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THE LAST CALL is a memoir that tells David's story from the time he was adopted into the Wambaugh family as a six-month-old baby, his life growing up as the son of the famous cop-turned-bestselling author, Joseph Wambaugh, and on through his teen years when alcohol took over his life. Eventually, David found himself panhandling on the streets of Los Angeles along with his sidekick, a childhood buddy, and nearly getting kidnapped for ransom after his new acquaintances on skid row discovered who his daddy was. For the next twenty years David lived a life of debauchery and lawlessness, going from one harrowing situation to another without suffering many consequences. He had an uncanny ability to stay one step ahead of the law and was always able to con his way back into the good graces of his parents. That was, until the day his luck ran out and was sentenced to state prison. David had a strange and powerful experience in the back of the cop car on the day of his last arrest that has forever altered the course of his life. After having to learn the ropes inside the prison walls to survive, David had to learn the ropes on the outside in order to succeed. He had to start from the beginning, learning to do the simple things that come naturally to the average, normal person, things that he had mostly missed. Although he looked okay by outward appearances, he was emotionally retarded, having never grown up, therefore making his grand entrance into life at forty years old. The Last Call is a story about tragedy, loss, hope, miracles, and the power of God
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Eric Bibb has been generally categorized as an acoustic blues player, but like Keb' Mo', the contemporary artist he most resembles, Bibb actually only uses blues forms on occasion, and it no doubt helps to get the listener in the door, but what is really on display here is a smooth-as-velvet singer/songwriter. It's curious that he dedicates A Ship Called Love to the great Curtis Mayfield, because Bibb is really much closer to Mayfield in tone and approach than he is to a Blind Lemon Jefferson, say, and the title cut here, which leads off the album, owes more than a little to Mayfield's faux gospel classic People Get Ready. It also gets things underway nicely here, but as love song after gentle love song rolls by, all meticulously arranged, recorded, and sung with perfectly nuanced emotional presence, A Ship Called Love begins to drift from shore in its own studied smoothness. Not that there aren't high points, like the autobiographical Troubadour, a fine duet with Ruthie Foster that arrives at about midpoint in the set, and the engaging, gentle reggae lilt of Turning World, but by the time Bibb gets around to actually playing a blues, the micro-analytic More o' That, it seems downright radical after so much gentle elegance. The closer, Praise 'n' Thanksgiving, flirts with folk-gospel, and is so grateful and reverent that it is impossible to resist, even as one wishes that a little of that reverence had been replaced with pure, wild joy. That, in the end, is what this album needs to make it more than a pleasant rumination on the sea of love. It needs a touch of wildness to temper the calm surface of these songs, because love, more so than all the other emotions, benefits from occasional changes in wind direction. ~ Steve Leggett, Rovi
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