Rush Gold represents the best of Geddy Lee, Alex Lifeson and Neil Peart's classic studio output. Including their first official radio staple 'Working Man through their last recordings on Mercury Records. Spanning thirteen years both old and new fans will hear many favorites, including their biggest hits 'Tom Sawyer' and 'New World Man'. Respectful of Retrospective 1 and Retrospective 2, this collection ads the track 'Working Man' to those classic playlists. Features every Rush hit, radio staple and classic track. Full participation by the band. Replaces Rush CDs (Chronicles 042283893627), Retrospective 1 (7313453490925) and Retrospective 2 (731453491021).

Although it has no songs by the Beatles, the Who, Jimi Hendrix, the Rolling Stones, Bob Dylan, the Kinks, the Byrds, the Beach Boys, or a number of other artists who helped shape and define pop and rock in the 1960s, this generous two-disc, 40-track compilation does offer a fine sampling of the kinds of hits that dominated AM radio in the mid-'60s (there isn't much here representing either the earliest or latest ends of the decade), running the gamut from girl group material (My Boyfriend's Back by the Angels), folk-rock (California Dreamin' by the Mamas & the Papas), blue-eyed soul (You've Lost That Lovin' Feeling by the Righteous Brothers), Motown (I Heard It Through the Grapevine by Marvin Gaye), poppy frat rock (Come on Down to My Boat by Every Mother's Son) to psychedelic-tinged pop ([We Ain't Got] Nothin' Yet by the Blues Magoos) and the truly singular (A Whiter Shade of Pale by Procol Harum). The end result is a pleasing and nostalgic journey into the heart of mid-'60s AM pop radio, minus some of the biggest guns. Still a lot of fun, though, even without them. ~ Steve Leggett, Rovi

Tom Jones Gold is a two-disc, 42-track set that does an admirable job of mixing all his major hits recorded between 1965 and 1975 for the American Parrot label with well-chosen album tracks and B-sides. Interestingly, the U.K. Deram versions of Jones' singles and albums would occasionally differ slightly from the U.S. releases. All eight of those tracks are wisely included on Gold along with remastered favorites like Delilah, She's a Lady, What's New Pussycat? Green, Green Grass of Home, I (Who Have Nothing) and Help Yourself. Recommended for those who want to go a step beyond the average greatest-hits package. ~ Al Campbell, Rovi

Bruce Gold, a middle-aged, Jewish professor of English literature, finds himself on the brink of a golden career in politics -- and not a moment too soon, as Gold yearns for an opportunity to transform a less-than-picture-perfect life: His children think little of him, his intimidating father endlessly bullies him, and his wife is so oblivious that she doesn't even notice he's left her. As funny as it is sad, Good as Gold is a story of children grown up, parents grown old, and friends and lovers grown apart -- a story that is inimitably Heller.

The 2005 release Gold is a repackaging of the 2001 double-disc collection Young Lust, bearing a different title and cover but the same 34 songs as the previous release. While Young Lust had more distinctive, arguably more attractive, cover art -- the new compilation fits into the overall look of Universal's Gold series, which is meant to be a thorough complement to their budget-line 20th Century Masters series -- that's the only difference between the two compilations, so it's only useful to fans who didn't already pick up the earlier set. And for those fans, this remains a pretty good, but not perfect, overview of latter-day Aerosmith, containing hits, album tracks, concert favorites, rarities, non-LP B-sides, and cuts only available on compilations. This approach doesn't work perfectly -- there are a few album cuts that aren't particularly distinctive, plus live material at the end that feels extraneous. More importantly, certain hits aren't here in their hit versions: the acoustic version of Livin' on the Edge, the orchestral version of Amazing, a live Falling In Love (Is Hard on the Knees) (not to mention the live performances of Columbia classics Dream On and Sweet Emotion). That said, this still fulfills its goals pretty nicely, offering an in-depth summary of Aerosmith's comeback, which indeed wasn't limited to just the hits; cuts like Hangman Jury, Monkey on My Back, Blind Man, and especially the non-LP Deuces Are Wild are proof that the group was revitalized during this time, only starting to run out of steam around 1993's Get a Grip. Much of the best of this time is available here, but the collection feels a little off, probably because there is so much material in such a concentrated burst, which is not only a little tiring, but the density brings the weaknesses to the forefront in a way such tight albums as Pump couldn't; but it still does offer a lot, even if it doesn't have all that it should. ~ Stephen Thomas Erlewine, Rovi

techmanac Store Neck Screws Gold 4 Pieces PN: FNG 8 X 1-3/4 PHILLIPS OVAL SMSA 24K GOLD PLATE - these screws are used to secure a bolt on neck to a body. This is the standard length used by Fender and it should work for most guitars of comparable construction. Estimated Delivery and Handling time Sellers are required to specify how long they will take to package and ship the item after receiving cleared payment. Sellers may select a handling time between 1 to 30 days. I stock 99.9% of my it

Celebrate milestones in life with our beautiful Gold Elegant Paper goods and party supplies. These sophisticated paper goods are perfect for celebrating a fantastic 50 years between two of your favorite people. Use our Gold Elegant Paper goods as an accent to your very own color scheme or match them with all of our gold paper goods for a grand looking affair. Perfect for New Years Eve events and other grand gold affairs. Our Gold Elegant 9 ounce Paper Cups come 8 per pack. Please order in increments of 1 pack.

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In the late '50s and early '60s, there were few bigger stars in the world of music than Connie Francis. Able to sing many different styles convincingly, from rock & roll to country, from lush adult ballads to Italian love songs and girl group sounds, Francis had hits galore and created a very impressive body of work. 2005's Gold rounds up 50 of her singles recorded between 1957 and 1969 on two discs and becomes the best Francis collection on the market for anyone who wants to get the full scope of her incredible talent without forking over the money for a box set. Included are such classic tunes as Who's Sorry Now, Stupid Cupid, Don't Break the Heart That Loves You, the Phil Spector-penned Second Hand Love, and the tough Ellie Greenwich/Jeff Barry girl group rocker Don't Ever Leave Me. Consider Gold a crash course in Connie Francis. Just one listen will either remind you how much you already dug her or it will make you a staunch supporter. ~ Tim Sendra, Rovi

Gold follows a handful of major Barry White compilations released since the '70s, including Casablanca's two-volume Greatest Hits (released in 1975 and 1981, then on CD), the three-disc 1992 box set Just for You, 1995's All-Time Greatest Hits, and 2002's two-disc The Ultimate Collection. Many of the sets in Hip-O/Universal's Gold series amount to reissues of two-disc anthologies released during the early 2000s through labels distributed by Universal, and this one is not an exception -- it's exactly like The Ultimate Collection, albeit with different visual presentation. As any Barry White fan would be quick to tell you, White was so much more than a large, oversexed, deep-voiced novelty. He was a tremendously prolific and gifted songwriter, arranger, and producer. Even without all the albums released under his own name, he'd have quite a legacy with Love Unlimited and the Love Unlimited Orchestra, not to mention his stint in A&R and behind the scenes work with Gene Page, Gloria Scott, Danny Pearson, and Webster Lewis. Gold includes five Love Unlimited Orchestra tracks -- the big guns, like the number one pop single Love's Theme and the number one club single My Suite Summer Suite, as well as the pleasant surprise of Midnight and You -- but otherwise concentrates on Barry White's solo-in-name releases, ranging from 1973's I'm Gonna Love You, Just a Little More Baby (number one R&B, number three pop) to 1979's It Ain't Love, Babe (Until You Give It) before picking back up with 1987's Sho' You Right. (White released albums during the intervening years that are not represented, and Universal would've had to license roughly ten charting singles from them to be thorough). The extensive back catalog of his other ventures could use a whole lot of love, but Gold offers about as much lush and exquisitely arranged soul music as one could hope to get in two and a half hours. ~ Andy Kellman, Rovi

Before Gold was released in 2005, only two Eric B. & Rakim compilations were readily available. 20th Century Masters - The Millennium Collection contained 11 tracks, shortchanging anyone who wanted more than the most-known classics. And then there was Classic, a European set so numbskulled that it depicted Eric B. and Chuck D on the back of its sleeve. (The bonus disc that came with early copies of Rakim's The 18th Letter, which did a better job than either release, doesn't really count, since it was rather limited and not a separate entity.) Gold, a double-disc package, bills itself as being definitive, but it's far from it. Alternate and extended mixes, along with a stray radio edit and a couple inexplicable clean versions, when added up, are more numerous than original mixes -- so that means hardcore fans will benefit most, right? Well, not if they gobbled up all of the alternates through the various editions of Paid in Full and Follow the Leader. The most regrettable track that suffers the ill fate (not ill meaning good but ill meaning bad) is Let the Rhythm Hit 'Em: the Clean UPSO Mix is no match for the devastating original, an under-recognized touchstone for the RZA's early production work, with suffocating breakbeat pressure, funk guitar licks worthy of Public Enemy, and pulse-raising keyboard trills. While the definitive versions of I Ain't No Joke, Follow the Leader, Microphone Fiend, Lyrics of Fury, and Don't Sweat the Technique are provided, the truly definitive Eric B. & Rakim compilation has yet to be made. ~ Andy Kellman, Rovi