When they were in Thee Shams, Andy Gabbard and Zach Gabbard played music that was firmly rooted in the sounds of the mid-'60s, but with their third album, their band Buffalo Killers has moved bravely into the early '70s, and they sound right at home there. Buffalo Killers 3 suggests a meeting of the minds between Crazy Horse and the James Gang during a few mellow days in Laurel Canyon, and if you didn't read the credits or look at the copyright date, many listeners would never guess this music was recorded in the 21st century. While there isn't much here that suggests a shameless rip-off of any artist in particular, 3 conjures up a sense of time and place with ease, and the loose, sun-burnt vibe of this music, fused with Andy's fluid but forceful guitar work, Zach's simple but effective basslines, and Joey Sebaali's colorful percussion work drifts between country-rock and hard rock in a way that suggests the strengths of both without hitching itself to either. Lyrically, the Killers don't have a whole lot to say, but the melodies are fine stuff and the band plays with a seasoned air of musical intuition, knowing where to fill the spaces and how to make the most of their power trio format. Joining the Killers on their journey through the past are Kelley Deal, Brian Olive, and James Leg, but even if this is a very Ohio-centric cast of characters, this music has a rich West Coast feel, and in this case, that's a good thing. Buffalo Killers 3 finds this band easing into an comfortable but deep groove, and not many bands have mined a late hippie-era approach with more satisfying results. ~ Mark Deming, Rovi

Susanna Wallumrød's albums with and without the Magical Orchestra (aka Jaga Jazzist's Morten Qvenild) have all taken a similar approach, whether she focuses on her own songs (List of Lights and Buoys, Sonata Mix Dwarf Cosmos) or the songs of others (Melody Mountain, Flower of Evil): her subtly remarkable voice -- which carries within it echoes of singers from Nina Simone to Karen Carpenter -- came first and foremost, surrounded by abstract arrangements soft enough not to detract from her vocals, but interesting enough to enhance them. Often, she sounded like she was singing with the weight of the world on her shoulders, but on the simply named 3, she and Qvenild sound like they're bound for the stars. Lighter and more overtly electronic than Susanna & the Magical Orchestra's previous work, these songs have a sci-fi glamour and wistfulness to them, as well as a grandeur that suggests vast dark skies filled with twinkling lights. 3 begins with one of its boldest departures, Recall, which sets Wallumrød's voice adrift on bubbling analog synths, weaving a hypnotic spell broken by huge drums that sound all the more massive compared to the polite percussion on her previous work. Palpatine's Dream is even more striking, a song about Star Wars' Sith lord made sleek and strangely sexy with electronics that stream by like meteorites and backing vocals by Wildbirds & Peacedrums' Mariam Wallentin and Susanna's brother Fredrik Wallumrød. Not all of 3 is this drastically different than what came before it. Gently insightful songs like The Game and Come On could have appeared on Wallumrød's earlier albums, and she includes a couple of covers that reinforce what a gifted interpreter she is: Roy Harper's Another Day becomes a dead-of-night piano meditation, and Rush's Subdivisions is turned into a sparkling, ironically detached manifesto against conformity. Throughout, Wallumrød, Qvenild, and company never lose the purity of their vision, particularly on Lost, an aching ballad so simple and vulnerable it feels like a cover when it actually isn't, and Someday, which blends the album's alien frostiness with all-too-human intimacy, hope, and despair. Ambitious and diverse, 3 opens new possibilities for Susanna & the Magical Orchestra, but it shares the sense of wonder and beauty in all of their music. ~ Heather Phares, Rovi

These 3 carabiner keychains are, as you know, some of the best business promotional items around - they are low cost, high quality and have perceived value. Practical + Useful = Staying power . If you want something with even more use and value, look at the Utility Carabiner . Our carabiners have high quality springs and gates, and will open and close smoothly and strongly each time. Imagine people everywhere, in every age group using these to clip their keys to straps and belt loops - keeping your logo , name or slogan in plain view. Available in two styles - Round (most popular) , and Flat edge. Also available in a smaller size 2 carabiner , 2.25 carabiner, a 2.75 carabiner and with a web strap . You can trust the carabiner experts - we have more colors and more quantity in stock - rush orders available. See blue box below for more details on your carabiner keychains. Blank products are available - call for pricing. The second side is available for laser etching for $0.20 per piece. Features Vibrant colors available (blue, purple, red, green, black, orange, gold, aqua, pink, lime green, graphite, olive drab) You can mix carabiner colors to reach volume discounts Nylon web straps available: Gold PMS 1255C, Purple PMS 262C, Red PMS 186C, Blue PMS 2747C, Green PMS 347C, Black Length 3, Width 1-5/8, Thickness 5/16 (8cm x 4cm x .75cm) Imprint Area : 2 (enough room for two lines) (2nd side +$0.20/each) Easily fits 27 characters per line. We can fit up to 35 by changing the font/sizing Includes 1 detachable split ring Material : Tough, True, High Strength Anodized Aluminum Add:  Carabiner with Web Strap Information Item Code: %prodcode% Decoration Method:  Laser Etched (etching comes out silver/white) Production Time : 3-5 business days (rush orders available - more info) We can ship carabiners Same Day or Next Day if needed Shipping info (free standard shipping on this item) (weight per 50: 2.84lbs) Packaging: Bulk/other options available Setup Charges:  None* rush service is available on this item ( what's this? )

Hammerhead™ 2 and 3 are Mountain Hardwear’s best selling camping tents for warm weather. Hammerheads are free-standing, two and three person tents with a neat, convertible roof panel that opens to reveal the stars, and two huge vestibules for storage. Footprint sold separately. UPDATED: DAC Pressfit™ poles.|Industry leading DAC Pressfit™ poles.|Fully removable zip out panel that takes 4 ounces off the trail weight.|Guaranteed watertight construction with fully taped fly, taped perimeter seam, welded corners and welded guy clip anchors. Rain room tested with 1200 of rain in 24 hours.|Pitch Light™ configuration allows user to set up a superlight shelter using only the tent fly, poles and footprint (sold separately)|Proprietary Evolution Tension Arch™ stabilizes tent using fewer poles|Large mesh area for maximum ventilation when needed; can be covered with zipperedroll-back sky panel for warmth and privacy|High ceiling for extra head room|Two large canopy doors with dual slider zippers for easy entry|Two vestibules for storage|Reflective starter point, guy-out loops and zipper pulls for easy set-up at night|Superlight 1/4 buckles and webbing reduce tent weight|Color coded pole loops for easy set up|

For their third album, 2005's TCV3, Southern hard rockers the Cherry Valence jump from Estrus to Bifocal Media and shuffle their lineup but otherwise they haven't changed much. There is still plenty of riffin'; there are songs that sound like they would fit quite snugly in the rotation of a mid-'70s AOR station next to Nazareth, Ted Nugent, and Led Zeppelin and they continue to sport dual drummer/vocalists, which still kicks serious rock & roll business. TCV3 kicks off with a trio of tunes that stake a claim right at the head of 2005's hard rock revival class. Sunglasses and Headlights motors like classic Montrose with some fierce guitar and a killer chorus, Minutes is more laid-back, riding a nicely funky groove much like the one the Black Crowes lost many years ago, and Only Game in Town is a tight rocker that jumps like something off of the MC5's Back in the USA. From there the record hits a relaxed groove that kind of lulls the listener into taking it for granted. Not that there is anything bad going on, but apart from the awesomely rocking Couldn't Stop It, there just isn't anything quite as fierce and entertaining as the opening volley. Near the end of the record things slam back into focus with a batch of wall-rattling rockers (Two Steps Forward, the super-catchy You've Got to Wait, and Caves of Steel) that leaves you in a sweaty pile by the conclusion and generally saves the record from mediocrity. Even pushes it toward above average, maybe. The patch of standard-issue CV tunes in the heart of the album could mean that the band is nearing the end of its run, but then again they also come up with some of their best songs as well. Hmm...well, why waste your time scratching your head over it, just load the six or seven songs that will shake your foundation on your iPod, or better still, a dusty old cassette, and blast them next time you need an retro-AOR fix. ~ Tim Sendra, Rovi

The power of multi-sport computers has become undeniable. After all, why should you have to own a different computer for each of your athletic disciplines? With the CatEye Q3, you're able to view metrics for your cycling, swimming, hiking, or running, all with the convenience of a wristwatch. While the Q3 is designed for multi-sport usage, it does include most of the functionality of CatEye's cycling line of computers. However, you'll find that the Q3 separates your metrics into three sets of displays -- upper, middle, and lower. At the upper display, regardless of if you're running, swimming, or cycling, you'll see current, average, and maximum speed displayed. And with the Q3's lap feature, you'll also be able to view your average and maximum lap speeds. For the Q3, CatEye ensured multi-sport functionality through the inclusion of a heart rate sensor. Additionally, the CatEye also included a cadence sensor. With these devices, you'll find that the middle display of the Q3 is dedicated to their readings. Accordingly, you're able to view your heart rate in terms of current, average, maximum, and average lap. And as for your cadence, you're able to view your metrics within the same aforementioned fields. At the lower display, you'll find that CatEye focused its attention on both time and calorie consumption. As a result, you're able to view various distance metrics, the date, the current time, lap time, and calorie consumption. It's also worth noting that the Q3 allows you to train within five programmable heart rate zones, and up to 99 laps. It functions on a 2.4GHz digitally encoded wireless band and is capable of storing up to 30 training files. Additionally, the Q3 features programmable time, distance, and countdown functions, and it's waterproof up to 30-meters. The CatEye Q3 is available in the color Black and in one size. Please note that each Q3 includes a wristwatch, handlebar mount, heart rate sensor, and a cadence sensor.

The hottest new way to listen to audio—podcasting—meets GarageBand 3, the ingenious Apple software most noted for its music-making capabilities. In Podcasting with GarageBand 3, Scott Bourne takes you step by step through optimizing GarageBand 3 for podcasting, working with track settings for professional-sounding audio, and choosing the best hardware for recording music or vocals. He also covers techniques for recording voice versus music, how to add background loops to the recording's timeline, the best ways to publish your podcast, and more. Exercise files accompany the training videos, allowing you to follow along and learn at your own pace.

DeVilbiss174 Set has 3 spray guns to handle everything from custom graphics and touch-up tasks to full repaintsThese 3 precision spray guns from DeVilbiss174 are the tools you'll need to take on any automotive paint job, from graphics and touch-up tasks to full repaints.2 large HVLP Guns1 small Detail Gun3 Tips, 3 Cups, Regulator and Tool KitIncludes 2 large HVLP guns,1 small detail gun, accessories use for complete paint jobs, partial paint jobs and deatil work. For use with solvent borne paints- waterbased paints may corrode internal compnents if not cleaned properlyTake on any automotive painting job with this 3-gun DeVilbiss174 Kit that includes one large HVLP Gun for primers (with 1.8mm fluid tip) one large HVLP Gun for top coats (1.3mm fluid tip), and one Small Gun for detailing and custom graphics (with 1.0mm fluid tip). The large guns require 30 psi 13 cfm, small gun requires 30 psi 8 cfm. One-year mfr's. warranty.Gun rebuild kits available see Accessories tab. 3-gun kit includes two large HVLP Guns and one small Detailing Gun, plus three tips (1.8mm, 1.3mm, 1.0mm), two 600ml aluminum paints cups, one 250ml nylon paint cup, and a gun-mounted air-adjusting valve with gauge. Cleaning and adjustment tools are also included. Gun rebuild kits available see Accessories tab. 29953 34-oz. DeKups Disposable-Cup Starter Kit50040ZP Master Paint Kit10041Z PRE Painting Prep12817 Paint Gun Accessory Kit51136 Eastwood Paint Color Chart20474 4-Stage Air Dryer System20461 DeVilbiss Starting Line Detail Gun Re-Build Kit20460 DeVilbiss Starting Line Full-Size Re-Build Kit (Q) Will these guns work with any kind of paint (A) These were designed for solvent-based paints, primers and clears. (Q) What are the compressor requirements(A) The large guns need 30 psi 13 cfm the smaller gun needs 30 psi 8 cfm. (Q) How can I learn to paint competently (A) Check out Eastwood's full line of training books and DVDs. (Q) How do I prevent compressor moisture from ruining my paint job (A) See our full line of air dryers and filters. Search for air management. Always wear a NIOSH-approved respirator, eye protection and skin protection when painting. Consult paint label and MSDS for exact safety precautions. Always paint in a ventilated area away from open flames or sparks. Consult local and federal laws when disposing of excess paints, primer clears and solvents. 20491 658701027897 802789 paint gun gun spray spray gun devilbiss 802789

Shop for Microscopes from Binoculars.com! With the Levenhuk 3S NG you can begin your adventures in the world of science right after you take the microscope out of the box with the included Experiment Kit. This model allows for bright field observations of transparent specimens. This microscope with its 200x magnification is a fantastic doorway into the marvels and mysteries of the microcosm for children students and amateurs alike. The 40-mm (1.6-in) plano-concave mirror in the Levenhuk 3S NG models provides enough light for your observations which means you can use this microscope without having to plug it in to a power source. This is the easiest and safest illumination method which means that children can safely use this microscope. The disc diaphragm allows you to control the amount of light required for observations of the specimen. This monocular microscope has a single 16x achromatic objective lens which provides a clear view without any chromatic or spherical aberrations. In this model the head is located directly above the stage but for comfortable observations you can incline both the head and the stage to the desired angle by the arm of the microscope. The 100x90-mm (3.9x3.5-in) stage is perfect for observations of one or two specimens. To prepare the specimen first place a sample on the blank slide then slowly drop a cover slip over the sample. The resulting slide is then placed on the stage and secured in place with stage clips. Use the coarse focusing knob to focus your view by moving the body tube of the microscope up and down (at 20-mm (0.8-in) intervals). The metal construction makes this microscope both sturdy and stable. Attractive Microscope. Scrutinizing the Microcosm User Guide included in the kit will lead you through a number of biological experiments that you can perform at home. For this you will use the specimens that are already supplied with the Levenhuk 3S NG Microscope; and in just a few minutes you will be looking into the unknown. You will learn how to prepare the samples conduct experiments analyze the results and of course you will learn a lot about the world around you along the way. The kit includes: Microscope with 16x objective lens 12.5x eyepiece Condenser Stage with the stage clips Plano-concave mirror for illumination Levenhuk K50 Experiment Kit 4 AA batteries User manual and warranty Levenhuk K50 Experiment Kit includes: Attractive Microscope. Scrutinizing the Microcosm User Guide Tweezers Hatchery for Artemia (brine shrimp or sea-monkeys) Flask with brine shrimp Microtome a tool that allows you to make very thin (fraction of a millimeter) slices of samples which is necessary for studying samples under a microscope Bottle of yeast Bottle of sea salt Clean glass slides (5 pieces) 5 samples: fly's limb onion cotton stem slice of a tree trunk pine Specifications Magnification x 200 Head monocular Eyepiece H12.5x Objective lens 16x achromat Body type straight body tube Stage dimensions mm 100x90 with stage clips Condenser disk diaphragm Focus coarse 20 mm Illumination 40 mm plano-concave mirror

A compact, light, strong, expedition tent, the EV 3™ is designed for the rigors of high altitude mountaineering. The EV 3 shelters three persons, has a trim design to fit on ledges, and its clip set-up aids high-wind pitches. TX07 PU fabric, a lightweight, strong, non-stretch laminate, stabilizes and strengthens when pitched. Interior zip and built in ventilation help frost management while integrated vestibule provides protection from the elements. UPDATED: DAC Featherlight™ NSL poles, Lighter shell fabric.|Industry leading DAC Featherlight™ NSL poles|Proprietary Evolution Tension Arch™ stabilizes tent using fewer poles|Designed with 'integrated vestibule' to allow space for boots and other items near door while still maintaining living space|5 welded adjustable vents with mesh and zippers allow versatile ventilation options|2 SVX windows for a brighter interior and visibility of exterior conditions|Welded zipper flaps and watertight door zipper constructions|Reflective zipper pulls|Watertight snow port in floor allows an exit point for accumulated frost/snow|Superlight 1/4 buckles and webbing reduce tent weight|

Singer Shemekia Copeland must have been pleased with the way 2009's Never Going Back turned out because she returns to the well and again employs the services of the Wood Brothers' Oliver Wood as producer/guitarist, and some of the same backing musicians, on this follow-up released three years later. As on the last disc, there is a decided shift away from the sassy blues belter style that powered her Alligator catalog (the disc is dedicated to Koko Taylor, an obvious role model) to a still rootsy but more reserved rock/gospel/R&B groove. She addresses serious socio-political topics of violence against women in the Robert Cray-styled Ain't Gonna Be Your Tattoo (which includes a fiery guest solo from Buddy Guy), phony religious demagoguery on the rollicking and very Stonesy Somebody Else's Jesus, and the depressing economic climate circa 2012 on the opening Lemon Pie. These tracks were co-written with Copeland's longtime manager John Hahn and guitarist/producer Wood, who seem to make a good songwriting team. Her covers of Bob Dylan (a stripped-down, swamped-up, I'll Be Your Baby Tonight), Sam Cooke (a percussively peppy Ain't that Good News) and JJ Grey's churchy A Woman (with a wild, nearly unhinged pedal steel solo from Charlie Starr) are terrific rearrangements of these tunes, and she sings them with passion and conviction. Wood taps his Atlanta-based side project Burnt Bacon for frontman Jon Liebman (ex-Sean Costello) who blows sizzling electrified harp on the deep Chicago vibe of I Sing the Blues, the album's bluesiest and toughest performance. As usual, Copeland covers one of her dad Johnny's compositions; this time it's the jazzy soul of One More Time. The singer was only 33 1/3 years old at the time of this album's 2012 release which, along with her love of vinyl, accounts for its title. Still, she sounds older and wiser than her chronological years would dictate, as she energizes these terrific songs with guts, power, and a restraint powered by experience and natural talent. ~ Hal Horowitz, Rovi

Dufus' 1:3:1 is an almost impenetrably dense, genuinely weird record. What it lacks in coherence, it makes up for in sheer chutzpah and ambition. Coming off as a more folkish cross of sound collage-era Frank Zappa (adapted for a live band) and the frantic ravings of Captain Beefheart, 1:3:1 is the kind of record that could potentially change a listener's life, if received at the right age. Dufus' anti-folk blends the insolence of punk with the innocence of youth into a joyful anti-authoritarian stance that manifests itself in unusually musical ways. Songs careen from section to impossible section, changing vocalists, time signatures, melodies, and instrumentation (horns, strings, keyboards, noise blurps) in the blink of an eye. For those not at the right age, well, 1:3:1 might just sound like a bloody mess -- a bunch of kids with way too much time on their hands, out to confound the listener at every turn with blasts of true sonic anarchy. Not for passive listening. ~ Jesse Jarnow, Rovi

As 29ers gain acceptance, we're seeing them move from a cross-country favorite to a trail bike essential. Modern geometries and new industry standards are encouraging a long-travel movement, and bikes like Salsa's 120mm travel Horsethief 3 are paving the way. The combination of smart component packaging with a technology rich frame enable this Horsethief 3 to offer a trail experience usually reserved for bikes costing twice as much. Key to this is a mix of hydroformed and shaped tubing that is custom spec'd with aggressive riding in mind for strength and durability. But that doesn't mean this 'thief is a porker -- the heat-treated 6061-T6 aluminum results in a sub-seven pound frame, and that, combined with Salsa's progressive geometry, offers a lively and rewarding ride. The frame fittings are all forged for incredible strength, and burly chainstays with an oversized main pivot result in an extremely stiff rear end. This translates to reduced wear on both the bearings and the rear shock. But, most importantly, it results in direct rear wheel tracking for excellent bike composure over rough sections and a reassuring, planted feel during high-speed cornering. Another standout feature of the Horseteif's suspension design is Salsa's one-piece rear triangle. Instead of bearings, Salsa uses deflection (about five millimeters) of the seatstays to allow smooth suspension action. By eliminating the pivot at the rear of the stays, the Horsethief's triangle becomes stiffer and lighter than traditional designs. The seatstays are shaped and sized appropriately to safely handle this small amount of deflection far beyond life of the frame. At the top of the seatstay is a shared pivot link design that reduces the number moving components and hardware even further. The bearings are located here, and while they're oversized for strength, they're still of a standard size, and use regular tools for installation/removal -- meaning they can be serviced by any qualified technician.

Now the popular D shaped carabiner is available as a utility carabiner! This utility carabiner is 3 1/8 long. These are not for climbing. They have a suggested static weight load laser etched onto one side, and the second side is available for your company name or slogan! Available in 6 vibrant colors, these carabiners stand out from the crowd with your name permanently laser etched. Also see our standard D shaped carabiner or the small carabiner . Blanks are available, call for pricing. Features Colors (blue, red, green, black, pewter) Length 3 1/8, Width 1 5/8, Thickness 5/16 Imprint Area: 2 Includes 1 detachable split ring Material:  Anodized Aluminum ( ? ) Information Item Code: %prodcode% Decoration Method:  Laser Engraved ( ? ) Production Time : 3-5 business days (rush orders available - more info) Shipping info (free standard shipping on this item) Packaging: Bulk Setup Charges:  None* rush service is available on this item ( what's this? )