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In Lose Your Mother, Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.The slave, Hartman observes, is a strangertorn from family, home, and country. To lose your mother is to be severed from your kin, to forget your past, and to inhabit the world as an outsider. There are no known survivors of Hartmans lineage, no relatives in Ghana whom she came hoping to find. She is a stranger in search of strangers, and this fact leads her into intimate engagements with the people she encounters along the way and with figures from the past whose lives were shattered and transformed by the slave trade. Written in prose that is fresh, insightful, and deeply affecting, Lose Your Mother is a landmark text (Robin D. G. Kelley, author of Freedom Dreams). Saidiya Hartman is the author of Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. She has taught at the University of California in Berkeley, and is currently a visiting professor at Columbia University. She lives in New York City. In Lose Your Mother, Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, Hartman reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.The slave, Hartman observes, is a stranger, one torn from family, home, and country. To lose your mother is to be severed from your kin, to forget your past, and to inhabit the world as an outsider, an alien. There are no known survivors of Hartman's lineage, no relatives in Ghana whom she came hoping to find. She is a stranger in search of strangers, and this fact leads her into intimate engagements with the people she encounters along the way and draws her deeper into the heartland of slavery. She passes through the holding cells of military forts and castles, the ruins of towns and villages devastated by the trade, and the fortified settlements built to repel predatory armies and kidnappers. In passages of historical portraiture, she shows us an Akan prince who granted the Portuguese permission to build the first permanent trading fort in West Africa, a girl murdered aboard a slave ship, and a community of fugitives seeking a haven from slave raiders. The persons shattered and transformed by the slave trade come alive as Hartman weaves together history, biography, and memoir. 'An original, thought-provoking meditation on the corrosive legacy of slavery from the 16th century to the present and a welcome illustration of the powers of innovative scholarship to help us better understand how history shapes identity. But the book is alsothis must be stressedsplendidly written, driven by this writer's prodigious narrative gifts. She combines a novelist's eye for telling detail with the blunt, self-aware voice of those young writers who have revived the American coming-of-age story into something more engaging and empathetic than the tales of redemption or of the exemplary life well lived, patterned on Henry Adams, Benjamin Franklin and Frederick Douglass.'Elizabeth Schmidt, The New York Times Book Review 'An original, thought-provoking meditation on the corrosive legacy of slavery from the 16th century to the present and a welcome illustration of the powers of innovative scholarship to help us better understand how history shapes identity. But the book is alsothis must be stressedsplendidly written, driven by this writer's p
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