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Civilization and progress, Gilded Age Americans believed, were inseparable from Anglo-Saxon heritage and Christianity. In rising to become the first Asian and non-Christian world power, Meiji Japan (1868-1912) challenged this deeply-held conviction, and in so doing threatened racial and cultural hierarchies central to American ideology and foreign policy. To reconcile Japan's stature with American notions of Western supremacy, both nations embarked on an active campaign to construct an identity for the Japanese which would recognize Japan's progress and abilities without threatening Americans' faith in white, Christian superiority. Japanese efforts included reassurances in diplomatic exchanges and in the American press that their nation adhered to the central tenets of Western civilization, namely constitutional government, freedom of religion, and open commerce. Many anxious Americans eagerly accepted such offerings, and happily re-conceived the Japanese as adoptive Anglo-Saxons. As with the best new work in diplomatic history, in Outposts of Civilization Henning considers culture to be integral to understanding foreign relations. Thus in addition to official documents and press reports, he examines American missionaries' writings on the Japanese, and American and Japanese art and literature produced during the Gilded Age. In exploring the delicate and deliberate process of identity construction, and how these discourses on race and progress resonated throughout the twentieth century, Henning has produced a fascinating and important study of American-Japanese relations.
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Outposts of the War for Empire is being reissued in hardcover format, reproducing the original 1985 edition, to mark the 250th anniversary of the War for Empire, perhaps better known as the French and Indian War. Much has been written on the events of the fifteen years from 1749 to 1764, a conflict that decided the ownership of most of the North American continent. Some historians have addressed the politics of this great conflict; others have focused on the daily lives of the people on the frontier and the ravages they endured in war. In Outposts of the War for Empire, Charles Stotz brings his specialized knowledge as an architect and architectural historian to tell and show what colonial forts looked like, where they stood, who built them and why, what materials were used in building them, and how they varied in design to fit different military purposes. Stotz describes twenty-two forts built by the French, the English, and the colonists in Maryland, Virginia, and Pennsylvania --from tiny outposts built by the Ohio Company at Wills Creek on the North Branch of the Potomac to the fortresses that guarded the Ohio at Pittsburgh, first the French Fort Duquesne and later the English Fort Pitt. Using mathematically accurate perspective drawings, he shows exactly how the most important of the forts were constructed and documents their twentieth-century reconstruction. Through narrative and illustration, Charles Morse Stotz creates a unique and important perspective on the War for Empire, a world war that had profound and lasting influence on the frontier region of western Pennsylvania.
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