Let's put the hook in right from the jump: Echoes of Indiana Avenue is perhaps the most significant release of previously unissued material by a major jazz artist since the The Thelonious Monk Quartet with John Coltrane: At Carnegie Hall appeared in 2005. That's not hyperbole. These tapes, which consist of two live recordings and one studio demo, were cut, presumably, between 1957 and 1958, with various groupings of musicians, including his brothers Monk and Buddy, as well as pianist Earl Van Riper and bassist Mingo Jones. All of the tunes here are now regarded as standards, but some were current then, freshly added in that era, such as Shorty Rogers' Diablo's Dance, Horace Silver's Nica's Dream, and perhaps most importantly, Thelonious Monk's 'Round Midnight and Straight No Chaser. The former, recorded in an organ trio format with Melvin Rhyne on the B-3 and Paul Parker on drums, reveals, even at this early date, how well-developed Montgomery's improvisational language was. His reverent opening is ever so gradually replaced by a shimmering movement toward something approaching early soul-jazz, yet his ability to use the instrument's tonal subtleties and harmonic possibilities add a very different dimension to its harmonic architecture. (And while he recorded it several times during his all-too-brief life, this version is the earliest one we now have of him.) The hard swinging Take the 'A' Train showcases the already distinctive and innovative voicings on the bass strings Montgomery developed. These examples aside, there isn't a weak or middling moment throughout the proceedings. At this early date as a leader, Montgomery was in command, pushing hard at the Charlie Christian-isms that dominated his playing with Lionel Hampton. Sound quality can be a tiny bit rough in places, but it hardly matters when the material is this fine. ~ Thom Jurek, Rovi

This comfort-lined plus size underwire bra has a smooth inner fabric for soft and cushiony comfort next to your skin and a smooth look underneath your clothes. Seam-free full coverage cups offer coverage and support. Embroidered inset between cups add a pretty touch. Adjustable cushioned straps for comfort. Ballet back with hook-and-eye closures offer additional support and helps bra stay in place. Imported. Ballet back with hook-and-eye closures offer additional support and helps bra stay in place. Imported. Nylon/Spandex. Hand wash.  Full Figure Sizes 38C-46C, 38D-46D, 38DD-46DD, 42DDD-48DDD.  

Spring is in full bloom! These strappy wide width wedge sandals feature two pretty rosettes making them the perfect new pair of sandals this season. Strappy wedge sandal. Strappy t-strap with floral accents at the vamp. Double ankle buckle and back ankle zip closures. Cushioned insole and non-slip outsole. Rope covered wedge. Man made materials. Imported. Approx. 4 wedge heel; approx. 1/2 platform.  Women's Wide Width Sizes 8-13W. Available in four colors. Women's Wide Width Blossom Flower Wedge Sandal - wide width wedges, wide width sandals and wide width shoes in full sizes 8-13W.

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Store Home About Us Store Policies Parts FAQ Contact Us -- select make -- -- select model -- -- select year -- PARK AVENUE 91-96 PARK LAMP RH, Lens Housing   Welcome to our Listing. We are an sales and installation shop located Grand Prairie Texas and we have hands on access to thousands of accessories at any given time. This listing fits the vehicle(s) listed in the title and/or the parts compatibility.  Please read carefully to make sure you are buying the correct one. If you are not 100% c

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The formula for Lonely Avenue was a simple one: author Nick Hornby (High Fidelity, About a Boy) writes the lyrics and Ben Folds composes and performs the music. It’s a novel idea (seriously, the deluxe edition comes housed in a hardbound, 152-page book that features four of Hornby’s short stories and photographs by Guggenheim Fellow Joel Meyerowitz) that works more often than it doesn’t. For the most part, the majority of the songs on Lonely Avenue could have appeared on anything Folds has put out since going solo in 2001. In fact, Hornby’s prose and penchant for cuss words and misunderstood protagonists is nearly indistinguishable from Folds’, who has made a career out of balancing the two since busting out of Chapel Hill in 1995. Both artists are gifted social commentators with a love for snarky, collegiate cynicism that hides a huge sentimental streak. Not surprisingly, it’s the latter predilection that provides Lonely Avenue with its most memorable moments. Folds’ late career turn as a top-notch balladeer has unearthed some real gems, and the lush, lovingly orchestrated “Picture Window” and “Belinda,” the latter of which follows a former one-hit-wonder who has to deliver his signature hit night after night, despite the fact that he ditched “Belinda” for somebody younger with “big breasts, a nice smile and no kids,” are no exception. Other highlights include the loose and likeable “Doc Pomus,” the missed connections rocker “From Above,” and the erratic, Oingo Boingo-meets-AC/DC oddity “Saskia Hamilton,” but misfires like the overblown “Levi Johnston’s Blues” and the weirdly defensive, literary white-boy funk opener “A Working Day” are as uncomfortable and awkward to listen to as they are to read through. ~ James Christopher Monger, Rovi

Top-shelf, sub-3? Holy mackeral!Superior quality and precision blending combine in this astounding value from Kaizad Hansotia, the maker of Gurkha cigars. The Rolls Royce of Cigars,'' Park Avenue is a savory cigar appreciated by all palates. Handmade in Nicaragua, the blend consists of well-aged Cuban-seed long-fillers grown in the black soils of Nicaragua and lush tobaccos from the Cibao Valley of the Dominican Republic. On the outside, a flawless Connecticut-seed wrapper grown in Ecuador seals the deal, adding a pleasant, creamy component to an already complex bouquet. The smoke is leathery, with hints of nuts and baked bread, and remains smooth with a medium-bodied profile down to the nub.

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Add a touch of modern style to your bath with this double prong hook. It features two cylinder-shaped hooks to hang your robe, towels and other garments. 3-1/4 H robe hook. Shown in Satin Nickel finish. Available only in Chrome. Solid forged brass. Available finishes listed below.

After a 20-year hiatus, original lead singer and songwriter David Nelson has put together a new version of the New Riders of the Purple Sage. (New New Riders of the Purple Sage?) Longtime NRPS pedal steel player Buddy Cage joins Nelson for this outing and takes the majority of the solos, adding plenty of feeling to the band's cosmic country meets Grateful Dead sound. Longtime Grateful Dead lyricist Robert Hunter contributes words to seven of the album's 12 tracks, bringing his customary psychedelic sheen to the material. Nelson's familiar high tenor sounds a little gruffer these days, but it's still a beautiful instrument and brings plenty of understated emotion to the music. He's always had a gift for crafting fine melodies and hooks that stick in your mind after a single listen, so it's no surprise that a bunch of these new tunes are as good as anything NRPS have given to us in the past. Fivio is a triumphant love song that's a reinvention of the traditional Irish tune popularized by the Clancy Brothers and features Michael Falzarano's chiming guitar and sighing pedal steel by Cage. Suite at the Mission is a cryptic meditation on life's vicissitudes full of dark humor; it's marked by more sparkling pedal steel from Cage and a world-weary vocal from Nelson. The title track is a bluesy shuffle crammed with mind-bending images that compares favorably to the Dead classic Truckin'. It's one of the album's strongest songs and Nelson delivers it with a jaunty, insouciant air. ~ j. poet, Rovi