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At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has put the capper on a three-record run that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain," the album's opener, which teams with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit) as the record's most fiery numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott Holter Dylan Classics and Collections The Freewheelin' Bob Dylan The Times They Are A-Changin' Bringing It All Back Home Highway 61 Revisited Blonde on Blonde Blood on the Tracks No Direction Home: The Soundtrack Biograph (Box Set) Bootleg Series 1-3: Rare 1961-1991 (Box Set)
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Many argue that the modern family is an anachronistic institution whose demise is only a question of time. Looking to the family's future, the eminent sociologist Brigitte Berger argues that despite being weakened and embattled, the family will survive as a fundamental social institution. The family has been the cradle of the modern social order for some three hundred years, and will remain the basis for any society concerned with happiness, liberty, equality, and prosperity for all its members. Rather than being condemned to the dust heap of history, or becoming a simple lifestyle choice, the modern family has a number of enduring strengths that will ensure its survival. In The Family in the Modern Age, Berger focuses on four major areas of concern. First, she demonstrates that the short shrift given to the institutional dimension of the family misrepresents the importance and the role of the family today. Second, she documents the close cognitive fit between core elements of the modern family and the stability of modern society, and argues that any society that ignores this connection does so at its own peril. Third, Berger investigates the degree to which currently identified problems may endanger the modern family's vital individual and social functions. And finally, she develops reasonable projections of the future of the family that will be core elements contributing to the creation of a politically democratic and economically prosperous world. Berger takes a long-range view of "the career" of the conventional family in the twentieth century. Her perspective is distinctly different from that widespread in scholarly literature today. She takes account of recent demographic shifts in behavior relating to sexuality, marriage, family structure and values, relationships, and family functions. Berger considers hotly contested contemporary issues relating to the family-gay marriage, divorce, abortion, women and work, issues of child-care, among others. But she concludes that despite the industrial system's numerous permutations and the far-reaching social adjustments they have exacted, the norms peculiar to the modern family are likely to remain the core feature of any dynamic liberal democratic social order organized around the market. The Family in the Modern Age will be of central interest to professionals as well as a general public concerned with the current debate over the role of the family in modern society. Brigitte Berger, presently professor emerita, has been professor of sociology at Long Island University, Wellesley College, and Boston University. She is author of Societies in Change, and co-author with Peter L. Berger of Sociology: A Biographical Approach, The Homeless Mind: Modernization and Consciousness, and The War Over the Family.
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Modern Products Spike Hot 'n Spicy Magic Gourmet Natural Seasoning (71 g) Add a healthy dose of flavor with Spike Hot 'n Spicy Magic Gourmet Natural Seasoning. Spike Hot 'n Spicy Magic Gourmet Natural Seasoning is the seasoning sensation originally created in the Italian kitchens of internationally acclaimed gourmet nutritionist Gayelord Hauser. Spike Hot 'n Spicy Magic Gourmet Natural Seasoning is a special blend of 39 flavorful herbs and exotic spices with just the right amount of salt and a hearty dash of hot peppers! Some like it hot and your taste experience will not be disappointed with Spike Hot 'n Spicy Magic Gourmet Natural Seasoning. Stir Spike Hot 'n Spicy Magic Gourmet Natural Seasoning in salsa, chili and guacamole. Sprinkle Spike Hot 'n Spicy Magic Gourmet Natural Seasoning on meats, fish, poultry, popcorn; just about everything! Don't Just Season It, Sprinkle It!Spike Original Magic Gourmet Natural Seasoning adds flavor not calories! Try all Modern Products' other Spike Seasoning Magics including Spike Original Magic Superb Natural Seasoning Blend of 39 Herbs, Spices, and Exotic Flavors, or Modern Products' Dee-Licious Spike Salt Free Magic! The Gayelord Hauser BrandAcclaimed nutritionist Gayelord Hauser founded Modern Products in 1925 to share his philosophy that gourmet taste and good nutrition go hand-in-hand.  Modern Products' seasoning blends add a variety of delicious tastes without adding fat or calories. And all of Modern Products' products are made from the earth's purest, most natural ingredients, without additive, preservatives or fillers.
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Capitol/EMI has compiled Etta James' earliest recordings for a new salute to the American music icon, titled The Essential Modern Records Collection. The collection spotlights 15 of James' first singles and b-sides, including the singer's debut, 1955's "The Wallflower" (aka "Roll With Me Henry"), which launched her legendary, decades-spanning career. Etta James began her professional recording career in 1954, auditioning at the age of 14 for bandleader Johnny Otis before recording her first singles for Modern Records in Los Angeles with her vocal group, The Peaches. Her first single, "The Wallflower" (aka "Roll With Me Henry"), an answer song to Hank Ballard's 1954 #1 R&B hit "Work With Me Annie," hit #1 on Billboard's R&B chart in 1955, and "Good Rockin' Daddy" reached #6 on the chart the same year. James shot into fame and was soon invited to tour with Little Richard and Johnny "Guitar" Watson, established artists of the day who would bear significant influence on her career. Other standout singles on the new Modern collection include "Tough Lover," recorded in New Orleans and featuring Lee Allen on saxophone, "W-O-M-A-N," an answer to Bo Diddley's "I'm A Man," and "The Pick-Up," in which Ms. James shares a sultry conversation with saxman Plas Johnson. Modern Records was founded in 1945 in Los Angeles by brothers Saul and Jules Bihari, and, with its RPM and other label divisions, became a leading source of blues and R&B music in the 1950s. The label's A&R team included Ike Turner, and artists who recorded for the label, in addition to Etta James, included Howlin' Wolf, John Lee Hooker, B.B. King, Elmore James, Lightnin' Hopkins, and Little Richard. Etta James has been inducted into the Rock and Roll Hall of Fame, the Blues Hall of Fame, and the GRAMMY Hall of Fame, and she has been honored with the GRAMMY Lifetime Achievement Award and four GRAMMY Awards.
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At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has put the capper on a three-record run that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain," the album's opener, which teams with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit) as the record's most fiery numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott Holter Dylan Classics and Collections The Freewheelin' Bob Dylan The Times They Are A-Changin' Bringing It All Back Home Highway 61 Revisited Blonde on Blonde Blood on the Tracks No Direction Home: The Soundtrack Biograph (Box Set) Bootleg Series 1-3: Rare 1961-1991 (Box Set)
$18 Go to
Amazon