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John Zorn has long maintained that Masada is more a collection of songs than a band, and he's asked a bunch of friends for their interpretations as part of Masada's tenth anniversary, the first release being Masada Guitars. Those expecting an electric romp through the Masada songbook might be disappointed; Masada Guitars consists entirely of solo, mostly acoustic performances. Preconceptions aside, this is a beautiful album. Marc Ribot, Bill Frisell, and Tim Sparks each bring their own voice to these tunes: Sparks with his rich fingerpicking, Ribot coming from his classical guitar background, and Bill Frisell with his unmistakable ethereal tone. The performances are closer to the Circle Maker or Bar Khokba recordings than the Masada Band proper -- beautiful readings, generally without the pyrotechnics the band can produce even on a slower tune. Somewhat surprisingly, it's Frisell who turns in the only remotely out material, bringing out his delay to color his tunes and getting into some demented skronk and fun on both Katzatz and Kochot. Sparks' renditions on steel string acoustic sound very similar to his previous Tzadik album, Neshamah. Marc Ribot's playing on what sounds like a nylon-string classical guitar might surprise some folks who are unaware of his classical background (he studied with Frantz Casseus), yet you can still hear elements of his playing style come through.Just as Circle Maker and Bar Khokba showed a different side to these melodies, so it is with Masada Guitars. With literally dozens of songs in the Masada book and almost as many talented friends, Zorn could be mining these tunes for years to come. ~ Sean Westergaard, Rovi
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Wits and weapons clash in this 1981 epic chronicling a rebellion by Jewish Zealots against Roman rule. After Jerusalem falls to the Romans in 70 A.D., nearly a thousand Jewish rebels led by Eleazar ben Jair (Peter Strauss) withdraw to a mountaintop fortress 30 miles southeast of Jerusalem. There, fed by defiance and an unlimited supply of cistern water, they make their stand against Roman rule, now and then conducting surprise raids against Roman positions down below. Whenever the Romans retaliate, Eleazar goes them one better. He and his men burn grain supplies, poison wells and generally make life miserable for the Roman 10th Legion, encamped in the baking desert surrounding the fortress. Frustrated, the Roman general Cornelius Flavius Silva (Peter O'Toole) brings in a brilliant siege master, Rubrius Gallus (Anthony Quayle), to devise a way to breach the mountaintop stronghold. When Gallus begins construction of an earthen ramp up the mountainside, rebels rain down arrows on the Roman workers. Flavius then uses Jews from nearby villages to build the ramp. Meanwhile, Flavius makes several attempts to persuade the rebel Jews to surrender, promising they will live in peace and prosperity under Roman rule. But the Jews are adamant; they want only one thing: freedom, or, at the very least, limited freedom under a Roman-appointed Jewish governor. But after Roman Emperor Vespasian vetoes peace plans, the ramp continues to rise. When it is finished, the Romans pull a massive battering ram on wheels--another of Gallus's stratagems--up the ramp, and the stage is set for the final battle deciding the fate of the Jews. This film had at least three incarnations: as a 6-hour, 34-minute TV series in 1980, and then in trimmed-down versions in 1981 and 1984. Although the filmed-on-location Masada is based on history, parts of it are fictionalized. ~ Mike Cummings, Rovi
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