: Advice on working independently and productively with other members of a company, such as directors, playwrights, designers and technical crew; how your personal creative process varies depending on the role, be it Shakespeare, musicals, film, television or understudying. On your own: Creating your own rehearsal process, exploring original and famous rehearsal techniques, breaking through actor's block and how to practice every day. In Rehearsal breaks down the rehearsal process from the actor’s perspective and equips its reader with the tools to become a generous and resourceful performer both inside and outside the studio. Its independent, creative and daily rehearsal techniques are essential for any modern actor.

No Room For Truth is a gripping drama of how a working reporter's search for the truth turns upside-down as she discovers a world filled with bribery and corruption, feeding unchecked into the very heart of America's soul. Scottie Forester, a talented, vivacious young career woman was only two years beyond obtaining her degree in Journalism. But fate interceded in the disquise of an offer to become editor of a run-down weekly newspaper in a small town in Northern Mississippi. Slowly, but with awesome inevitability, Scottie finds herself entangled in a deadly web of political intrigue and deceit. As she slowly but inexorably uncovers the long hidden secrets that will place her in grave danger, the story mounts to a searing suspense-filled courtroom climax.

Working Mandarin for Beginners is designed to enable English-speaking business students and professionals with no prior knowledge of Chinese to develop the basic communication skills necessary for a business trip to China or another work environment in which Mandarin is spoken. Major features: • Twenty-four lessons, including five review lessons • Clear objectives for acquiring language skills, grammar, and cultural understanding • Lessons cover important basics such as introductions and greetings, counting, reserving a hotel room, taking public transportation, and asking for directions • Lessons cover business tasks such as coordinating and conducting meetings, selling products, and negotiating agreements -- all in Chinese • Lessons provide dialogues and vocabulary lists for reading and listening, language points, cultural points, pronunciation drills, grammar, and interactive homework • Course concludes with a special independent project in which the student applies the language to his or her area of business study • Pinyin is used throughout so students can start speaking Mandarin immediately • Includes some basic lessons in the formation of Chinese characters • Course can be combined with affordable online access to self-grading exercises (available through Quia.com, $24.95 per student for 18 months of access)Student Book • Includes MP3 tracks of dialogues, vocabulary lists, and audio exercises on CD • Lessons are valuable to the classroom student as well as self-directed independent learnersTeacher's Edition • Includes a CD-ROM with all MP3 tracks of dialogues, vocabulary, and audio exercises found on the students' disk • CD-ROM also provides quizzes and exams (including necessary audio), approximately 300 supplementary PowerPoint slides for classroom use, and creative guidance for conversation practice, mini-immersion, and skitOnline teaching features at Quia.com • Instructor-managed class activities and exercises • Monitoring of student progress • Customized grading options online • Students can complete exercises online, submit their answers electronically to their instructor, and receive automatic feedback • Teachers can also use Quia templates to build their own exercises or use exercises developed by other instructors to provide added help for students • Motivated self-directed learners can also access the self-grading online exercises at Quia.com (no instructor feedback will be provided) SYSTEM REQUIREMENTS Student's Edition Textbook/MP3 CD (Mac and PC) • CD drive on a computer or conventional CD player with MP3 capability • MP3 player, such as iTunes, RealPlayer, or Windows Media Player • SpeakersTeacher's Edition Textbook/CD-ROM Mac and PC • CD drive on a computer • MP3 player, such as iTunes, RealPlayer, or Windows Media Player • speakers • Adobe Acrobat Reader (available as a free download from http:///www.adobe.com) PC • Windows XP • Microsoft Office 2000 or higher with Service Pack 3 installed (Word and PowerPoint are needed to view and edit some files) • Or, to view the PowerPoints only, download Microsoft PowerPoint Viewer 2003 or higher (free from http://www.microsoft.com) • Fonts for PowerPoints: Arial Unicode and Simsun, which are included in all editions of Office 2000/XP/2003 Mac • Microsoft Word, version Office 2004 or higher • Microsoft PowerPoint, version Office 2004 or higher (Word and PowerPoint are needed to view and edit some files); or view the PowerPoints as PDFs • Fonts for PowerPoints: Arial and Simsun, which are included in Office 2004 and higher Interactive Exercises on Quia (Mac and PC) • Computer with Internet access, preferably a high-speed connection • Java-enabled browser: Internet Explorer 5 or higher, or any version of Firefox or Safari • The program QuickTime (available as a free download from http://www.quicktime.com) • Microphone to record answers or responses

“Hannis Arc, working on the tapestry of lines linking constellations of elements that constituted the language of Creation recorded on the ancient Cerulean scroll spread out among the clutter on his desk, was not surprised to see the ethereal forms billow into the room like acrid smoke driven on a breath of bitter breeze. Like an otherworldly collection of spectral shapes seemingly carried on random eddies of air, they wandered in a loose clutch among the still and silent mounted bears and beasts rising up on their stands, the small forest of stone pedestals holding massive books of recorded prophecy, and the evenly spaced display cases of oddities, their glass reflecting the firelight from the massive hearth at the side of the room.” “Since the seven rarely used doors, the shutters on the windows down on the ground level several stories below stood open in a fearless show of invitation. Though they frequently chose to use windows, they didn’t actually need the windows any more than they needed the doors. They could seep through any opening, any crack, like vapor rising in the early morning from stretches of stagnant water that lay in dark swaths through the pear barrens.” “The open shutters were meant to be a declaration for all, including the seven, to see that Hannis Arc feared nothing.”

Hannis Arc, working on the tapestry of lines linking constellations of elements that constituted the language of Creation recorded on the ancient Cerulean scroll spread out among the clutter on his desk, was not surprised to see the seven etherial forms billow into the room like acrid smoke driven on a breath of bitter breeze. Like an otherworldly collection of spectral shapes seemingly carried on random eddies of air, they wandered in a loose clutch among the still and silent mounted bears and beasts rising up on their stands, the small forest of stone pedestals holding massive books of recorded prophecy, and the evenly spaced display cases of oddities, their glass reflecting the firelight from the massive hearth at the side of the room.Since the seven rarely used doors, the shutters on the windows down on the ground level several stories below stood open as a fearless show of invitation. Though they frequently chose to use windows, they didn’t actually need the windows any more than they needed the doors. They could seep through any opening, any crack, like vapor rising in the early morning from the stretches of stagnant water that lay in dark swaths through the peat barrens.The open shutters were meant to be a declaration for all to see, including the seven, that Hannis Arc feared nothing.#1 New York Times-bestselling author Terry Goodkind returns to the lives of Richard Rahl and Kahlan Amnell—in a compelling tale of a new and sinister threat to their world.

The poetry of Lauren Schmidt does what poetry should do: make the invisible visible, indelibly, unforgettably. If ever a collection of poems embodied Whitman's dictum to speak for "the rights of them the others are down upon," this is it...The poems inspired by the experience of working with this community--in The Dining Room and beyond--humanize the dehumanized, compelling us to see what we do not see and hear what we do not hear, to gaze upon the "ugly" until it becomes beautiful, to re-imagine, re-invent and repair the world.-From the Foreword by Martin Espada