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A Little Heart Like You, by Martha's Trouble is a genuine folk-song sounding album of children's lullabies. Dreamland has come and it is peaceful. It's where imaginations fly. -Goodnight Sweet Child by Martha's Trouble. Martha's Trouble released their first children's album that not only is soothing for baby, but it's not boring for mom and dad. After touring the country for years and talking to parents all over, Martha's Trouble realized the need for thier music to reach the youngest generation. Being parents themselves they know how important music is for children's developement and it only made sense that they would add this to their catalog. Not only does the album provide audio stimulation, but it has visual stimulation as well from the beautiful artwork that the album includes. The duo created a very organic, acoustic record, utilizing soothing, calming instruments and repetitive beats (with only hand percussion such as djembe, cajon, kanjira, and frame drum) for a sound that is both feel-good and relaxing. This album contains a total of ten songs, with four originals and some traditional lullabies thrown in, as well, such as Twinkle Twinkle, Hush Little Baby, and You Are My Sunshine. From iPads to iPods, video games and all things electronic, it s not just adults who are so often receiving such a steady stream of stimuli these days. Kids are, too. Folk duo Martha s Trouble decided to go unplugged in hopes that children might, as well. At least at bedtime. A Little Heart Like You is simply an expression of parental love and one that every child should hear.
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Five years after their flirtation with major labels came and went with the release of 2000's King James Version, Seattle punk-popsters Harvey Danger return to active duty with a few new musical wrinkles but all their smarts (and hooks) intact on their fourth album, Little by Little.... While Harvey Danger still display a healthy amount of energy on these ten tunes, their emphasis has shifted a bit as the arrangements lean less on guitars and more on keyboards, with less punk and more classic pop structures in the formula. The piano-dominated melodies of Little Round Mirrors and Moral Centralia are clean and satisfying with just the right amount of bite around the edges, and Happiness Writes White sounds like the work of a post-millennial version of the Merry-Go-Round, while Sean Nelson's firm but flexible tenor is well suited to the new material. Producers Steve Fisk and John Goodmanson have just the right handle on this music, giving the tunes just the right amount of gloss without letting this stuff get too slick, and the band responded well to their treatment. And thankfully, the guys haven't forgotten how to rock out, either, with Cream and Bastards Rise strutting its stuff with just the right amount of bile, and the acoustic but nervy Cool James takes on its targets with a liberating anger and passion. Left to their own devices, Harvey Danger have made a smart and compelling pop album that proves they have plenty of life (and talent) left in 'em; this is as good an album as the bandmembers have ever made, and that new musical direction has thankfully taken them someplace worth visiting. ~ Mark Deming, Rovi
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