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It’s fitting that Renée Fleming, “the people’s diva,” would make an album of pop songs that feels more like a labor of love than a crossover attempt. Dark Hope is filled with songs and arrangements that wouldn’t appear on a typical attempt to bring a classical vocalist into the mainstream -- witness her dark, intricate take on the Mars Volta's “With Twilight as My Guide.” It should almost go without saying that Fleming's voice is just as remarkable here as it is in her usual milieu, but the album proves time and again that she is game for just about anything. Fleming learned how to sing in the more intimate, confessional style that Dark Hope's singer/songwriter and alternative rock fare requires just for this project; combined with her interpretive gifts, she does a masterful job of remaining true to the spirit of the original songs while offering her own twists on them. Her voice dances over the wordy, syllable-heavy lyrics of Willy Mason's “Oxygen,” she brings a mature moodiness to “Stepping Stone” that was lacking in Duffy's spitfire version, and she remains connected to the intimacy in the Arcade Fire's “Intervention” even as the song swells around her. Fleming is divinely torchy on Muse's “Endlessly, a standout track along with the subtly sultry electro-folk turn on Jefferson Airplane's “Today” and the urgent yet airy reading of Death Cab for Cutie's “Soul Meets Body.” Fleming deserves credit for undertaking such a bold enterprise. ~ Heather Phares, Rovi
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LEADERSHIP, its roles and the responsibilities of the position! PROCESS and the importance of its effectiveness to all LEADERS! That's what HOPE IS NOT A STRATEGY is about and what makes it different than the other leadership books on the market today. Just because you are in a leadership position does not anoint you as an effective leader. Having an understanding of the roles and responsibilities of the leadership continuum, and knowing how to effectively navigate through the challenge of setting a direction for an organization while providing the road map to get there is what makes the difference between success and failure. HOPE IS NOT A STRATEGY provides tools needed for this process! Whether you are leading a Fortune 500 organization or are an entrepreneur you need effective processes that are the how to's to support your vision/mission, and strategy! HOPE IS NOT A STRATEGY is about changing the way you think and the outcome you can expect in your business venture. Theodore V. (Ted) Gee Jr. is a proven leader, with global experience in multiple business environments that has operated at the direct, operational and strategic levels of leadership. He has been highly successful leading in various Fortune 500 companies where change, start ups, and growth opportunities were in great demand. He served as an officer in the United States Army, and then worked his way up the corporate ladder from front line production supervisor, to Chief Operating Officer and as a President within a multibillion dollar industry pacesetter.
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Despite their more aggressive screamcore tendencies, Merthyr Tydfil six-piece the Blackout have constantly been in the shadows of their homeland's premier metal outfit, Lostprophets, since arriving on the thriving Welsh scene in the mid-noughties. Their third album, simply titled Hope, suggests those comparisons aren't going to fall by the wayside anytime soon. Indeed, packed with radio-friendly soaring choruses, anthemic call-and-response chants, and Gavin Butler's clean vocals, which bear more than a passing resemblance to Ian Watkins' impassioned tones, the follow-up to 2009's The Best in Town seems designed to fill arenas rather than mosh pits. It's an unashamedly mainstream move which sees the band veer dangerously close to tribute act territory, particularly on the soaring emo of the title track and The Last Goodbye, while the surprisingly strong '80s influence which runs through its 11 tracks will do little to placate fans of their earlier aggressive work, whether it's The Joshua Tree-era U2-inspired riffs of opener Ambition Is Critical and atmospheric finale The Storm, or the chugging Simple Minds-esque Brat Pack rock of Keep On Moving. The Radio 1 playlist may now be in reach, but Hope works best when it pumps up the adrenaline and goes for broke, as on the Rage Against the Machine-influenced call to arms of No More Waiting, the blistering post-hardcore of The Devil Inside, and the swaggering punk-pop of This Is Our Time, while the groove-laden nu-metal of Higher & Higher, a collaboration with L.A. rapper Hyro Da Hero, proves they're capable of thinking outside the box. Ordinary and enthralling in equal measures, Hope is an inconsistent affair which should see them trouble the charts for the first time, but which is unlikely to boost their credibility. ~ Jon O'Brien, Rovi
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