Sena Ehrhardt is unquestionably one of the freshest and most dynamic emergingyoung voices on the blues scene today. Once the lights come on, her commandingstage presence and gritty, soulfully emotional vocal prowess capture the audience, belying her youthful, demure appearance. The buzz about Sena is poised to go nationwide as word is getting out about her incendiary performances at clubs and festivals across the Midwest and beyond, as well as the uniformly enthusiastic response to her brilliant Blind Pig debut recording, 2011 s Leave The Light On - voted Blues Blast Magazine s Best New Artist Debut Release award winner.For her second recording, Sena has teamed up with one the foremost producersin the worlds of rock and blues (Santana, Luther Allison, Stevie Ray Vaughn,etc.), multi-Grammy Award winner Jim Gaines. Sena describes working withJim like this: *I had the good fortune of recording this album at Bessie Blue Studios in Tennessee with Jim Gaines. The gifts of his experience, insights and vision were soinspiring. In the stripped back setting of a country home-turned studio, Jim made the music the star, and helped bring the best performances out of all the musicians on the album. There were no pretenses- it was just about the songs and the stories behind them. I feel honored to have worked with such a legend and gentleman.*

Crystal Bowersox has made it her mission to live life and her music to the fullest. With a gentle warmth and wisdom well beyond her years, the consummate artist has an uncompromising vision of herself and her music that is refreshing and rare. It is this fortitude and courageous spirit that resonated with millions night after night when the 2010 American Idol runner up took the stage. Her rich amalgam of blues, country, folk and rock makes her one of the most dynamic young voices in music to come along in years. She has performed alongside everyone from Harry Connick Jr., Joe Cocker, and Alanis Morrisette, to Michael Franti, John Popper and BB King. All That For This, Crystal Bowersox s sophomore release and Shanachie Entertainment debut, is a powerful testament to her talents as both a singer and songwriter, as well as her unerring musical vision. It is the manifestation of her own womanhood and enlightenment won through hard fought battles, failures and triumphs. It is the belief that listening to your own inner voice will lead you where you need to be. I am learning not to judge music and myself so harshly and to not allow myself to be swayed by others judgment. I'm trying to listen to my own instincts more often. I can t convince someone who doesn't like my music to like it, but for the people who do, I want to play them another song, she says smiling. Until now, the world has witnessed only a portion of Crystal Bowersoxs talent, which was channeled through mainstream pop expectations on her debut release, Farmer s Daughter. With the highly anticipated release of All That For This (March 26, 2013), produced by Steve Berlin (Los Lobos, Sheryl Crow, John Lee Hooker, Raul Malo), Bowersox exposes a new dimension of her music. There are definitely more happier light-hearted moments on this record, confides the 27-year-old Portland transport. There are also touches of some of the darkest places and emotional states that I've been in my past. This album reveals a much more grateful and gracious side of me. It's the next chapter of my life.

Given Vince Guaraldi's affinity for Brazilian music, this pairing with Brazilian guitarist Bola Sete from the early '60s seems like a natural. On From All Sides, fans of the Peanuts TV specials will recognize Guaraldi's trademark pianistic style, with Menino Pequeno da Bateria being essentially the same tune used as My Little Drum on A Charlie Brown Christmas. The melody of Ginza Samba will also be familiar to the Charlie Brown TV audience. Sete contributes a pair of originals, with Mambeando being especially enjoyable. The group offers a tasty reading of The Girl from Ipanema, and places A Taste of Honey into an interesting Latin groove. The interaction between the two principals here is generally quite good, though Sete's solo appears to be out of kilter rhythmically with Guaraldi's trio on Menino Pequeno. That minor complaint aside, this is an enjoyable, easygoing outing. ~ Jim Newsom, Rovi

In the American Wild West the law is young, and men and women must make their own justice. Casey Stratton has left behind an unbearable situation at home and set off on her own....

Explicit Version. All I Feel is the fourth album by American R&B singer Ray J. It is the second album by Ray J and the first since his 2001 sophomore album This Ain't a Game to contain the Parental Advisory sticker. The first single is Sexy Can I, which features labelmate Yung Berg. Ray J. is an American actor, songwriter, record producer, singer and occasional rapper. He is the son of gospel singer Willie Norwood and the younger brother of R&B singer Brandy.

Bright sounds and worshipful lyrics are what Kenneth Cope's latest album is all about. Actually, it's All About You! Contemporary and fresh, All About You is a collection of 12 brand- new songs filled with meaning and praise as only Kenneth Cope can create. Perfect for Sunday and every day, it will touch your heart, lift your spirit, and turn your eyes-- to God. Because really, it's all about Him.

Japanese special edition includes two bonus tracks on the audio disc along with a bonus DVD and exclusive artwork. 2010 debut solo album from the Backstreet Boys member. On Have it All, McLean worked with the OneRepublic vocalist Ryan Tedder, producers Dan Muckala and Kristian Lundin, plus former 'N Sync member, JC Chasez. The album, which he sees as `pushing the envelope', is a departure stylistically and musically from his Backstreet Boys material, and has seen him rediscover an inner sense of himself. A personal record, the album draws inspiration from his own experiences, including exorcising the alcohol addiction he once suffered. Features 14 tracks including 'Drive By Love,' 'London,' 'Have It All,' 'What If,' 'I Hate It When You're Gone.' and more. Avex. 2010.

The Velvet Rope was a fairly bold move on Janet Jackson's part, as she got seriously sexy -- too serious, actually, since it had a fairly bitter tone, underscored by hints of perversity. Four years later, marked by one hidden marriage revealed through a divorce, Janet returned with All for You, an album that is as about sex as much as The Velvet Rope, yet there's a key difference -- it feels sexy, not pornographic. With her trusty collaborators Jimmy Jam and Terry Lewis in tow, she's created a record that's luxurious and sensual, spreading leisurely over its 70 minutes, luring you in even when you know better. And there are certainly moments that make you wish you knew better. For one, it's plotted like The Velvet Rope, filled with skits and deliberately recalling the record with its obsession with flesh and how it builds on '70s soul and soft rock. This time around, instead of Joni Mitchell, she appropriates America's Ventura Highway for Someone to Call My Lover, one of the record's best cuts, and interpolates Carly Simon's You're So Vain on Son of a Gun, with Simon singing and...well, I guess you could call it rapping...right along. The twist is, this is an anti-music industry song and a particularly foul-mouthed entry on the album, sitting comfortably alongside another industry song, the slow groove Truth. And that fills out the three main themes of the album -- divorce, industry, and sex -- with a little bit of love on the side. These keep things humming throughout this overly sultry, overlong album, which intrigues with its very texture even as it lulls at its length. After all, there's a lot to be said for texture, and All for You is alluring, easily enveloping the listener. Though it's hardly as explicit as The Velvet Rope, apart from a section where she proclaims I just want to suck you, taste you, ride you, feel you, make you come -- come inside of me (mind you, this album did not have a parental advisory sticker on its first pressings), this is her sexiest-sounding record, thanks to Jam and Lewis' silky groove and her breathy delivery, two things that make the record palatable throughout too many spoken interludes and songs that just don't quite click. Even if there is a fair share of filler, this is hardly as strained as The Velvet Rope (though in many respects, it's every bit as self-conscious), and there's an ease to its construction, topped off by such songs as All for You and Doesn't Really Matter that maintain Janet, Jam, and Lewis' reputation as the leading lights of contemporary urban soul. It'd be nicer if the album was leaner, concentrating on just the great songs, but indulgence is what this record encourages. Janet sprawls out throughout the album, indulging her whims, desires, and fantasies, but -- fortunately for us -- her indulgences are alluring in their self-absorption. Of course, it helps to have Jam and Lewis on your side to articulate your indulgence. ~ Stephen Thomas Erlewine, Rovi

Less punk than infectious power pop, Chicago's Plain White T's put a modern, airwave-affable stamp on that beloved strain of the rock & roll virus with All That We Needed. The jumpy title track launches the set with a nod to Tom Petty's American Girl, but the hooks don't stop there. The band draws on Jimmy Eat World for the hit contender Take Me Away, while tunes like the lovelorn My Only One and the punchy Revenge rock harder and feel more original. If the cowbell-heavy What More Do You Want? is as cheesy as it is alluring, the guilty pleasures continue with the young horny guy on tour missive Sing My Best, which is just one of several songs that recall great lost bands like the Producers, the Ravyns, and the Romantics. The obligatory acoustic parting shot is also solid, evoking the spirit of Big Star's classic Thirteen. ~ John D. Luerssen, Rovi

EXCLUSIVE Send a present with true presence: our fresh bouquet of orange lilies, vibrant carnations, poms and more, beautifully hand-designed by our expert florists in a chic cube vase lined with a festive orange foam ribbon. Meant to resemble a stylish gift box, this original arrangement is perfect for birthdays, anniversaries or a thinking of you surprise. Gorgeous arrangement of orange lilies, hot pink carnations, poms, solidago, statice and variegated pittosporum Hand-designed by our florists in a stylish clear glass cube vase lined with an orange foam ribbon; vase measures 5H x 5D Accented with a stunning decorative ribbon that makes it look like a wrapped gift Arrangement measures approximately 11H x 9L Our florists select the freshest flowers available so floral colors and varieties may vary Lilies may arrive in bud form and will open to full beauty over the next 2-3 days Add more lasting smiles to your gift: A fun matching foam pick that delivers the message Orange you glad we're friends

Features: Uses: General, Music Appreciation, Trinity Sunday Scripture: Ephesians 4:6; James 5:13 The cheerful lilt of 6/8 infuses this creative offering with a pleasing spirit that hints at a Celtic folksong. Filled with worshipful proclamations of God's graceful ministry, this anthem is a confident statement of faith. Ideally suited for general programming, your choir will be encouraged by the thoughtful part writing and the supportive piano accompaniment. Adding the colorful consort instrumental option creates another layer of joyful expression. Available separately: SATB, LiteTrax CD, Digital Instrumental Parts (violin, guitar, bass, perc 1&2). Duration: ca. 2:48. Table of Contents: For All That You Are Publisher: GlorySound Artist: Composer: Koerts, James Catalog Number: 35028605 Pages: 12

Explicit Version. All I Feel is the fourth album by American R&B singer Ray J. It is the second album by Ray J and the first since his 2001 sophomore album This Ain't a Game to contain the Parental Advisory sticker. The first single is Sexy Can I, which features labelmate Yung Berg. Ray J. is an American actor, songwriter, record producer, singer and occasional rapper. He is the son of gospel singer Willie Norwood and the younger brother of R&B singer Brandy.

A mid-'70s effort now properly reissued with the original stenciled cover, Free for All is a wonderful example of why so many dubheads fall madly in love with Lloyd Bullwackie Barnes' studio and label. Barnes' New York City-based enterprise, Wackie's, released a series of thick, roots-based reggae albums -- both vocal and dub -- that were getting harder and harder to find until Basic Channel operators Moritz Von Oswald and Mark Ernestus put their devotion in motion and began an ambitious reissue series that unearthed some truly lost classics. With Free for All they've moved on to the Wackie's side label Aires. Misleadingly subtitled Little Roy in Dub on bootleg -- a bootleg that was much easier to find than the original -- Free for All does include Little Roy dubs along with some backing tracks recorded for vocalists Stranger Cole and K.C. White. The Wackie's house band -- including the legendary Aston Family Man Barrett and Lee Perry associate Charlie Ace -- delivers a dank, strolling set of tunes featuring horns, early synths, plenty of reverb, and fat-bottom bass. Running just over 31 minutes, the album goes for quality over quantity and ends up twice as rewarding as much of the overstuffed competition. Just because this gem is obscure and from a fringe imprint doesn't mean it's not an easy entry point into the rich dub side of Wackie's. ~ David Jeffries, Rovi