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Def Beat Records All-star compilation album is a collection of songs by a diverse group of artists on our label roaster. Their individual musical styles may be different but each artists tell their own stories through songs and music. Each songs on the album will take you away from life problems if only for a few minutes. From the start of this album to the Finnish will leave you feeling warm all over your body and grooving to hypnotic rhythms. Starting with the sweet Latin sounds Esther Sierra with her song Please Forgive Me' Esther Sierra debut album CANTO A MEXICO won her a lot critical acclaim in the Latin community. Her song is a blend of her traditional up bringing of Mariachi styles with contemporary pop music arrangement. The song was produced and arrange Rigoberto Alfaro, Manuel Cazares, Javier Alfaro ,Jose (Pepe) Martinez, & Federico Torres Jr. This album also feature Gentlemen X who was nominated for the Juno award best R&B/Soul Recording with the music video single Cause its A (memory of you). Two times winner of the Canadian Reggae Music Award and One time for Urban music Award Mercia Bunting. Mercia Bunting and Four time Winner of the Canadian Reggae Music Award and Juno award nominee for best reggae Recording Inspector Lenny have team up on the song Stop say-so along along with Nicole & Denise. On the urban side of things we have put together some of the hottest urban artists, with, the confidence, the desire to success, the talent to come correct in the urban music market in North America in a long time. to be on this compilation album. First urban music video single is by G Stokes - with his song Stizziblakula who's music video clip is been play on much music. The next urban single is Mama always told me by the Imperial One aka. Nas - T Howie . Shy Luv was nominated for East Coast Music Award for Best Hip Hop / Dance Artist She feature on two songs on this album Shy-Luv Feat. Vinie D - Baby I don't want to be down and Dezzie feat Shy Luv - Tease me. 2 Versatile featuring Glenn Lewis who have won the Juno Award for best R&B/Soul Recording and lots of American success with his debut album on the Cuddle with me. If ever a time when a album could bring people of different background together, young or old, east or, north or south. This is the one. We drawn talent from a wide varies of musical styles so that everyone who listen to this album can have their own favorite songs.
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The '90s and early to mid-2000s saw quite a few projects that claimed to be fusing hip-hop and jazz. Most of them ended up being more hip-hop than jazz, although saxophonist Bill Evans (as opposed to the late pianist) was an impressive exception. When Evans featured various rappers in the '90s, he maintained an improviser's mentality and used MCs in much the same way he would have used a jazz singer -- he forced them to interact with a real, honest-to-God, spontaneity-minded band instead of simply giving them electronic tracks to rap over. This compilation doesn't unite jazz improvisers with a lot of rappers -- actually, most of the tunes are instrumental -- but it finds jazz improvisers paying tribute to hip-hop (and, to a lesser degree, R&B) with fairly creative results at times. Def Jazz isn't as consistent as it could have been; some of the tracks are routine, pedestrian smooth jazz. But the album's most interesting tracks are definitely worth talking about. Hey, Young World, which features saxman Gerald Albright, is a real winner; the reggae-influenced gem was originally recorded by rapper Slick Rick in 1988 (a few years before he went to prison), and on Def Jazz, it works enjoyably well as a pop-jazz instrumental. The same goes for performances of Method Man's Bring the Pain (which features flutist Hubert Laws) and Public Enemy's Give It Up; they aren't the first tunes one would expect jazz instrumentalists (even pop-jazz instrumentalists) to embrace, but Tony Joseph (the project's producer) demonstrates that hardcore rap tunes can, in fact, be reinvented as instrumental crossover jazz. Instrumental versions of LL Cool J's Doin' It and Foxy Brown's Get U Home aren't terribly memorable, but singer Oran Juice Jones has some inspired moments when he revisits his 1986 hit The Rain and provides the album's only urban/neo-soul vocal offering. Again, Def Jazz has its share of missteps, but the ups outnumber the downs and make this a CD that is generally worth exploring if you're the sort of eclectic listener who holds hip-hop and jazz in equally high regard. ~ Alex Henderson, Rovi
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