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While his erstwhile Black Star mate Mos Def concentrated on his acting career, Talib Kweli set about crafting a truly solo follow-up to his acclaimed debut, Reflection Eternal, this time with a variety of producers in place of partner DJ Hi-Tek. The excellent Quality only ups the ante, building on its predecessor's clear-minded focus with greater scope and a more colorful musical palette. Right off the bat, it's apparent that Kweli has traded his old-school minimalism for a warmer, richer sound -- complete with some live instrumentation -- that's immediately inviting and accessible. The opening trio of songs -- Rush, Get By, and Shock Body -- ranks among the most exciting music he's recorded, and the album only branches out from there. Kweli can pull off genial, good-time hip-hop like lead single Waitin' for the DJ and the DJ Quik-produced Put It in the Air, and follow it with the blistering (and incisive) political fury of The Proud. He reflects on his image as a so-called conscious rapper on Good to You, and pushes its boundaries on the Cocoa Brovaz collaboration Gun Music, where he twists the lyrical conventions of dancehall reggae to his own ends. Pharoahe Monch and the Roots' Black Thought put in exciting guest spots on Guerrilla Monsoon Rap, and Mos Def appears on Joy, where Kweli manages to describe the births of his two children without getting self-indulgent. A couple of the mellow R&B jams do get a little too mellow for their own good, drifting along and slowing the album's otherwise consistent momentum. Nonetheless, nearly everything Kweli tries works, and the array of producers keeps things unpredictable. Quality is proof that intelligent hip-hop need not lack excitement, soul, or genuine emotion; it's one of the best rap albums of a year with no shortage of winners. ~ Steve Huey, Rovi
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In June 2000, almost seven years after their formation, underground rap's most lauded crew finally hit with a full-length. Great expectations aside, Quality Control hits all the same highs as Jurassic 5's excellent EP of three years earlier, stretching out their résumé to nearly an hour with a few turntablist jaunts from resident beat-jugglers DJ Nu-Mark and Cut Chemist. The formula is very similar to the EP, with the group usually going through a couple of lines of five-man harmonics before splitting off for tongue-twister solos from Zaakir, Chali 2na, Akil, and Marc 7even. As expected, there are plenty of nods to old-school rap, from Lausd, with its brief tribute to hip-hop classic The Bridge by MC Shan, to Monkey Bars, where the group claim inspiration (yet just a bit of distance) from their heroes: Now you know us but it's not the Cold Crush, four MCs so it ain't the Furious/Not the Force M.D.'s or the three from Treacherous, it's a blast from the past from the moment we bust. Where Quality Control really laps previous Jurassic 5 material is not only the lyrical material, though, but the themes and focus of the message tracks Lausd, World of Entertainment (Woe Is Me), and Contribution. The four-man crew take on major media and the responsibilities of adulthood with a degree of authority, eloquence, and compassion never before heard in rap music. (Just check out the lyrics to any of the above three at an online archive like www.ohhla.com.) Though critics and uptight rap purists might fault them for not pushing the progression angle enough, Jurassic 5's rhymes are so devastating and the productions (by Nu-Mark and Cut Chemist) follow the raps so closely it certainly doesn't matter whether the group is old-school or not. ~ John Bush, Rovi
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