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The best way to learn the redemptive gifts is through seeing them in action. This book profiles 21 people who lived out their redemptive gift dramatically. As you read their stories, you will recognize many of your friends through the way these people responded to the circumstances around them. By the time we get to be adults, we are a complex blend of many influences. We have our redemptive gift, the influence of our family line, the impact of the academic and social cultures we were in, and our personal collection of bumps and bruises. In the course of a day, each of these things from our past can influence our choices and affect our world view. How do we determine what is original software and what is a learned response? The seven redemptive gifts provide the template for the way we see God, ourselves and other people. When we understand what that looks like for us, we can treat everything else as an add-on. For the beginners, this book is designed to show you the gifts in action. We have taken individuals who lived their gift in an exaggerated fashion so you can feel what each gift acts like. Sandy Landry has done a simply astounding job of capturing the inner workings of each gifts thought processes, as well as showing what it looks like for them to live life on Monday morning. As you read her stories, the sound and tone and feel of each person s experiences with life will leave you easily recognizing yourself and others around you. This is the single most effective way we have found for learning how to understand and recognize the gifts by feel, not by a list. For those who are already adept at recognizing the gifts in people, this book provides the added resource of highlighting the critical choices which can release the power of the gift and the choices that can reduce a life to shallow existence. For each gift, Sandy profiled a Biblical person, then someone historical who walked out their gift well, and someone who absolutely perverted their gift. While the book is presented in a narrative fashion and is not a textbook or workbook, those who are insightful will come away with great treasures of understanding regarding what makes each redemptive gift thrive or become toxic to the individual. And even if you had no interest at all in the science of design or the art of living big, Sandy is a wonderful wordsmith and the book is a joy to read. Her skill at crafting characters is immense and the flow of events is spiced with one-liners that crackle with life and intensity.
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After the monumental Bauhaus reunion tour in late 1998, Peter Murphy quickly jumped back into his solo work, making his way around the U.S. in the beginning of the new millennium. He didn't have a label or industry support, just the love of his fans. And in celebration of their dedication, Murphy issued a best-of collection on Beggars Banquet and took to the stage. Two successful legs of the tour surprised Murphy, and his expanding fan base surprised him as well. Fans old and new instantly took to his new musical boundaries of Middle Eastern authenticities while forever appreciating his solo hits. To thank his loyal fans, Murphy issued his eighth album, Alive Just for Love, in summer 2001. With that new record deal (Metropolis), and a fresh fervor, this double-disc reflects the intimate evening captured at the El Rey Theatre in Los Angeles. The songs were stripped down and delicately approached, and Murphy's hearkening vocals never sounded so lush. Accompanied by Peter DiStefano (Porno for Pyros) on guitar and violin virtuoso Hugh Marsh, Alive Just for Love highlights Murphy's personal appeal and intricate acoustic beauty on favorites like All Night Long and Marlene Dietrich's Favourite Poem. However, new song Cool Cool Breeze, introduces a sweet airiness into Murphy's approach to songwriting. Keep Me from Harm, from 1994's Holy Smoke, glitters with Marsh's violin plucking, creating a new-fangled sneakiness to the song. Cuts You Up slides fragile bow guitar licks with Murphy's hushing vocals, bringing the most cheers of adoration from the crowd. Disc two is short with a rare performance by Bauhaus mate David J. on Who Killed Mr. Moonlight and All We Ever Wanted Was Everything. Humble and enjoying his cult-like status, Peter Murphy appears grateful for what he does for a living. He's a perfectionist, but with a newfound humility, Alive Just for Love personifies those exact things. ~ MacKenzie Wilson, Rovi
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